The Photographic zoom lens Samyang AF 24-70mm F2.8 with Sony E-mount combines a premium design, solid build quality, fast and precise autofocus and a bright f/2.8 aperture in a stylish, weatherproof body. A zoom lens worthy of taking its place in any photographer’s bag.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses includes all canon series lenses, 4K performance.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

The ZEISS Loxia® 2/50 convinces in various application situations. Street photography, landscapes, portraits or spontaneous discoveries: the ZEISS Loxia 2/50 is the ideal companion for photo-cinematographic explorations.

Irix Cine 45mm T1.5 with L-mount – lens with metric scale in metres is designed for shooting in ultra HD 8K resolution.

Sony FE 70-200mm f/2.8 GM OSS II lens centers exceptional resolution and fabulous bokeh in the world’s lightest wide-aperture G Master telephoto zoom lens.

The Canon 100mm F2.8L Macro IS USM RF-Mount lens features 1.4x magnification and variable spherical aberration control.

Sony Lens E 16-70mm F4 ZA OSS combines the renowned Zeiss optics with an opening performance Maximum F4 Constant to ensure exceptional performance on the whole zoom range.

Regardless of the settings chosen, the Sony FE 16-35mm F2.8 GM Optics always delivers perfect resolution from corner to corner, with a stunning background bokeh when required.

Irix Cine 30mm T1.5 with L-mount – a lens with a metric scale in metres – is a full frame cinema lens with ultra HD 8K resolution.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Sony Lens E PZ 18-110 mm F4 G OSS covers the most used range in Super 35 mm / APS-C video. The optical performance of the G lens ensures 4K and Ultra HD

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

Irix Cine 21mm T1.5 with L-mount – lens with metric scale in metres provides more freedom during creative shooting.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.

This Canon lens mount adapter EF / EF-S for EOS R camera is designed for attaching any EF or EF-S-mount lens to the EOS R.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon RF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Despite its compactness, ZEISS’s Loxia 2.8 / 21 super wide-angle lens offers outstanding image quality across the full frame field of a full frame sensor.

The Samyang 14mm F2.8 Photo Lens with Sony E mount is an ultra wide-angle fixed focal length lens designed for Full-Frame and APS-C cameras.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.