{"id":35922,"date":"2020-06-09T13:56:39","date_gmt":"2020-06-09T13:56:39","guid":{"rendered":"https:\/\/mediamaking.com\/?page_id=35922"},"modified":"2023-03-09T09:19:35","modified_gmt":"2023-03-09T09:19:35","slug":"sony-venice-videocamera-cinealta-6k-for-rent-milano","status":"publish","type":"page","link":"https:\/\/mediamaking.com\/en\/rentals\/video-equipment\/sony-venice-videocamera-cinealta-6k-for-rent-milano\/","title":{"rendered":"Sony Venice CineAlta 6K"},"content":{"rendered":"

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The Sony VENICE<\/strong> 6K<\/strong> camera is created by directors of photography and equipped with a completely new developed full frame image sensor<\/strong> to meet all needs of the film industry, expanding the boundaries of acquiring large images with exceptional quality.<\/p>\n

The ease of use<\/strong> and reliability of the camera<\/strong> are among the main aspects of interest to operators, especially in the event of shooting in unfavorable conditions or with tight deadlines. Thanks to the easy-to-use design<\/strong>, the clear and simple navigation interface<\/strong> of the menu and the highly resistant and reliable structure of Sony VENICE, you will be able to focus only on the shooting and not on the camera.<\/p>\n

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Sony VENICE features a 36 x 24 mm full frame image sensor<\/strong>, designed for the high-end cinema industry, capable of capturing images with a maximum resolution of up to 6048 x 4032<\/strong>. In imager modes, VENICE offers support native of Super 35 24.3 x 18.0 mm<\/strong>, with resolution of 4096 x 3024<\/strong> (equivalent to films with 4 perforations) and Super 35 24.3 x 12.8 mm<\/strong> with resolution of 4096 x 2160<\/strong> (equivalent to films with 3 perforations).<\/p>\n

In other words, the new full frame sensor allows you to shoot in almost all formats<\/strong>, including Super 35 anamorphic and spherical full frame of 18 mm high and anamorphic and spherical full frame of 24 mm high. Virtually all aspect ratios are available: 1.85:1, 2.39:1, 17:9<\/strong>, even full frame or Super35.<\/p>\n

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Specifications<\/div>\n
General<\/div>\n\n\n\n\n\n\n\n
Dimensions<\/td>\n158 x 147 x 235 mm<\/td>\n<\/tr>\n
Weight<\/td>\n3,9 kg<\/td>\n<\/tr>\n
Consumption<\/td>\nCirca 60 W<\/td>\n<\/tr>\n
Operating temperature<\/td>\n0\u00b0C – 40\u00b0C<\/td>\n<\/tr>\n
Storage temperature<\/td>\n-20\u00b0C – 60\u00b0C<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Camera<\/div>\n\n\n\n\n\n\n\n\n\n\n\n
Image device<\/td>\n35mm single-chip full-frame CMOS image sensor<\/td>\n<\/tr>\n
Quantity of sensor pixels<\/td>\n24,8 M (total)<\/td>\n<\/tr>\n
Sensor size<\/td>\n36.2 x 24.1 mm 43.5 mm diagonal<\/td>\n<\/tr>\n
Integrated ND filters<\/td>\nTransparent, 0,3 (1\/2), 0,6 (1\/4), 0,9 (1\/8), 1,2 (1\/16), 1,5 (1\/32), 1,8 (1\/64), 2,1 (1\/128), 2,4 (1\/256)<\/td>\n<\/tr>\n
ISO sensitivity<\/td>\nISO 500, ISO 2500 (double ISO base)<\/td>\n<\/tr>\n
Lens mounting<\/td>\nPL Mount<\/td>\n<\/tr>\n
FPS selection<\/td>\n4K 2,39:1 1-120 FPS, 4K 17:9 1-110 FPS, 3,8K 16:9 1-60 FPS
4K 4:3 1-75 FPS, 4K 6:5 1-30 FPS
6K 2,39:1 1-90 FPS, 6K 17:9\/1,85:1 1-72 FPS, 5,7K 16:9 1-30 FPS
6K 3:2 1-60 FPS<\/td>\n<\/tr>\n
White balance<\/td>\n2000 – 15.000 Kelvin and green \/ magenta regulation, AWB<\/td>\n<\/tr>\n
Gamma curve<\/td>\nS-Log3<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Recording<\/div>\n\n\n\n\n\n
Recording format (Video)<\/td>\nXAVC 4K Class 480: 23.98p, 24p, 25p, 29.97p
XAVC 4K Classe 300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class 480: 23.98p, 25p, 29.97p
XAVC QFHD Classe 300: 23.98p, 25p, 29.97p, 50p, 59.94p
MPEG HD422 (1920 x 1080): 23.98p, 25p, 29.97p, 50i, 59.94i
ProRes HD 422 HQ: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422 Proxy: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 4444: 23.98p, 24p, 25p, 29.97p<\/td>\n<\/tr>\n
Recording format (RAW\/X-OCN) requires AXS-R7<\/td>\nRAW SQ:
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3,8 K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
X-OCN ST\/LT:
6K 3:2 (6048 x 4032): 23.98p, 24p, 25p
6K 2,39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p
6K 1,85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p
6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p
5,7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p
4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p
4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 2,39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3,8 K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p<\/td>\n<\/tr>\n
Recording format (Audio)<\/td>\n4-channel LPCM, 24 bit and 48 kHz<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
Input\/Output<\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
DC input<\/td>\n4-pin XLR type (male)<\/td>\n<\/tr>\n
DC battery input<\/td>\n5-pin square connector<\/td>\n<\/tr>\n
DC output<\/td>\n12 V: 1 4-pin Hirose
24 V: 2 3-pin Fischer<\/td>\n<\/tr>\n
SDI output<\/td>\n4 BNC, (12G, 3G, 1,5G-SDI)<\/td>\n<\/tr>\n
HD MINI output<\/td>\n1 BNC (1,5G-SDI)<\/td>\n<\/tr>\n
HDMI Output<\/td>\n1 type A<\/td>\n<\/tr>\n
Viewfinder<\/td>\n26 pin LEMO<\/td>\n<\/tr>\n
Audio input<\/td>\n1 type 5 pin XLR (female) (LINE \/ AES \/ EBU \/ MIC \/ MIC + 48V selectable)<\/td>\n<\/tr>\n
Genlock and timecode input<\/td>\nBNC x 1<\/td>\n<\/tr>\n
Hot shoe for optical attachment<\/td>\n2 to 4 pins, compliant with the Cooke \/ i Intelligent Electronic Lens System<\/td>\n<\/tr>\n
Lens<\/td>\n1 a 12 pin<\/td>\n<\/tr>\n
AUX<\/td>\n1 5-pin LEMO (female) (timecode output)<\/td>\n<\/tr>\n
Network<\/td>\n1 type RJ-45, 10BASE-T, 100BASE-TX<\/td>\n<\/tr>\n
USB<\/td>\n1 USB type A slot<\/td>\n<\/tr>\n
Headphone output<\/td>\nStereo mini jack (x1)<\/td>\n<\/tr>\n
Loudspeaker output<\/td>\nMono<\/td>\n<\/tr>\n
Media type<\/td>\n2 ExpressCard \/ 34 slots
1 SD card slot<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n

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