ZEISS CP2 35mm/T 1,5 Super Speed EF/PL/E-mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

The ZEISS CP3 25mm/T 2.1 EF/PL/E-mount Lens, with advanced coatings, provides a higher contrast, richer blacks and more saturated colors.

The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.

Panasonic AU-EVA1 Cinema Camera integrates a newly developed Super 35 mm 5.7K sensor that enables it to record authentic cinema images.

Canon Lens CN-E85mm T1.3 L F is robust, compact and weighing just 1.1 kg, offers incredible 4K images, a perspective and a natural angle. Ideal for turning in low brightness conditions or to obtain a shallow depth of field

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

Canon Lens 24-70mm IS F/4 is an optical stabilized with macro mode for a maximum magnification factor of 0.7x.

Cine prime lens designed for filmmaking and video production applications.

The ZEISS CP3 50mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The ZEISS CP3 15mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs.

There is no excerpt because this is a protected post.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Canon Extender EF 2X III increases the focal length of a lens by a factor of 2x while still delivering superb image quality.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.