Godox bi-color LED panel light F400Bi 2.1×4 is designed to offer flexibility in any environment, offers practicality and portability to film and television professionals.

The Nanlite LED spot light FS-200B bicolor 220W is a two-color AC-powered LED for live streaming, photo and video production.

ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.

With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.

The FL-45E Fresnel lens 16-50° motorised for Nanlux Evoke 5000 LED light features a 45cm lens with a 16°-50° zoom range.

SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects. It can be widely used in outdoor video production, especially for lighting in confined spaces.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

The ARRI L7-C light consumes only 160 W and retains all the features of the series such as the adjustment from 2800 to 10000 K.

Sony VENICE has a 36 x 24 mm full frame image sensor, capable of acquiring images with a maximum resolution of up to 6048 x 4032.

SmallRig 3976 RC 450B COB LED light with AstralTech (EU) optical system uses a 55-degree hyperreflector to realize 115,000 Lux (1 m). It features CRI 96+ and TLCI 97+

Arri 575W HMI PAR + ballast For the first time the interaction of lamp, reflector and converter lens was taken into consideration and computer simulated, resulting in unmatched light performance. Specifications Weight 4,8 kg Power 575 W Color temperature 6000...

Litepanels Gemini 2×1 Soft RGBWW features 3 lighting modes. CCT color temperature control has 6 factory presets in increments from 2700 to 6000K.

The Nanlux spot Evoke 5000B two-colour LED light is a versatile LED lamp designed for professional applications in film and photography.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

ATEM 1 M / E Advanced Panel is an elegant professional control panel for ATEM switchers. Its modern design includes the latest technology to manage the transmission with fast and efficient workflows.

Slider Syrp composed by Magic Carpet Pro, Genie II Linear and Genie II Pan Tilt.

This Nanlite SB-MP150 softbox is compatible with MixPanel 150 RGBWW LED panel. It features a speed ring-free design and the unit mounts to the front of the LED panel via touch fasteners.

The Arri T2 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular.
When mounted with a 2000 watt bulb, this device will provide a 1.4 m beam of 470 fc diameter from a distance of 6 m to the maximum point. A full range (same distance) of a radius of6.9 m in diameter.

ATEM Television Studio HD accommodates 4 SDI inputs and 4 HDMI inputs with frame synchronization, compatible with Broadcast and Broadcast cameras.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

Part of Arri’s True Blue series, the D5 HMI 575W Fresnel Head stays true to its Arri roots with its compact size, while reducing weight and maximizing light output. True Blue heads also feature a new cross-cooling system–lamp housing temp is reduced 25%; lens temp, 17%. A redesigned stirrup and improved tilt lock make using Chimera or similar light modifiers a breeze.

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

SMARTBAT is a portable projector, designed as an uplighter for accent lighting in events of all kinds.
SMARTBAT is equipped with a lithium battery pack and an integrated WiFi module for cables without cables. The ultra-light and rechargeable design countless times without “memory” effect.

ARRI 1000W Studio Fresnel Arri Fresnel Studio Light 1000W Specifications Weight 7,5 kg Power 1000 W Color temperature 3200 K

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.