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Panasonic AU-EVA1
Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.
LED light Nanlux spot Evoke 900C ST-KIT
ARRI Skypanel S60-C
ARRI Skypanel S60-C is a model with a slight aperture of 645 x 300 mm and meets the vast majority of applications.
Red Komodo 6K Camera
The Red Komodo 6K camera is the latest release from RED, compact and versatile guarantees perfect shooting and up to 6K resolution.
ARRI Skypanel S30-C
The SkyPanel S30 is the smaller and more portable version; with half the length of the SkyPanel S60, it is perfect for use in external locations (ENG crew). Both models are available in versions with color / temperature and remote phosphor adjustment.
Arri 575W HMI PAR + ballast
Bi-color SMD studio panel LED light with dimmer and diffuser
This LED panel light, with LED technology mounted on the surface, includes ultra bright 1152 piece LEDs. The built-in diffuser generates an equally widespread area, which is an ideal light source for studio and field video productions.
LED light ETC Source Four Series 2
ETC Source Four Series 2 Lustr LED Light with Shutter Barrel from ETC is an LED fixture that uses the seven-color x7 system with 60 Luxeon Rebel LEDs to create quality light in a range of colors.
Adapter Plate for ARRI V-Mount Batteries
The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.
ARRI True Blue T1
The Arri T1 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular workhorses for over two decades.
When fitted with a 1000-watt bulb (available separately) this fixture will provide a 2.8′ (0.9 m) diameter beam of 409 fc from a distance of 20′ (6.1 m) at full spot. At full flood (same distance), it will provide a 48 fc, 20.4′ (6.2 m) diameter beam
ARRI True Blue D25
This black True Blue D25 2500W HMI Fresnel from ARRI is another example of their completely redesigned True Blue series. The 10″ Fresnel with a beam angle variable from 6-59° is protected with stainless steel mesh. Pressure die-cast and extruded aluminum alloy components make the D25 lighter without sacrificing strength while improving corrosion resistance.
Amaran F22c Flexible LED Light 200W RGBW
The Amaran F22c flexible LED light features RGBWW LEDs for complete color control as well as CCT tunable from 2,500K to 7,500K.
ARRI Skypanel Remote
LED Nanlite Forza 720B 800 W bi-color
he Nanlite Forza 720B Two-Tone and Dimmable LED Light – 800 W provides a balanced light output 2700 – 6500 K while maintaining a high CRI / TLCI average of 96/97.
Blackmagic URSA Mini Pro 4.6K G2
URSA Mini Pro 4.6K G2 is the new generation digital camera with completely revised electronic components and a high performance 4.6K HDR sensor for recordings up to 300 fps.
Snapgrid for Gemini 2×1 Soft
The 40° snapgrid for Gemini 2×1 Soft LED RGBWW light fits directly into Gemini 2 x 1 products. Dimensions: 64 x 33 x 8 cm.
Crane – Grip ABC – 9 m
Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver
Slider Syrp (Magic Carpet Pro with Linear and Genie II Pan – Tilt)
Slider Syrp composed by Magic Carpet Pro, Genie II Linear and Genie II Pan Tilt.
Panasonic Lumix G DC-GH5M
Mirrorless DSLM Lumix G (Digital Single Lens Mirrorless, Digital Mirrored Single Lens) with High Quality Image, 4K / 60p Video Recording Features and 6K PHOTO Mode
Video mixer ATEM Mini
ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.
ARRI True Blue T2
The Arri T2 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular.
When mounted with a 2000 watt bulb, this device will provide a 1.4 m beam of 470 fc diameter from a distance of 6 m to the maximum point. A full range (same distance) of a radius of6.9 m in diameter.
ARRI L7-C
The ARRI L7-C light consumes only 160 W and retains all the features of the series such as the adjustment from 2800 to 10000 K.
GoPro HERO7 Black
LED light flexible panel SWIT bi-color 756 LEDs
This flexible 756-piece LED light can be curved in any shape to produce 10 ° -360 ° with various lighting angles, which must be integrated using video production in the field, particularly lighting in tight spaces.
Blackmagic pocket cinema camera 6K
ARRI M40
The M40 can be fitted with a 2,500 or 4,000W single-ended HMI lamp, making it a very versatile lighting fixture.
Insta 360 Pro
Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.
SONY PXW-FS7 Mark II
The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.
Ronin 2
The Ronin 2 is a three-axis stabilized gimbal with a load capacity of 13.6 kg, ideal for making videos more fluid and stable in any situation.
ARRI True Blue D12
With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.












