The Sony Lens FE 50mm F1.8 is a must for anyone with a full frame camera, and this goal is an excellent choice.

The ZEISS Batis 2.8 / 18 E-mount optic is a full-frame lens ideal for capturing landscapes, skies and architectures.

Despite its compactness, ZEISS’s Loxia 2.8 / 21 super wide-angle lens offers outstanding image quality across the full frame field of a full frame sensor.

The ZEISS Loxia® 2/35 offers an extended field of view. It is therefore the optimal choice when a subject has to be shown in context or when people want to portray people in a situation, for example for reportage or street photography.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The ZEISS CP3 25mm/T 2.1 EF/PL/E-mount Lens, with advanced coatings, provides a higher contrast, richer blacks and more saturated colors.

TheSony Lens FE 35 mm F1,4 ZA facilitates handheld shooting indoors in low light, as well as night scenes.

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Sony Lens FE 70-200 mm F2,8 GM OSS offers unparalleled rendering, lightning strike and performance stabilizing the extraordinary image.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The Zeiss Lens OTUS 55mm f/1.4 ZE EF-Mount is a standard focal length premium lens optimized for full-format DSLR camera sensors.

A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Sony FE 70-200mm f/2.8 GM OSS II lens centers exceptional resolution and fabulous bokeh in the world’s lightest wide-aperture G Master telephoto zoom lens.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

The Sony FE 24-105mm f/4.0 G OSS is a photographic lens with an F4 aperture across the entire zoom range, thus ensuring quality images in every situation.

Sony Lens E 16-70mm F4 ZA OSS combines the renowned Zeiss optics with an opening performance Maximum F4 Constant to ensure exceptional performance on the whole zoom range.

Canon Lens EF 85mm f/1.8 USM: Telephoto lens with short focal length, featuring a large maximum aperture and fast auto-focus high.

This zoom lens Zeiss Vario-Tessar lens with E-mount 16-35mm full frame encloses Exceptional performance in a compact and lightweight body.

Canon Lens 24-70mm IS F/4 is an optical stabilized with macro mode for a maximum magnification factor of 0.7x.

Kit ZEISS Batis Lenses 18/25/85/135 mm E-mount avalaible for rent.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

The Fujinon MK18-55mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

Sony Lens E PZ 18-110 mm F4 G OSS covers the most used range in Super 35 mm / APS-C video. The optical performance of the G lens ensures 4K and Ultra HD

ZEISS Otus 85mm f/1.4 Apo Planar T* ZE EF-Mount lens is designed for Canon EF-mount full-frame-format DSLRs and 35mm film cameras. It is also compatible with APS-C format DSLRs, where it will provide a 35mm-equivalent focal length of 136mm.

The photographic lens Laowa 12mm F2.8 Zero-D with Sony E-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.