logo MediaMaking
logo MediaMaking
SONY PXW-FS7
SONY PXW-FS7
PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.
General

Operating Temperature0°C to 40°C
32°F to 104°F

Mass Approx 2,0 kg
Dimensions (W x H x D) 156 x 239 x 247 mm (body without protrusions)
Power Requirements 12 V DC
Power Consumption Approx. 19W (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time Approx. 1 hrs with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 2 hrs with BP-U60 battery while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 3 hrs with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video) XAVC-I mode:QFHD 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 59.94P VBR, maximum bit rate 222Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 50P VBR, maximum bit rate 185Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 59.94i VBR, maximum bit rate 111Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 50i VBR, maximum bit rate 112Mbps, MPEG-4 H.264/AVC
XAVC-I mode:HD 29.97P VBR, maximum bit rate 111Mbps, MPEG-4
XAVC-L QFHD 59.94P/50P mode: VBR, maximum bit rate 150Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 29.97P/23.98P/25P mode: VBR, maximum bit rate 100Mbps, MPEG-4 H.264/AVC
XAVC-L HD 50 mode: VBR, maximum bit rate 50Mbps, MPEG-4 H.264/AVC
XAVC-L HD 35 mode: VBR, maximum bit rate 35Mbps, MPEG-4 H.264/AVC
XAVC-L HD 25 mode: VBR, maximum bit rate 25Mbps, MPEG-4 H.264/AVC
MPEG HD422 mode: CBR, maximum bit rate 50Mbps, MPEG-2 422P@HL
Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback ONLY 2channels)
Recording Frame Rate XAVC-I QFHD mode: 3840×2160/ 59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode: 1920×1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25Pz
XAVC-L QFHD mode: 3840×2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode: 1920×1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L 35 mode: 1920×1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L 25 mode: 1920×1080/59.94i, 50i
MPEG HD422 mode: 1920×1080/59.94i, 50i, 29.97P, 23.98P, 25P 1280×720/59.94P, 50P, 29.97P, 23.98P, 25P
Recording/Playback Time XAVC-I mode HD 50P, When using QD-G128A(128GB): Approx. 71 minutes, When using QD-G64A(64GB) Approx. 35 minutes
XAVC-I mode HD 59.94i, When using QD-G128A(128GB): Approx. 118 minutes, When using QD-G64A(64GB) Approx. 59 minutes
XAVC-I mode HD 50i When using QD-G128A(128GB): Approx. 141 minutes, When using QD-G64A(64GB) Approx. 70 minutes
XAVC-I mode HD 29.97P, When using QD-G128A(128GB): Approx. 118 minutes, When using QD-G64A(64GB) Approx. 59 minutes
XAVC-I mode HD 23.98P , When using QD-G128A(128GB): Approx. 147 minutes , When using QD-G64A(64GB) Approx. 74 mins
XAVC-I mode HD 25P, When using QD-G128A(128GB): Approx. 141 mins, When using QD-G64A(64GB) Approx. 70 min
Camera Section
Imaging Device (Type) Super35 type Single-chip Exmor CMOS
Effective Picture Elements 17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
Built-in Optical Filters Clear, 1/4ND, 1/16ND, 1/64ND
Sensitivity (2000 lx, 89.9% reflectance) Video Gamma: T14 (3840 x 2160/23.98P mode 3200K)
ISO Sensitivity ISO 2000(S-Log3 Gamma D55 Light source)
Minimum Illumination 0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4)
S/N Ratio 57 dB (Y) (typical)
Shutter Speed 1/3 sec to 1/9,000 sec
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC
White Balance Preset, Memory A, Memory B(1500K-50000K)/ATW
Slow & Quick Motion Function XAVC-I mode 3840×2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-I mode 1920×1080: 1 to 180 frames (59.94P, 29.97P, 23.98P)1 to 150 frames (50P,25P)
XAVC-L mode 3840×2160:1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-L mode 1920×1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
Monitoring Built-in LCD Monitor with 8.8cm (3.5 type) Approx. 1.56M dots
Built-in Microphone Omni-directional monoral electret condenser microphone.
Input/Output

DC InputDC Jack

SDI Output BNC(x2), switchable with 3G-SDI/HD-SDI
SMTPE292M/424M/425M
HDMI Output Type A (x1)
Speaker Output Monaural
Headphone Output Stereo mini jack (x1) -16dBu 16Ω
Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable Mic Reference: -40, -50, -60dBu
Remote Stereo mini-minijack (Φ2.5 mm)
USB USB device, mini-B (x1)

Request information or quotation:

* requested

rent and collect
Sony FX6 Cinema Line full-frame

Sony FX6 Cinema Line full-frame

The Sony FX6 Cinema Line full-frame camera captures images in near total darkness with an extended ISO range up to 409600.

