The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

Canon Lens CN-E85mm T1.3 L F is robust, compact and weighing just 1.1 kg, offers incredible 4K images, a perspective and a natural angle. Ideal for turning in low brightness conditions or to obtain a shallow depth of field

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

Canon Lens 24-70mm IS F/4 is an optical stabilized with macro mode for a maximum magnification factor of 0.7x.

ZEISS CP2 25mm/T 2,1 EF/PL/E-mount Lens supports full frame format cameras, with coverage for up to 36 x 24mm.

ATEM 1 M / E Advanced Panel is an elegant professional control panel for ATEM switchers. Its modern design includes the latest technology to manage the transmission with fast and efficient workflows.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

The Ronin 2 is a three-axis stabilized gimbal with a load capacity of 13.6 kg, ideal for making videos more fluid and stable in any situation.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Laowa 24mm T14 2x PeriProbe inherits the functionality of the 24 mm Probe T14 2x lens, but a new periscope tube is also included.

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

ZEISS CP2 15mm/T 2,9 EF/PL/E-mount lens is a cine prime lens designed for filmmaking and video production applications.

ZEISS Otus 85mm f/1.4 Apo Planar T* ZE EF-Mount lens is designed for Canon EF-mount full-frame-format DSLRs and 35mm film cameras. It is also compatible with APS-C format DSLRs, where it will provide a 35mm-equivalent focal length of 136mm.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

Mirrorless DSLM Lumix G (Digital Single Lens Mirrorless, Digital Mirrored Single Lens) with High Quality Image, 4K / 60p Video Recording Features and 6K PHOTO Mode

Lens ZEISS CP2 135mm/T 2,1 metric is a cine prime lens designed for filmmaking and video production applications. Great for portrait shoots.

ATEM Television Studio HD accommodates 4 SDI inputs and 4 HDMI inputs with frame synchronization, compatible with Broadcast and Broadcast cameras.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The Zeiss Lens OTUS 55mm f/1.4 ZE EF-Mount is a standard focal length premium lens optimized for full-format DSLR camera sensors.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

Canon CN-E 20mm T1.5 FP X Sumire Prime PL is designed to offer a delicate, subtle rendering of a subject, offering fast apertures and precise manual control.

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The EF 24-105mm f / 4L IS II USM lens is a standard zoom lens that delivers high-quality performance for photos and video.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

Canon Lens EF 16-35mm f/4L IS USM is a ultralight, compact, lightweight, high-performance zoom lens with f / 4 fixed aperture and image stabilizer.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.