
Vedi anche:

Gas Pedestal E-Image 30kg
E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

Nanlite PJ-BM-36 Projector with Bowens mount and 36° lens
Nanlite PJ-BM-36 Projector with Bowens mount and 36° lens concentrates the light more and lets it pass through for more ideal effects.

SWIT compact pocket RGB LED light with light effects
SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects.

LED light ETC Source Four Series 2
ETC Source Four Series 2 Lustr LED Light with Shutter Barrel from ETC is an LED fixture that uses the seven-color x7 system with 60 Luxeon Rebel LEDs to create quality light in a range of colors.

ARRI L7-C
The ARRI L7-C light consumes only 160 W and retains all the features of the series such as the adjustment from 2800 to 10000 K.

LED light flexible panel SWIT bi-color 756 LEDs
This flexible 756-piece LED light can be curved in any shape to produce 10 ° -360 ° with various lighting angles, which must be integrated using video production in the field, particularly lighting in tight spaces.

Nanlux F-35 Fresnel lens
The Nanlux F-35 Fresnel lens is the F-35 Fresnel attachment for Nanlux’s Evoke 1200 10° LED light.

Drone DJI Phantom 4 Pro V2.0
With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

ARRI Skypanel Remote

Insta360 Pro II

Mixer Allen & Heath SQ-5
Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity.

ARRI 2000W Fresnel

Litepanels Snapbag softbox for Gemini 2×1
The Litepanels Snapbag softbox for Gemini 2×1 Soft LED RGBWW light mounts directly to the reflector without speedring and softens the specular quality of the LEDs

SONY PXW-FS7
PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

Crane – Grip ABC – 9 m
Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

Led MicroPro

Arri 1200W HMI PAR + ballast

Godox bi-color LED panel light F600Bi 4×4′
Godox bi-color LED panel light F600Bi 4×4 is designed to provide flexibility in any environment, offers practicality and portability to film and television professionals.

SONY PXW-FS7 Mark II
The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

SONY alpha 7S III
Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

Softbox for MixPanel 150
This Nanlite SB-MP150 softbox is compatible with MixPanel 150 RGBWW LED panel. It features a speed ring-free design and the unit mounts to the front of the LED panel via touch fasteners.

Variled 1000 Bicolor

PavoBulb Nanlite with accessories

Sirui 50mm f/1.8 Anamorphic 1.33x lens
The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

Front-loading elevator ULK 800XL
The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

LED Nanlite Forza 720B 800 W bi-color
he Nanlite Forza 720B Two-Tone and Dimmable LED Light – 800 W provides a balanced light output 2700 – 6500 K while maintaining a high CRI / TLCI average of 96/97.

Nanlux LED spot light Evoke 2400B bicolor

Blackmagic URSA Mini 4.6K EF
The compact URSA Mini camera with EF lens mount, 4.6K Super 35 sensor and an incredible 15 stops of dynamic range, is lightweight and perfectly balanced for handheld use and comfortable enough for all day shooting.

ARRI True Blue D25
This black True Blue D25 2500W HMI Fresnel from ARRI is another example of their completely redesigned True Blue series. The 10″ Fresnel with a beam angle variable from 6-59° is protected with stainless steel mesh. Pressure die-cast and extruded aluminum alloy components make the D25 lighter without sacrificing strength while improving corrosion resistance.

Samyang 24mm T1.5 VDSLR lens
The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.