Gas Pedestal E-Image 30kg

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

Drone DJI Mini 4K Fly More combo

Drone DJI Mini 4K Fly More combo

The DJI Mini 4K Fly More combo drone is a lightweight and versatile drone designed to provide high-quality aerial footage.

PTZ camera Canon CR-N300 4K UHD

PTZ camera Canon CR-N300 CMOS 1/2.3″ 4K UHD allows you to control remotely with minimal crew and high resolution output.

Canon EOS C300 Mark III

Rental digital camera Canon EOS C300 Mark III features a Super 35mm sensor, 16 stops of high dynamic range capability. EF lens mount.

Drone DJI Phantom 4 Pro V2.0

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

Mixer ATEM Television Studio Pro HD

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

Blackmagic Zoom Demand

The Blackmagic Zoom Demand is a zoom control on micro 4/3 lenses for Blackmagic Studio Cameras. It features rec start/stop button.

SONY PXW-FS7

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

Sony PDT-FP1 Trasmettitore dati portatile

Sony PDT-FP1 Portable Data Transmitter

Il Sony PDT-FP1 è un trasmettitore dati portatile 5G progettato per professionisti dell’informazione, creatori di contenuti e broadcaster che necessitano di trasferire file foto e video in tempo reale.

Zeiss CP.3 15-18-25-28-35-50-85mm lenses

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

Canon EOS 1DX MKII

The core of the EOS-1D X Mark II is a CMOS sensor developed by Canon that represents the future generation of professional image quality in the EOS range.

Drone DJI Air 3 Fly More Combo con DJI RC 2

DJI Air 3 Fly More Combo drone whit DJI RC 2

Drone DJI Air 3 Fly More Combo with DJI RC 2 features a dual camera, one wide-angle and one medium telephoto, allowing you to capture images and video in 4K

SONY PMW-EX1R

The EX1R is the ideal solution for anyone looking for an exceptional quality in high definition and a truly cutting-edge workflows.

ARRI Skypanel S120-C

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

PTZ camera JVC KY-PZ400NBE 4K NDI

PTZ camera JVC KY-PZ400NBE 4K NDI for streaming, JVC’s first 4K pan, tilt and zoom video production camera.

Crane – Grip ABC – 9 m

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

DJI Osmo Action 3 Standard Combo

DJI Osmo Action 3 Standard Combo features a quick-release design for easy horizontal and vertical mounting and colour touchscreens on the front and back.

GoPro HERO7 Black

GoPro HERO7 Black The GoPro HERO7 Black camera is designed to capture amazing movies. HERO7 Black's HyperSmooth stabilization allows for smooth shooting as if you were using a gimbal, but without the weight of a gimbal. Camera updates include direct streaming on...

SONY PMW-350K

The new PMW-350 is a shoulder-camera with the optical system equipped with 3 CMOS Exmor Full HD 2/3″.

Mixer Allen & Heath SQ-5

Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity.

PTZ UHD Marshall camera

The PTZ UHD Marshall CV730 NDI camera delivers UHD images up to 3840x2160p at 60fps, features 30x zoom and 12GSDI, HDMI2.0 and NDI outputs.

Sirui 50mm f/1.8 Anamorphic 1.33x lens

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

PTZ camera Canon CR-N500 4K UHD

PTZ camera Canon CR-N500 4K UHD allows you to control remotely with a minimal operating crew. It differs in remote options.

Blackmagic Web Presenter

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

sony venice

SONY Venice CineAlta 6K

Sony VENICE has a 36 x 24 mm full frame image sensor, capable of acquiring images with a maximum resolution of up to 6048 x 4032.

Canon EOS R1

Canon EOS R1

Canon EOS R1, full-frame mirrorless, new processor: the innovative DIGIC Accelerator, the existing DIGIC X and a new CMOS sensor.

Blackmagic URSA Mini PRO 4.6K EF

Blackmagic URSA Mini PRO 4.6K EF possesses a 4.6K Super 35 sensor with 15 dynamic range stop, perfect for feature films and versatile to allow it to be used in Video mode

Arri Alexa Mini LF

Arri Alexa Mini LF

The Alexa Mini LF is a large-format camera from ARRI designed to offer versatility and high image quality.

SONY PXW-FX3

The FX3 Cinema Line camera packs high sensitivity and full-frame cinematic expressions into a compact design. The increased mobility for solo shooting and professional quality make FX3 the ideal creative tool for cinematic quality wherever you are.