Canon EOS C300 Mark III
With the Digital cinema camera Canon EOS C300 Mark III with EF mount you can create cinema-quality productions. It features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with DSLR lenses but also with EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.
The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor’s raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. Canon EOS C300 Mark III records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon’s Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.
Generale
| Power supply | BP-A30 (included), BP-A60 (optional) |
| Dimensions (L x A x P) | 149 x 183 x 183 mm (grip and handle included) |
| Megapixel | Approx 9,6 |
| Recording Format | Long GOP |
Lens
| Lens mount | Canon EF Mount. User changeable to EF Mount with Cinema Lock or PL Mount B4 mount lens via adapter accessory (EF or PL) |
| Focus | EF Mount: Via lens, wireless control or wired remote (dependent on lens used) PL Mount: Only Cine Servo lenses |
Camera Section
| Image type sensor | CMOS Super 35 mm |
| ND filter | Up to 10 stops via built in ND filter system (in extended mode) |
| “Slow Motion” and “Fast Motion” Function | Cinema RAW Light: 4096 x 2160: 12 – 120 FPS / 2048 x1080 / 12 -120 FPS XF-AVC: 4096 x 2160: 12 – 120 FPS / 2048 x1080 / 1920 x 1080 (2K/Super 16mm) 12 ‑ 180 FPS Proxy files: Recorded at same frame rate |
| White balance | AWB, USER setting (setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B) |
| Gain | [-6 dB,-3 dB], -2 dB, 0 dB, 3 dB, 6 dB, 9 dB, 12 dB, 15 dB, 18 dB, 21 dB, 24 dB, 27 dB, 30 dB, 33 dB, 36 dB, 39 dB, 42 dB, [45 dB, 48 dB, 51 dB, 54 dB] |
Input/Output
| Audio input | XLR 3-pin connector x2, 3.5 mm stereo mini jack (input only) Input 1 and 2 on camera body. Additional 2x 3-Pin XLR on optional Expansion Unit EU-V2 (Input 3 and 4) |
| HDMI output | HDMI connector (type A) (output only, Camera Body) |
| Timecode output | BNC jack (input/output, Camera Body) |
| Genlock input | Yes with optional Expansion Unit EU-V1 and EU-V2. BNC jack (input only/also serves as SYNC OUT connector) |
| Headphone output | 3.5 mm stereo mini jack (output only, Camera Body) |
| Video monitor output | MON.: BNC jack, (output only, Camera Body) |
