The Fujinon MK18-55mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

Despite its compactness, ZEISS’s Loxia 2.8 / 21 super wide-angle lens offers outstanding image quality across the full frame field of a full frame sensor.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

The ZEISS Batis 2/25 E-mount lens is the ideal lens for exceptional perspectives in landscape photography, architecture, street scenes and photojournalism.

Sony Lens E PZ 18-110 mm F4 G OSS covers the most used range in Super 35 mm / APS-C video. The optical performance of the G lens ensures 4K and Ultra HD

Very versatile 24 to 105mm zoom lens to offer photographers and filmmakers a perfect balance between performance, portability and image quality.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The Panasonic Lumix G Vario 7-14mm f / 4 ASPH is a wide-angle lens for 4/3 format. Focusing is achieved through the AF target motor (not ultrasonic), there is image stabilization.

Despite its compactness, ZEISS Loxia 2.4/85 E-mount lens telephoto lens ensures excellent images – in the full field of images of a full frame sensor.

The ZEISS Loxia® 2/50 convinces in various application situations. Street photography, landscapes, portraits or spontaneous discoveries: the ZEISS Loxia 2/50 is the ideal companion for photo-cinematographic explorations.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

The Photographic zoom lens Samyang AF 24-70mm F2.8 with Sony E-mount combines a premium design, solid build quality, fast and precise autofocus and a bright f/2.8 aperture in a stylish, weatherproof body. A zoom lens worthy of taking its place in any photographer’s bag.

Canon Mount Adapter EF-EOS R 0.71x permits attaching EF-mount lenses to RF-mount cine and mirrorless cameras, extending the range of compatible lenses while maintaining their original field of view.

Sony Lens E 16-70mm F4 ZA OSS combines the renowned Zeiss optics with an opening performance Maximum F4 Constant to ensure exceptional performance on the whole zoom range.

The Canon 15-35MM F2.8L IS USM RF-Mount photo lens captures all the details, even in low light, thanks to this bright ultra-wide angle 15-35mm F2.8L zoom.

Extending the range of compatible lenses, this Canon Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter is a unique

The ZEISS Batis 2.8 / 18 E-mount optic is a full-frame lens ideal for capturing landscapes, skies and architectures.

Irix Cine 45mm T1.5 with L-mount – lens with metric scale in metres is designed for shooting in ultra HD 8K resolution.

The Canon 100mm F2.8L Macro IS USM RF-Mount lens features 1.4x magnification and variable spherical aberration control.

Regardless of the settings chosen, the Sony FE 16-35mm F2.8 GM Optics always delivers perfect resolution from corner to corner, with a stunning background bokeh when required.

The EF 24-105mm f / 4L IS II USM lens is a standard zoom lens that delivers high-quality performance for photos and video.

The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.

Sony Lens FE 70-300mm F4.5-5.6 G OSS is the first zoom 70-300 mm full frame-mount and offers excellent resolution in every image point. It also ensures early incredible and detailed plans with a minimum focus of 0.9 meters fire.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.