L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

Regardless of the settings chosen, the Sony FE 16-35mm F2.8 GM Optics always delivers perfect resolution from corner to corner, with a stunning background bokeh when required.

The ZEISS Loxia® 2/50 convinces in various application situations. Street photography, landscapes, portraits or spontaneous discoveries: the ZEISS Loxia 2/50 is the ideal companion for photo-cinematographic explorations.

The ZEISS Loxia® 2/35 offers an extended field of view. It is therefore the optimal choice when a subject has to be shown in context or when people want to portray people in a situation, for example for reportage or street photography.

Irix Cine 30mm T1.5 with L-mount – a lens with a metric scale in metres – is a full frame cinema lens with ultra HD 8K resolution.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

The Sony FE 85mm f / 1.4 GM is a telephoto lens for FF and APS-C format. Focusing is by ultrasonic AF motor (Ring-USM), image stabilization is built into the camera.

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The photographic lens Canon 70-200mm F2,8 IS USM with RF-mount is a flexible telephoto zoom for full-frame Canon RF-mount mirrorless cameras.

Sony Lens E 16-70mm F4 ZA OSS combines the renowned Zeiss optics with an opening performance Maximum F4 Constant to ensure exceptional performance on the whole zoom range.

This versatile 50-mm focal focus lens for full-frame sensors is ideal for everyday use and to capture amazing 1: 1 macro imagery.

The Sony FE 24-105mm f/4.0 G OSS is a photographic lens with an F4 aperture across the entire zoom range, thus ensuring quality images in every situation.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The Ironglass JUPITER-9 85mm T2.1 – MKII Rehousing is a highly regarded Soviet telephoto lens based on the famous Zeiss Sonnar design and part of the hugely popular trio of lenses (37mm, 58mm, 85mm).

Canon Lens CN-E85mm T1.3 L F is robust, compact and weighing just 1.1 kg, offers incredible 4K images, a perspective and a natural angle. Ideal for turning in low brightness conditions or to obtain a shallow depth of field

The Fujinon MK18-55mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The photographic lens Canon RF 100-500mm F4.5-7.1L IS USM with RF mount spans a short- to super-telephoto range. Optical image stabilization helps to steady photos and videos by up to five stops.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

The Ironglass HELIOS 44-2 58mm T2.1 – MKII Rehousing is a legendary lens completely redesigned for professional cinema, offering a robust body, PL or EF mount, distance indicators and integrated follow-focus mechanisms.

Ironglass TAIR-11A 135mm T2.9 – MKII Rehousing, offers improved sharpness, a shorter minimum focusing distance, and a very long focus throw (around 300°).

A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses includes all canon series lenses, 4K performance.

Canon RF 14-35mm F4 L IS USM photogarphic lens is ultra-wide and stabilised, versatile, with an advanced optical design.