{"id":14802,"date":"2017-06-20T09:19:56","date_gmt":"2017-06-20T09:19:56","guid":{"rendered":"https:\/\/beta.mediamaking.com\/sony-pxw-fs7-mark\/"},"modified":"2019-02-25T10:13:03","modified_gmt":"2019-02-25T10:13:03","slug":"rental-camcorder-sony-pxw-fs7-mark-ii","status":"publish","type":"post","link":"https:\/\/mediamaking.com\/en\/rental-camcorder-sony-pxw-fs7-mark-ii\/","title":{"rendered":"SONY PXW-FS7 Mark II"},"content":{"rendered":"\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-14802 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/mediamaking.com\/assets\/media\/2017\/06\/sony-pxw-fs7-m2-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"135\" src=\"https:\/\/mediamaking.com\/assets\/media\/2017\/06\/sony-pxw-fs7-m2-3-240x135.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/mediamaking.com\/assets\/media\/2017\/06\/sony-pxw-fs7-m2-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"135\" src=\"https:\/\/mediamaking.com\/assets\/media\/2017\/06\/sony-pxw-fs7-m2-2-240x135.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<div class=\"subtitolo-noleggio\">SONY PXW-FS7 Mark II<\/div>\n<div class=\"text-noleggio\">The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.<br \/>\nMoving: in hand, shoulder or suspended by a gimbal, the FS7 II offers the spectacular images you expect from Sony.<\/div>\n<div class=\"subtitolo-noleggio\">General<\/div>\n<p>Operating Temperature0\u00b0C to 40\u00b0C<br \/>\n32\u00b0F to 104\u00b0F<\/p>\n<table class=\"table-noleggio-2-colonne-genrale\">\n<tbody>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Weight<\/td>\n<td class=\"table-colonna-2b-noleggio\">About 2 kg (body only)<br \/>\nAbout 4.5kg (with viewfinder, eyepiece, Grip Remote Control, BP-U30 battery, SELP18110G optic and XQD memory card)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Dimensions (W x H x D)<\/td>\n<td class=\"table-colonna-2b-noleggio\">158,9 x 245,2 x 247 mm (body without protrusions)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Power Requirements<\/td>\n<td class=\"table-colonna-2b-noleggio\">16,5 V DC (batteria)<br \/>\n12 V DC (adattatore AC)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Power Consumption<\/td>\n<td class=\"table-colonna-2b-noleggio\">Approx. 19W (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Storage Temperature<\/td>\n<td class=\"table-colonna-2b-noleggio\">-20\u00b0C to +60\u00b0C<br \/>\n-4\u00b0F to +140\u00b0F<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Battery Operating Time<\/td>\n<td class=\"table-colonna-2b-noleggio\">Approx. 1 hrs with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)<br \/>\nApprox. 2 hrs with BP-U60 battery while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)<br \/>\nApprox. 3 hrs with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Recording Format (Video)<\/td>\n<td class=\"table-colonna-2b-noleggio\">\nXAVC-I mode: QFHD 59.94P CBG, bit rate of 600 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I mode: QFHD 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I mode: QFHD 29.97P CBG, bit rates of 300 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I mode: QFHD 23.98P CBG, bit rate of 240 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I mode: QFHD 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I mode: HD 59.94P VBR, maximum bit rate 222 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I Mode: HD 50P VBR, Maximum Bit Rate 185 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I Mode: HD 59.94i VBR, Maximum Bit Rate 111 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I Mode: HD 50i VBR, Maximum Bit Rate 112 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I mode: HD 29.97P VBR, maximum bit rate of 111 Mbps, MPEG-4<br \/>\nXAVC-L QFHD Mode 59.94P \/ 50P: VBR, Maximum Bit Rate 150 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-L QFHD Mode 29.97P \/ 23.98P \/ 25P: VBR, Maximum Bit Rate 100 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-L HD 50 Mode: VBR, Maximum Bit Rate 50 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-L HD 35 Mode: VBR, Maximum Bit Rate 35Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-L HD 25 Mode: VBR, Maximum Bit Rate 25Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMPEG HD422 mode: CBR, maximum bit rate: 50 Mbps, MPEG-2 422P @ HL<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Recording