This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

MovieTech’s brand new 4 × 4 Dolly features many innovations that are not common in its class.

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

Fitted with a seat, a bazooka and a ball adapter, the Rocker Dolly can also be used as a ride-on unit.

Slider Syrp composed by Magic Carpet Pro, Genie II Linear and Genie II Pan Tilt.

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

Retractable Crane Arm, its maximum length is 5.2 m. It allows to set the arm length and the movement without having to disassemble, in real time.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

DJI MAVIC PRO equipped and folding drone that has the characteristics of Phantom 4. Obstacle avoidance, follow me, follow terrain, sports mode, 4K video, stabilized gimbal, active track, gesture recognition, live on facebook or youtube.

The GoPro HERO9 Black delivers stunning 5K video and 20MP photos, with HyperSmooth 3.0 stabilization and a waterproof design.

Crane 2 is a SLR and mirrorless stabilizer with 3.2kg camera support, OLED screen and electronic follow focus.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

Mirrorless DSLM Lumix G (Digital Single Lens Mirrorless, Digital Mirrored Single Lens) with High Quality Image, 4K / 60p Video Recording Features and 6K PHOTO Mode

ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

ATEM 1 M / E Advanced Panel is an elegant professional control panel for ATEM switchers. Its modern design includes the latest technology to manage the transmission with fast and efficient workflows.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.