Part of Arri’s True Blue series, the D5 HMI 575W Fresnel Head stays true to its Arri roots with its compact size, while reducing weight and maximizing light output. True Blue heads also feature a new cross-cooling system–lamp housing temp is reduced 25%; lens temp, 17%. A redesigned stirrup and improved tilt lock make using Chimera or similar light modifiers a breeze.

SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects. It can be widely used in outdoor video production, especially for lighting in confined spaces.

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The Litepanels Gemini 1×1 Hard LED RGBWW has multiple lighting modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode.

The M40 can be fitted with a 2,500 or 4,000W single-ended HMI lamp, making it a very versatile lighting fixture.

The Jinbei EFD-500 LED light 5500K uses a high efficiency COB technology lamp. In addition to the ability to choose between more than 50 light effects, EFD-500 can be powered by 2 V-Mount batteries. The product includes: EFD-500 light, EF-7″ dish, control panel and bag.

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

The Ronin 2 is a three-axis stabilized gimbal with a load capacity of 13.6 kg, ideal for making videos more fluid and stable in any situation.

The ARRI L7-C light consumes only 160 W and retains all the features of the series such as the adjustment from 2800 to 10000 K.

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

SmallRig 3976 RC 450B COB LED light with AstralTech (EU) optical system uses a 55-degree hyperreflector to realize 115,000 Lux (1 m). It features CRI 96+ and TLCI 97+

Litepanels Gemini 2×1 Soft RGBWW features 3 lighting modes. CCT color temperature control has 6 factory presets in increments from 2700 to 6000K.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

The Amaran F22c flexible LED light features RGBWW LEDs for complete color control as well as CCT tunable from 2,500K to 7,500K.

The M8 HMI System II with High Speed Ballast from ARRI provides the core components you’ll need for dynamic high speed shooting. The kit includes an M8 lamp head with MAX technology and the EB 575/800W 1,000Hz High Speed Ballast.

This LED panel light, with LED technology mounted on the surface, includes ultra bright 1152 piece LEDs. The built-in diffuser generates an equally widespread area, which is an ideal light source for studio and field video productions.

SMARTBAT is a portable projector, designed as an uplighter for accent lighting in events of all kinds.
SMARTBAT is equipped with a lithium battery pack and an integrated WiFi module for cables without cables. The ultra-light and rechargeable design countless times without “memory” effect.

Crane 2 is a SLR and mirrorless stabilizer with 3.2kg camera support, OLED screen and electronic follow focus.

The Nanlite LED spot light FS-200B bicolor 220W is a two-color AC-powered LED for live streaming, photo and video production.

This flexible 756-piece LED light can be curved in any shape to produce 10 ° -360 ° with various lighting angles, which must be integrated using video production in the field, particularly lighting in tight spaces.

The compact URSA Mini camera with EF lens mount, 4.6K Super 35 sensor and an incredible 15 stops of dynamic range, is lightweight and perfectly balanced for handheld use and comfortable enough for all day shooting.

Blackmagic URSA Mini PRO 4.6K EF possesses a 4.6K Super 35 sensor with 15 dynamic range stop, perfect for feature films and versatile to allow it to be used in Video mode

The LED panel Nanlite MixPanel 150 RGBWW with dimmer is a fixture capable of switching between a traditional LED panel for hard or soft light, and a tunable RGB panel for colorful, creative effects at the push of a button. It has an expansive CCT range of 2700 to 7500 to integrate into any ambient light situation.