E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

URSA Mini Pro 4.6K G2 is the new generation digital camera with completely revised electronic components and a high performance 4.6K HDR sensor for recordings up to 300 fps.

The wide angle lens with fixed focal length E24mm CN-1.5 LF T offers incredible images 4k for a broader perspective.

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

The Ronin 2 is a three-axis stabilized gimbal with a load capacity of 13.6 kg, ideal for making videos more fluid and stable in any situation.

Panasonic AU-EVA1 Cinema Camera integrates a newly developed Super 35 mm 5.7K sensor that enables it to record authentic cinema images.

ARRI Skypanel S60-C is a model with a slight aperture of 645 x 300 mm and meets the vast majority of applications.

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The fixed focal length lens compact Canon CN-E 50mm T1.3 LF series is lightweight (1.3 kg) and is designed for EF grafts. It offers a spectacular quality of 4K images, full coverage of the full frame photo

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

Canon Extender EF 2X III increases the focal length of a lens by a factor of 2x while still delivering superb image quality.

Zeiss Lens OTUS 28mm f/1.4 ZE EF-Mount is designed for Canon EF full-frame reflex DSLR cameras and can also be used with APS-C models in which it will provide a focal length equivalent to 44.8 mm.

Canon Lens CN-E85mm T1.3 L F is robust, compact and weighing just 1.1 kg, offers incredible 4K images, a perspective and a natural angle. Ideal for turning in low brightness conditions or to obtain a shallow depth of field

Canon Lens EF 16-35mm f/4L IS USM is a ultralight, compact, lightweight, high-performance zoom lens with f / 4 fixed aperture and image stabilizer.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

ATEM Television Studio HD accommodates 4 SDI inputs and 4 HDMI inputs with frame synchronization, compatible with Broadcast and Broadcast cameras.

The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.

The Zeiss Lens OTUS 55mm f/1.4 ZE EF-Mount is a standard focal length premium lens optimized for full-format DSLR camera sensors.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

Laowa 24mm f/14 2X Macro Probe lens allows you to focus very closely (2cm @ 2:1), while showing many details and textures.

The ZEISS CP3 50mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.