The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

URSA Broadcast is ideal both for outdoor shooting in reportage style and for broadcasts from the studio. Broadcast professionals can use their existing optics and batteries, and leave behind the formats and proprietary cards of traditional cameras.

The Canon EOS R5 C is a camera that combines the best of Cinema EOS with all the benefits of the EOS R series.

EOS 5D Mark III Digital SLR Camera is a full-frame 22.3 MP with autofocus 61-point and continuous shooting at 6 fps.

The core of the EOS-1D X Mark II is a CMOS sensor developed by Canon that represents the future generation of professional image quality in the EOS range.

Equipped with a 1 “MOS sensor, the Panasonic PTZ AW-UE150 camera supports high quality 4K 50p video, features a 75.1 degree viewing angle and 20x optical zoom, and supports multiple outputs including 12G-SDI , HDMI, optical fiber and IP.

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

ATEM 1 M / E Advanced Panel is an elegant professional control panel for ATEM switchers. Its modern design includes the latest technology to manage the transmission with fast and efficient workflows.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.

The Sony FX30 Cinema Line compact gateway camcorder captures stunning images with 6K oversampling and a cinematic look.

HVR-Z7E has an interchangeable lens system, native progressive recording, and recording unit with solid-state memory.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

Interchangeable conference microphone with cardioid, hyper-cardioid and omni heads. The high intermediate and advanced frequency makes the sound clear.

Sony Alpha 9 III Mirrorless camera with full-frame interchangeable lenses, 24.6 MP Exmor RS CMOS full-frame sensor

Dolly CD6 equipped with basic platform, suitable for crane 120.

The Blackmagic Studio Camera 4K Plus is designed for live production and provides a variety of options for recording and broadcasting your videos.

Blackmagic Studio Camera 6K Pro is designed to be the ultimate studio camera. It offers a larger Super 35 6K sensor and EF lens mount for true cinematic images in live productions.

The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is designed for event videographers, documentarians, and independent filmmakers.

The PXW-Z90 offers 4K high quality broadcast features with advanced features such as high speed autofocus, instant HDR workflow, super slow motion up to 960 fps, and 2.4GHz or 5 GHz streaming with QoS.

The Sony Alpha A7R IV continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance, and versatility.

Canon EOS C80 Cinema Camera, back-illuminated stacked CMOS sensor (BSI), ISO (800/3200/12800), 16 stops dynamic range.

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.