Alexa Mini has a shape of a cube and is designed to be the most versatile camera of the mini sector, with ITS Reduced pesos FIND easy scam Using the DRONI and universal joints.
To maintain the strength and solidity of construction TYPICAL ARRI to A small camera and light, I have been implemented A series of Unique design solutions. Among THIS: Electronics Highly Integrated and sealed, A lighter car body made of carbon and a solid titanium PL mount That Connects Directly to the new attack on the good of the internal sensor to ensure stable focal A DISTANCE, Also When you use large objectives. Easy to use and durable on the set, the Mini E ALEXA usable anywhere, easy to carry IN OR backpacks As hand luggage.
To maintain the strength and solidity of construction TYPICAL ARRI to A small camera and light, I have been implemented A series of Unique design solutions. Among THIS: Electronics Highly Integrated and sealed, A lighter car body made of carbon and a solid titanium PL mount That Connects Directly to the new attack on the good of the internal sensor to ensure stable focal A DISTANCE, Also When you use large objectives. Easy to use and durable on the set, the Mini E ALEXA usable anywhere, easy to carry IN OR backpacks As hand luggage.
ALEXA Mini can record images in 4K UHD in ProRes, facilitating real-time output of 4K UHD and files in high resolution.
More importantly, the Mini and all other rooms with ALEV sensor III, offer none picture quality by focusing not only on the spatial resolution, but also on other parameters, such as colorimetry, skin tone and High Dynamic Range (HDR ). This applies even if the choice is output in HD, 2K, 4K UHD or one of the outputs in traditional resolution as ARRIRAW uncompressed 2.8K or 3.2K ProRes.
Technical specifications
| Dimensions | Length 185 mm / 7.3 ” Width: 125 mm Height 140 mm / 5.5 “ |
| Weight | 2.3 kg |
| Sensor | Format 35 mm ARRI ALEV III CMOS with Bayer color filter array |
| Shutter | Electronic shutter, from 5.0 ° to 356.0 ° |
| Lens mount | Titanium PL mount with L-Bus connector and LDS EF mount PL mount with Hirose connector and LDS B4 mount with Hirose connector (A) |
| Recording formats | ProRes: S16 HD: 1920 x 1080 (up-sampled from 1600 x 900) HD: 1920 x 1080 2K Cine 16:9: 2048 x 1152 3.2K: 3200 x 1800 4K UHD: 3840 x 2160 (up-sampled from 3.2K) 4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)Anamorphic ProRes formats with 2x in-camera de-squeeze: HD Anamorphic: 1920 x 1080 2.39:1 2K Anamorphic: 2048 x 858MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files): 2.8K 16:9: 2880 x 1620 Open Gate: 3424 x 2202MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes: 4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K) 2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K) 16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K) |
| Input | Genlock-SDI (optional activation by ARRI Service), Timecode (input and output) |
| Video output | 2x HD-SDI out 1.5G and 3G: video uncompressed HD with embedded audio and metadata, record mode 6G SDI UHD and 3.2K |
