The FX3 Cinema Line camera packs high sensitivity and full-frame cinematic expressions into a compact design. The increased mobility for solo shooting and professional quality make FX3 the ideal creative tool for cinematic quality wherever you are.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

Vocas Mattebox MB-436 The Vocas Mattebox MB-436 adapts directly to the lenses with a front diameter of 143 mm. Specifications Outside diameter 143 mm Filter dimensions 4″x4″, 4″x5.65″, 5″x5″, 5.65″x5.65″ (Max 3) Weight...

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.

PDMOVIE REMOTE AIR 4 is now the ideal tool for wireless follow focus. Using the latest version of the PDMOVIE MOTOR AIR focus engines and now with the option to use Wi-Fi or Bluetooth signal transmission for any shooting situation.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.