With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

Atomos Ninja Ultra 5″ supports HDMI DCI 4K footage and can also record ProRes RAW up to 8K with compatible cameras.

SWIT 4K/8K 12GSDI 17″ 8-bit + 2FRC monitor, UHD 3840 × 2160 resolution, 300 LED nitrided lighting, 800:1 contrast.

Crane 2 is a SLR and mirrorless stabilizer with 3.2kg camera support, OLED screen and electronic follow focus.

Monitor 32″ HD with 16:9 ration and smart tv.

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

HyperDeck Studio Mini is a perfectly portable broadcast deck that records and plays 10-bit broadcast quality videos in ProRes files.

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

The Atomos Shinobi 5″ is a on-camera monitor DCI 4K, UHD 4K, and HD video input, suitable for use in both exterior and interior conditions.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

The new Portkeys LH5P 5.5″ 4K HDMI monitor for DSLR and cameras is designed to add professional monitoring tools and control to DSLR, cinema, and mirrorless cameras such as Sony A7S III and Blackmagic 4K / 6K / 6K Pro.

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

Il Monitor SWIT Super Bright HDR da 7″ ha una luminosità massima di 3000 nit, visibile alla luce del sole e PQ, HLG HDR integrato.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

The compact URSA Mini camera with EF lens mount, 4.6K Super 35 sensor and an incredible 15 stops of dynamic range, is lightweight and perfectly balanced for handheld use and comfortable enough for all day shooting.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

Front projection screen 200×200 cm with tripod, with variable adjustment for use with screening formats 1: 1, 4: 3 and 16: 9

This external monitor allows cameramen to have a more defined vision and wider of the internal camera’s monitor.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.