Arri Alexa Mini LF

Arri Alexa Mini LF camera
The Alexa Mini LF is a large-format camera from ARRI designed to offer versatility and high image quality. It features a compact form factor and low weight, making it suitable for a variety of production environments. The camera supports multiple recording formats, including 4.5K Open Gate and anamorphic Super 35, allowing filmmakers to work with a range of aspect ratios. It also offers 4K and 2K options, with support for both ProRes and ARRIRAW codecs.

The Alexa Mini LF can use multiple frame lines simultaneously, including a vertical 9:16 crop for social media, which takes advantage of the camera’s tall ARRI sensor. The camera integrates ARRI’s REVEAL Color Science for improved post-production workflows, ensuring high-quality color grading and consistency.

In terms of connectivity, the camera provides a 6G SDI output for 4K monitoring, an EXT port for remote camera control, and built-in genlock for synchronizing multiple cameras. The Mini LF also supports 12V and 24V power outputs for external accessories.

It has interchangeable lens mounts, including the LPL and PL mounts, and comes with an adapter for easy switching between the two. The camera also offers additional lens options with the EF LBUS mount and the Leitz M mount. It supports lens data transmission via LDS, LDS-2, and Cooke/i, ensuring compatibility with a wide range of professional lenses.

Overall, the Alexa Mini LF is a flexible, multi-format camera designed to meet the demands of modern filmmaking, with a wide range of lens options and high-quality imaging capabilities.

Specifications
Dimensions 14 x 14,3 x 18,8 cm
Weight 2,6 kg
Sensor Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array
Sensor maximum number of photosites and size 4448 x 3096
36.70 x 25.54 mm / 1.444 x 1.005″
⌀ 44.71 mm / 1.760″
Sensor frame rates 0.75 – 90 fps
Photosite Pitch 8.25 μm
Sensor Active Image Area (photosites) 4.5K LF 3:2 Open Gate: 4448 x 3096
4.5K LF 2.39:1: 4448 x 1856
4.3K LF 16:9: 4320 x 2430
3.8K LF 16:9: 3840 x 2160
2.8K LF 1:1: 2880 x 2880
3.4K S35 3:2: 3424 x 2202
3.2K S35 16:9: 3200 x 1800
2.8K S35 4:3: 2880 x 2160
2.8K S35 16:9: 2880 x 1620
Sensor Active Image Area (dimensions) 4.5K LF 3:2 Open Gate: 36.70 x 25.54 mm / 1.445 x 1.006“
4.5K LF 2.39:1: 36.70 x 15.31 mm / 1.445 x 0.603“
4.3K LF 16:9: 35.64 x 20.05 mm / 1.403 x 0.789“
3.8K LF 16:9: 31.68 x 17.82 mm / 1.247 x 0.702“
2.8K LF 1:1: 23.76 x 23.76 mm / 0.935 x 0.935“
3.4K S35 3:2: 28.25 x 18.16 mm / 1.112 x 0.714“
3.2K S35 16:9: 26.40 x 14.85 mm / 1.039 x 0.585“
2.8K S35 4:3: 23.76 x 17.81 mm / 0.935 x 0.701“
2.8K S35 16:9: 23.76 x 13.36 mm / 0.935 x 0.526“
Recording File Container Size (pixel) 4.5K LF 3:2 Open Gate ARRIRAW: 4448 x 3096
4.5K LF 3:2 Open Gate Apple ProRes: 4480 x 3096
4.5K LF 2.39:1 ARRIRAW: 4448 x 1856
4.5K LF 2.39:1 Apple ProRes: 4480 x 1856
4.3K LF 16:9: 3840 x 2160, 1920 x 1080
3.8K LF 16:9: 3840 x 2160, 2048 x 1152, 1920 x 1080
2.8K LF 1:1 ARRIRAW: 2880 x 2880
2.8K LF 1:1 Apple ProRes: 3072 x 3024
3.4K S35 3:2: 3424 x 2202
3.2K S35 16:9: 3200 x 1800
2.8K S35 4:3: 2880 x 2160
2.8K S35 16:9: 1920 x 1080
Recording File Image Content (pixel) 4.5K LF 3:2 Open Gate: 4448 x 3096
4.5K LF 2.39:1: 4448 x 1856
4.3K LF 16:9: 3840 x 2160, 1920 x 1080
3.8K LF 16:9: 3840 x 2160, 2048 x 1152, 1920 x 1080
2.8K LF 1:1: 2880 x 2880
3.4K S35 3:2: 3424 x 2202
3.2K S35 16:9: 3200 x 1800
2.8K S35 4:3: 2880 x 2160
2.8K S35 16:9: 1920 x 1080
Dynamic range 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Shutter Electronic shutter, 5.0°- 356° or 1s – 1/8000s
Lens mounts LPL lens mount with LBUS connector
PL-to-LPL adapter
EF Mount (LBUS)
Leitz M mount (availbale from Leitz)
Recording formats MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ
Audio Inputs 1x LEMO 6pin balanced stereo line in with 12V power output
(Line input max. level +24dBu correlating to 0dBFS)
Two built-in microphones for scratch audio
Audio Outputs SDI (embedded)
3,5mm stereo headphone jack (on MVF-2)
Video Outputs 1x proprietary signal output for MVF-2 viewfinder on VF CoaXPress connector (video, audio, power, control signals)
SDI 1:
-HD only, Processed or Clean, with or without a look file applied
-1.5G 422 HD (SMPTE ST292-1, up to 30 fps, progessive (p) or progressive segmented frame (psf))
-3G 422 HD (SMPTE ST425-1, up to 60 fps, p)
-3G 444 HD (SMPTE ST425-3, up to 30 fps, p)
SDI 2:
-HD or UHD, Clean only, with or without a look file applied, or SDI 1 clone
-1.5G 422 HD (SMPTE ST292-1, up to 30 fps, p or psf)
-3G 422 HD (SMPTE ST425-1, up to 60 fps, p)
-3G 444 HD (SMPTE ST425-3, up to 30 fps, p)
-6G 422 UHD (SMPTE ST2081-10, up to 30 fps, p)

