Sony Lens FE 70-200 mm F2,8 GM OSS offers unparalleled rendering, lightning strike and performance stabilizing the extraordinary image.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

Irix Cine 21mm T1.5 with L-mount – lens with metric scale in metres provides more freedom during creative shooting.

The RF Canon 85mm F1.2L USM lens offers unprecedented creative potential, for intense and sharp portraits even in low light conditions.

Lens converter adapter made of aluminum alloy with bayonet mount

Canon Lens CN-E135mm T2.2 L F, is lightweight and compact. It offers spectacular image quality 4K, full coverage of the full frame photo.

ZEISS CP2 25mm/T 2,1 EF/PL/E-mount Lens supports full frame format cameras, with coverage for up to 36 x 24mm.

Canon Lens EF 85mm f/1.8 USM: Telephoto lens with short focal length, featuring a large maximum aperture and fast auto-focus high.

TheSony Lens FE 35 mm F1,4 ZA facilitates handheld shooting indoors in low light, as well as night scenes.

Canon CN-E 35mm T1.5 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.

The Panasonic Lumix G Vario 7-14mm f / 4 ASPH is a wide-angle lens for 4/3 format. Focusing is achieved through the AF target motor (not ultrasonic), there is image stabilization.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon RF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The 50mm wide aperture lens is a must for anyone with a full frame camera, and this goal is an excellent choice.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Zeiss Lens OTUS 28mm f/1.4 ZE EF-Mount is designed for Canon EF full-frame reflex DSLR cameras and can also be used with APS-C models in which it will provide a focal length equivalent to 44.8 mm.

Canon Lens 24-70mm IS F/4 is an optical stabilized with macro mode for a maximum magnification factor of 0.7x.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The photographic lens Canon RF 100-500mm F4.5-7.1L IS USM with RF mount spans a short- to super-telephoto range. Optical image stabilization helps to steady photos and videos by up to five stops.

The ZEISS Loxia® 2/35 offers an extended field of view. It is therefore the optimal choice when a subject has to be shown in context or when people want to portray people in a situation, for example for reportage or street photography.

Irix Cine 30mm T1.5 with L-mount – a lens with a metric scale in metres – is a full frame cinema lens with ultra HD 8K resolution.

The wide angle lens with fixed focal length E24mm CN-1.5 LF T offers incredible images 4k for a broader perspective.

Laowa 24mm T14 2x PeriProbe inherits the functionality of the 24 mm Probe T14 2x lens, but a new periscope tube is also included.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).