This suction cup weighs only 500 g and has a maximum capacity of 32,0 kg. It is for attaching lights or video equipment to smooth surfaces.

The ZEISS CP3 50mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

MovieTech’s brand new 4 × 4 Dolly features many innovations that are not common in its class.

Discover the Sakk Harness Set, the wearable stabilisation system for video cameras that attaches directly to the Sakk Camera Saddle.

Mixer Allen & Heath SQ-7 48-channel is built for professionals in live, recording and streaming applications, powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine.

The ZEISS CP3 25mm/T 2.1 EF/PL/E-mount Lens, with advanced coatings, provides a higher contrast, richer blacks and more saturated colors.

URSA Broadcast is ideal both for outdoor shooting in reportage style and for broadcasts from the studio. Broadcast professionals can use their existing optics and batteries, and leave behind the formats and proprietary cards of traditional cameras.

The Ronin is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake.

Tilta Hydra Alien The Tilta HDA-T02-A-V Hydra Alien Pro Kit is a complete car mounting system designed to enable smooth and stable cinematic footage on the go. Compatible with DJI Ronin 2, RS 2, RS 3 and RS 3 Pro gimbals, it offers maximum versatility for filmmakers...

MediaPro Car Suction Campod Mount allows shock absorbing properties absorbed by the car camera mount.