The Sony Lens FE 50mm F1.8 is a must for anyone with a full frame camera, and this goal is an excellent choice.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The ZEISS CP3 25mm/T 2.1 EF/PL/E-mount Lens, with advanced coatings, provides a higher contrast, richer blacks and more saturated colors.

Sony FE 16-35mm F2.8 GM II is equipped with the linear XD motor, this lens offers excellent autofocus performance, ensuring precise, fast and silent focusing for photographers and filmmakers.

The RF Canon 85mm F1.2L USM lens offers unprecedented creative potential, for intense and sharp portraits even in low light conditions.

Regardless of the settings chosen, the Sony FE 16-35mm F2.8 GM Optics always delivers perfect resolution from corner to corner, with a stunning background bokeh when required.

The Octopus DZOFilm DZAC03 adapter for EF-mount and L-mount lenses is designed with an active locking system that eliminates gaps or wobbles when mounted on the adapter.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Irix Cine 45mm T1.5 with L-mount – lens with metric scale in metres is designed for shooting in ultra HD 8K resolution.

The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.

Sony Lens E 28-135mm f/4 G OSS: Powerful optical zoom created to meet professional needs and obtain high-quality images in film production, including 4K.

The Canon RF 50mm F1.8 STM lens is a small, lightweight and affordable lens with a large aperture of F1.8, ideal in low light conditions and great for creative use of depth of field.

Canon Lens EF 85mm f/1.8 USM: Telephoto lens with short focal length, featuring a large maximum aperture and fast auto-focus high.

A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

The 50mm wide aperture lens is a must for anyone with a full frame camera, and this goal is an excellent choice.

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon RF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

The ZEISS Batis 2.8/135 E-mount lens features: wide focal length, fast autofocus, optical image stabilization.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

The Canon 100mm F2.8L Macro IS USM RF-Mount lens features 1.4x magnification and variable spherical aberration control.

The photographic lens Canon 24-70mm F2,8 IS USM whith RF-mount is designed for use with full-frame Canon RF-mount mirrorless cameras.

The ZEISS Batis 2/25 E-mount lens is the ideal lens for exceptional perspectives in landscape photography, architecture, street scenes and photojournalism.

TheSony Lens FE 35 mm F1,4 ZA facilitates handheld shooting indoors in low light, as well as night scenes.

Sony Lens E 16-70mm F4 ZA OSS combines the renowned Zeiss optics with an opening performance Maximum F4 Constant to ensure exceptional performance on the whole zoom range.