Richiedi informazioni o un preventivo:

* campo obbligatorio

Panasonic AU-EVA1

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

SONY alpha 7R mark II

Thanks to the first CMOS image sensor 35 mm full frame backlit 42.4 megapixel in the world, with α7R II Sony image resolution, sensitivity (up to ISO 102,400) and responsiveness reach new heights.

PTZ camera Canon CR-N500 4K UHD

PTZ camera Canon CR-N500 4K UHD allows you to control remotely with a minimal operating crew. It differs in remote options.

Blackmagic Focus Demand

The Blackmagic Focus Demand is an accurate focus control for Blackmagic Studio Cameras. It features a rotating knob with three levers.

Blackmagic PYXIS 6K attacco L

Blackmagic PYXIS 6K L-mount

Blackmagic PYXIS 6K L-mount is a full-frame digital camcorder that delivers outstanding image quality with sharp details and vibrant colors, making it ideal for filming movies, documentaries and high-end productions thanks in part to its anamorphic and Super 35 formats.

ILCE-7RM4_Sony_fotocamera-Sony-A7R-IV

Sony Alpha A7R IV, full-frame 62,5 Megapixel

The Sony Alpha A7R IV continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance, and versatility.

Canon EOS 5D Mark III

EOS 5D Mark III Digital SLR Camera is a full-frame 22.3 MP with autofocus 61-point and continuous shooting at 6 fps.

DJI Osmo Mobile 7

DJI Osmo Mobile 7

DJI Osmo Mobile 7 DJI Osmo Mobile 7 is a compact and lightweight smartphone stabilizer designed to deliver smooth, stable footage for content creators, videographers, and everyday users. Equipped with a 3-axis stabilization system and DJI’s latest-generation...

Drone DJI Air 3 Fly More Combo con DJI RC 2

DJI Air 3 Fly More Combo drone whit DJI RC 2

Drone DJI Air 3 Fly More Combo with DJI RC 2 features a dual camera, one wide-angle and one medium telephoto, allowing you to capture images and video in 4K

SONY alpha 7S III

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.