The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

The SkyPanel S30 is the smaller and more portable version; with half the length of the SkyPanel S60, it is perfect for use in external locations (ENG crew). Both models are available in versions with color / temperature and remote phosphor adjustment.

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

Canon Lens CN-E85mm T1.3 L F is robust, compact and weighing just 1.1 kg, offers incredible 4K images, a perspective and a natural angle. Ideal for turning in low brightness conditions or to obtain a shallow depth of field

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

The ZEISS CP3 15mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Perfect in low light thanks to an optimal control over depth of field, wide angle CN-E35mm T1.5 LF offers incredible picture quality in 4K with full coverage

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

The GoPro HERO9 Black delivers stunning 5K video and 20MP photos, with HyperSmooth 3.0 stabilization and a waterproof design.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

Canon CN-E 50mm T1.3 FP X Sumire Prime PL is a manual focus lens that covers full frame and Super 35 sensor formats, offering centre-to-edge resolution that supports 4K production.

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

Samyang’s ultra wide-angle 14mm f/2.8 IF ED UMC lens for Canon EF Mount offers a view angle of approximately 115º with outstanding results when used with a full frame digital or 35mm film camera.

The EF 24-105mm f / 4L IS II USM lens is a standard zoom lens that delivers high-quality performance for photos and video.

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses includes all canon series lenses, 4K performance.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

Canon CN-E 14mm T3.1 FP X Sumire Prime PL is an ultra wide-angle prime lens with manual focus that covers full frame and Super 35 sensor formats providing centre-to-edge resolution that supports 4K production.