The Sony Lens FE 50mm F1.8 is a must for anyone with a full frame camera, and this goal is an excellent choice.

The Ironglass JUPITER-9 85mm T2.1 – MKII Rehousing is a highly regarded Soviet telephoto lens based on the famous Zeiss Sonnar design and part of the hugely popular trio of lenses (37mm, 58mm, 85mm).

The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

Ironglass MIR-1V 37mm T2.9 – MKII Rehousing is a very popular wide-angle/medium lens, based on the famous Zeiss Flektogon, known for its spectacular flares.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

Despite its compactness, ZEISS Loxia 2.4/85 E-mount lens telephoto lens ensures excellent images – in the full field of images of a full frame sensor.

Lens converter adapter made of aluminum alloy with bayonet mount

Irix Cine 30mm T1.5 with L-mount – a lens with a metric scale in metres – is a full frame cinema lens with ultra HD 8K resolution.

Canon CN-E 50mm T1.3 FP X Sumire Prime PL is a manual focus lens that covers full frame and Super 35 sensor formats, offering centre-to-edge resolution that supports 4K production.

ZEISS CP2 15mm/T 2,9 EF/PL/E-mount lens is a cine prime lens designed for filmmaking and video production applications.

The photographic lens Canon 70-200mm F2,8 IS USM with RF-mount is a flexible telephoto zoom for full-frame Canon RF-mount mirrorless cameras.

The fixed focal length lens compact Canon CN-E 50mm T1.3 LF series is lightweight (1.3 kg) and is designed for EF grafts. It offers a spectacular quality of 4K images, full coverage of the full frame photo

The SkyPanel S30 is the smaller and more portable version; with half the length of the SkyPanel S60, it is perfect for use in external locations (ENG crew). Both models are available in versions with color / temperature and remote phosphor adjustment.

ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

Samyang’s ultra wide-angle 14mm f/2.8 IF ED UMC lens for Canon EF Mount offers a view angle of approximately 115º with outstanding results when used with a full frame digital or 35mm film camera.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

Zeiss CP.2 15-25-35-50-85-100-135mm The Compact Prime CP.2 lenses deliver great flexibility by introducing interchangeable mounts that allow the lenses to be used with a wide range of cameras. Specifications 15/25/35/50/85/100/135 mm mm Cine Lenses Interchangeable EF...

A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Ironglass MIR-10A 28mm F3.5 The Ironglass MIR-10A 28mm F3.5 - PL-mount Vintage Lens is a bit of a dark horse. It’s a less known Soviet lens, but very unique and worthy nevertheless. Its closest focusing distance very...

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

GoPro HERO7 Black The GoPro HERO7 Black camera is designed to capture amazing movies. HERO7 Black's HyperSmooth stabilization allows for smooth shooting as if you were using a gimbal, but without the weight of a gimbal. Camera updates include direct streaming on...

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

Ironglass TAIR-11A 135mm T2.9 – MKII Rehousing, offers improved sharpness, a shorter minimum focusing distance, and a very long focus throw (around 300°).

Kit ZEISS Loxia Lens 21/35/50/85 mm avalaible for rent.

Panasonic Leica DG Nocticron 42.5mm f/1.2 ASPH OIS lens Characterized by its fast and sophisticated optical design, the Leica DG Nocticron 42.5mm f/1.2 ASPH. POWER O.I.S. from Panasonic is an 85mm equivalent prime for Micro Four Thirds mirrorless cameras...

Canon RF 14-35mm F4 L IS USM photogarphic lens is ultra-wide and stabilised, versatile, with an advanced optical design.

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

The Sony FE 85mm f / 1.4 GM is a telephoto lens for FF and APS-C format. Focusing is by ultrasonic AF motor (Ring-USM), image stabilization is built into the camera.