L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

Despite its compactness, ZEISS’s Loxia 2.8 / 21 super wide-angle lens offers outstanding image quality across the full frame field of a full frame sensor.

The 50mm wide aperture lens is a must for anyone with a full frame camera, and this goal is an excellent choice.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Canon CN-E 135mm T2.2 FP X Sumire Prime PL is a manual focus cinema lens covering full frame and Super 35 formats.

The photographic lens Canon RF 100-500mm F4.5-7.1L IS USM with RF mount spans a short- to super-telephoto range. Optical image stabilization helps to steady photos and videos by up to five stops.

Panasonic AU-EVA1 Cinema Camera integrates a newly developed Super 35 mm 5.7K sensor that enables it to record authentic cinema images.

Canon Lens 24-70mm IS F/4 is an optical stabilized with macro mode for a maximum magnification factor of 0.7x.

Irix Cine 30mm T1.5 with L-mount – a lens with a metric scale in metres – is a full frame cinema lens with ultra HD 8K resolution.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon RF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The EF 24-105mm f / 4L IS II USM lens is a standard zoom lens that delivers high-quality performance for photos and video.

Canon CN-E 24mm T1.5 FP X Sumire Prime PL is a manual focus lens that covers full frame and Super 35 sensor formats, offering centre-to-edge resolution that supports 4K production.

The Octopus DZOFilm DZAC03 adapter for EF-mount and L-mount lenses is designed with an active locking system that eliminates gaps or wobbles when mounted on the adapter.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

The CN-E14mm T3.1 L F lens is lightweight, has fixed focal length, it’s compact and designed for EF.

Canon Mount Adapter EF-EOS R 0.71x permits attaching EF-mount lenses to RF-mount cine and mirrorless cameras, extending the range of compatible lenses while maintaining their original field of view.

The Photographic zoom lens Samyang AF 24-70mm F2.8 with Sony E-mount combines a premium design, solid build quality, fast and precise autofocus and a bright f/2.8 aperture in a stylish, weatherproof body. A zoom lens worthy of taking its place in any photographer’s bag.

Lens ZEISS CP2 135mm/T 2,1 metric is a cine prime lens designed for filmmaking and video production applications. Great for portrait shoots.

The Zeiss Lens OTUS 55mm f/1.4 ZE EF-Mount is a standard focal length premium lens optimized for full-format DSLR camera sensors.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Canon CN-E 35mm T1.5 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.

Canon CN-E 50mm T1.3 FP X Sumire Prime PL is a manual focus lens that covers full frame and Super 35 sensor formats, offering centre-to-edge resolution that supports 4K production.