Format (Audio)<\/td>\n<td class=\"table-colonna-2b-noleggio\">LPCM 24 bits, 48 kHz, 4 channels (Recording\/Playback ONLY 2channels)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Recording Frame Rate<\/td>\n<td class=\"table-colonna-2b-noleggio\">\nMod. XAVC-I: DCI4K 59.94P CBG, bit rate 600 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: DCI4K 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: DCI4K 29.97P CBG, bit rate 300 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: DCI4K 23.98P CBG, bit rate 240 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: DCI4K 24.00P CBG, bit rate 240 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: DCI4K 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: QFHD 59.94P CBG, bit rate 600 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: QFHD 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: QFHD 29.97P CBG, bit rate 300 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: QFHD 23.98P CBG, bit rate 240 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: QFHD 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I mode: HD 59.94P VBR, bit rate max. 222 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-I mode: HD 50P VBR, bit rate max. Of 185 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: HD 59.94i VBR, bit rate max. Of 111 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: HD 50i VBR, bit rate max. Of 112 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: HD 29.97P VBR, bit rate max. Of 111 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: HD 23.98P VBR, bit rate max. Of 89 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-I: HD 25P VBR, bit rate max. Of 112 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-L QFHD 59.94P \/ 50P: VBR, bit rate max. Of 150 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-L mode QFHD 29.97P \/ 23.98P \/ 25P: VBR, bit rate max. Of 100 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nXAVC-L mode HD 50: VBR, bit rate max. Of 50 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-L HD 35: VBR, bit rate max. Of 35 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMod. XAVC-L HD 25: VBR, bit rate max. Of 25 Mbps, MPEG-4 H.264 \/ AVC<br \/>\nMPEG HD422 mode: CBR, maximum bit rate: 50 Mbps, MPEG-2 422P @ HL<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Recording\/Playback Time<\/td>\n<td class=\"table-colonna-2b-noleggio\">\nXAVC-I mode QFHD 59.94P If you are using QD-G128A (128 GB): about 22 minutes<br \/>\nXAVC-I mode QFHD 50P If you are using QD-G128A (128 GB): about 26 minutes<br \/>\nXAVC-I mode QFHD 29.97P If you are using QD-G128A (128 GB): about 44 minutes<br \/>\nXAVC-I Mode QFHD 23.98P If you are using QD-G128A (128 GB): about 55 minutes<br \/>\nXAVC-I mode QFHD 25p If you are using QD-G128A (128 GB): about 52 minutes<br \/>\nXAVC-I HD 59.94P Mode If you are using QD-G128A (128 GB): about 59 minutes<br \/>\nXAVC-I HD 50P mode If you are using QD-G128A (128 GB): about 71 minutes<br \/>\nXAVC-I HD 59.94i Mode If you are using QD-G128A (128 GB): about 118 minutes<br \/>\nXAVC-I HD 50i Mode If you are using QD-G128A (128 GB): about 141 minutes<br \/>\nXAVC-I HD 29.97P Mode If you are using QD-G128A (128 GB): about 118 minutes<br \/>\nXAVC-I HD 23.98P mode If you use QD-G128A (128 GB): about 147 minutes<br \/>\nXAVC-I HD 25P mode If you are using QD-G128A (128 GB): about 141 minutes<br \/>\nXAVC-I Mode QFHD 59.94P \/ 50P If you are using QD-G128A (128 GB): about 87 minutes<br \/>\nXAVC-L QFHD mode 29.97P \/ 23.98P \/ 25P: When using QD-G128A (128 GB): Approx. 131 minutes<br \/>\nXAVC-L mode 50 If you are using QD-G128A (128 GB): about 262 minutes<br \/>\nXAVC-L Mode 35 If you are using QD-G128A (128 GB): about 374 minutes<br \/>\nXAVC-L Mode 25 When using QD-G128A (128 GB): Approx. 