Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

A true soft light with outstanding power and performance, Gemini 1×1 features over 16.7 million colors, and 11 cinematic lighting effects instantly available at the touch of a button as well as full-spectrum white light from 2,700K to 10,000K CCT.

Laowa 24mm f/14 2X Macro Probe lens allows you to focus very closely (2cm @ 2:1), while showing many details and textures.

Interchangeable conference microphone with cardioid, hyper-cardioid and omni heads. The high intermediate and advanced frequency makes the sound clear.

The Arri T1 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular workhorses for over two decades.
When fitted with a 1000-watt bulb (available separately) this fixture will provide a 2.8′ (0.9 m) diameter beam of 409 fc from a distance of 20′ (6.1 m) at full spot. At full flood (same distance), it will provide a 48 fc, 20.4′ (6.2 m) diameter beam

This Nanlite SB-MP150 softbox is compatible with MixPanel 150 RGBWW LED panel. It features a speed ring-free design and the unit mounts to the front of the LED panel via touch fasteners.

This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The Litepanels Gemini 1×1 Hard LED RGBWW has multiple lighting modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode.

Godox bi-color LED panel light F600Bi 4×4 is designed to provide flexibility in any environment, offers practicality and portability to film and television professionals.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

Nanlux DYNO 650C soft RGBW LED has a wide color temperature range of 2700 to 20,000 K and CRI of 98.

The Amaran F22c flexible LED light features RGBWW LEDs for complete color control as well as CCT tunable from 2,500K to 7,500K.

he Nanlite Forza 720B Two-Tone and Dimmable LED Light – 800 W provides a balanced light output 2700 – 6500 K while maintaining a high CRI / TLCI average of 96/97.

Sony VENICE has a 36 x 24 mm full frame image sensor, capable of acquiring images with a maximum resolution of up to 6048 x 4032.

The Nanlite LED spot light FS-200B bicolor 220W is a two-color AC-powered LED for live streaming, photo and video production.

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

This black True Blue D25 2500W HMI Fresnel from ARRI is another example of their completely redesigned True Blue series. The 10″ Fresnel with a beam angle variable from 6-59° is protected with stainless steel mesh. Pressure die-cast and extruded aluminum alloy components make the D25 lighter without sacrificing strength while improving corrosion resistance.

ATEM Television Studio HD accommodates 4 SDI inputs and 4 HDMI inputs with frame synchronization, compatible with Broadcast and Broadcast cameras.

Nanlite PJ-BM-36 Projector with Bowens mount and 36° lens concentrates the light more and lets it pass through for more ideal effects.

The FL-35E Fresnel lens with Nanlux Evoke 2400B LED light is a state-of-the-art NL-mount optic with remote control and zoom from 15° to 46°. It integrates seamlessly with Evoke 2400B, providing an outstanding illumination of 75700lux@3m, 5600K, 15°.

FB-800G is a camera video continuous light, featuring great brightness, high CRI90+ and a stable working system
with a rapid natural heat dissipation.

ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.

With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.