The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

Samyang’s ultra wide-angle 14mm f/2.8 IF ED UMC lens for Canon EF Mount offers a view angle of approximately 115º with outstanding results when used with a full frame digital or 35mm film camera.

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

The Red Komodo 6K camera is the latest release from RED, compact and versatile guarantees perfect shooting and up to 6K resolution.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

ZEISS CP2 35mm/T 1,5 Super Speed EF/PL/E-mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

Panasonic AU-EVA1 Cinema Camera integrates a newly developed Super 35 mm 5.7K sensor that enables it to record authentic cinema images.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

URSA Mini Pro 4.6K G2 is the new generation digital camera with completely revised electronic components and a high performance 4.6K HDR sensor for recordings up to 300 fps.

The EF 24-105mm f / 4L IS II USM lens is a standard zoom lens that delivers high-quality performance for photos and video.

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

The ZEISS CP3 50mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The wide angle lens with fixed focal length E24mm CN-1.5 LF T offers incredible images 4k for a broader perspective.

A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.