524 minutes<br \/>\nMPEG HD422 mode If you are using QD-G128A (128 GB): about 262 minutes<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"subtitolo-noleggio\">Camera Section<\/div>\n<table class=\"table-noleggio-2-colonne-genrale\">\n<tbody>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Imaging Device (Type)<\/td>\n<td class=\"table-colonna-2b-noleggio\">Super35 type Single-chip Exmor CMOS<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Effective Picture Elements<\/td>\n<td class=\"table-colonna-2b-noleggio\">17:9 4096 (H) x 2160 (V)<br \/>\n16:9 3840 (H) x 2160 (V)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Built-in Optical Filters<\/td>\n<td class=\"table-colonna-2b-noleggio\">\nND Filters<br \/>\nOFF: TRANSPARENT<br \/>\n1 1\/4 ND<br \/>\n2 1\/16 ND<br \/>\n3: 1\/64 ND<br \/>\nND linear variable (from 1\/4 ND to 1\/128 ND)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Sensitivity (2000 lx, 89.9% reflectance)<\/td>\n<td class=\"table-colonna-2b-noleggio\">Video Gamma: T14 (3840 x 2160\/23.98P mode 3200K)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">ISO Sensitivity<\/td>\n<td class=\"table-colonna-2b-noleggio\">ISO 2000(S-Log3 Gamma D55 Light source)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Minimum Illumination<\/td>\n<td class=\"table-colonna-2b-noleggio\">0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">S\/N Ratio<\/td>\n<td class=\"table-colonna-2b-noleggio\">57 dB (Y) (typical)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Shutter Speed<\/td>\n<td class=\"table-colonna-2b-noleggio\">1\/3 sec to 1\/9,000 sec<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Gain<\/td>\n<td class=\"table-colonna-2b-noleggio\">-3, 0, 3, 6, 9, 12, 18 dB, AGC<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">White Balance<\/td>\n<td class=\"table-colonna-2b-noleggio\">Preset, Memory A, Memory B(1500K-50000K)\/ATW<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Slow &#038; Quick Motion Function<\/td>\n<td class=\"table-colonna-2b-noleggio\">XAVC-I Mode 3840 x 2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)<br \/>\nXAVC-I Mode 1920 x 1080: 1 to 180 frames (59.94P, 29.97P, 23.98P) from 1 to 150 frames (50P, 25P)<br \/>\nXAVC-L Mode 3840 x 2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)<br \/>\nXAVC-L Mode 1920 x 1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Monitoring<\/td>\n<td class=\"table-colonna-2b-noleggio\">Built-in LCD Monitor with 8.8cm (3.5 type) Approx. 1.56M dots<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Built-in Microphone<\/td>\n<td class=\"table-colonna-2b-noleggio\">Omni-directional monoral electret condenser microphone.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"subtitolo-noleggio\">Input\/Output<\/div>\n<p>DC InputDC Jack<\/p>\n<table class=\"table-noleggio-2-colonne-genrale\">\n<tbody>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">SDI Output<\/td>\n<td class=\"table-colonna-2b-noleggio\">BNC(x2), switchable with 3G-SDI\/HD-SDI<br \/>\nSMTPE292M\/424M\/425M<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">HDMI Output<\/td>\n<td class=\"table-colonna-2b-noleggio\">Type A (x1)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Speaker Output<\/td>\n<td class=\"table-colonna-2b-noleggio\">Mono<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Headphone Output<\/td>\n<td class=\"table-colonna-2b-noleggio\">Stereo mini jack (x1) -16dBu 16\u03a9<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Audio Input<\/td>\n<td class=\"table-colonna-2b-noleggio\">XLR-type 3-pin (female) (x2), line\/mic\/mic +48 V selectable Mic Reference: -40, -50, -60dBu<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">Remote<\/td>\n<td class=\"table-colonna-2b-noleggio\">Stereo mini-minijack (\u03a62.5 mm)<\/td>\n<\/tr>\n<tr>\n<td class=\"table-colonna-2a-noleggio\">USB<\/td>\n<td class=\"table-colonna-2b-noleggio\">USB device, mini-B (x1)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.<\/p>\n","protected":false},"author":3,"featured_media":18592,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[807,759,798],"tags":[],"class_list":["post-14802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-01-sony-cameras","category-camcorders-video-cameras-cameras","category-noleggi-best"],"acf":[],"_links":{"self":[{"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/posts\/14802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/comments?post=14802"}],"version-history":[{"count":0,"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/posts\/14802\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/media\/18592"}],"wp:attachment":[{"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/media?parent=14802"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/categories?post=14802"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mediamaking.com\/en\/wp-json\/wp\/v2\/tags?post=14802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}