Tap, slide, swipe, turn, pinch and stretch with your fingers. Multi-touch capability is simple and intuitive when used with Windows 8, recognizing up to 10 touch points at once.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

The Swit FM-215HDR QD-LED 12G-SDI HDR field monitor features an advanced Quantum Dot LED (QD-LED) panel with backlighting.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

The monitor Atomos Ninja V 5″ HDR for DSLR and cameras is a 4K monitor and recorder that records and plays 4K DCI, UHD 4K and HD Videos from mini-SSDs.

SWIT 4K/8K 12GSDI 17″ 8-bit + 2FRC monitor, UHD 3840 × 2160 resolution, 300 LED nitrided lighting, 800:1 contrast.

Monitor 4K HDMI Atomos Shinobi 7” HDR for DSLR and Cinema Camera available for rental: high-resolution monitor to view your 4K/2K footage.

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

Proiettore EPSON 7000 Ansi Lumen LASER offers a brightness of as many as 7,000 lumens, 4KE resolution, and optical sliding at an affordable price.

The 7″ SWIT Super Bright HDR Monitor has a maximum brightness of 3000 nit, visible in sunlight and PQ, HLG HDR integrated.

ARRI Skypanel S60-C is a model with a slight aperture of 645 x 300 mm and meets the vast majority of applications.