The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The Fujinon MK18-55mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

Sony FE 24-70mm f/2.8 GM II is a revamped standard zoom, ideal for your basic three-lens set, with advanced optics and AF performance in a practical, compact and lightweight format that offers maximum mobility for photo and video.

Sony Lens FE 28-70mm f/3.5-5.6 OSS is the ideal lens for shooting everyday. With integrated image stabilization Optical SteadyShot ensures crisp, clear images.

Sony Lens FE 70-300mm F4.5-5.6 G OSS is the first zoom 70-300 mm full frame-mount and offers excellent resolution in every image point. It also ensures early incredible and detailed plans with a minimum focus of 0.9 meters fire.

Sony Lens FE 70-200 mm F2,8 GM OSS offers unparalleled rendering, lightning strike and performance stabilizing the extraordinary image.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

The ZEISS Loxia® 2/50 convinces in various application situations. Street photography, landscapes, portraits or spontaneous discoveries: the ZEISS Loxia 2/50 is the ideal companion for photo-cinematographic explorations.

Canon CN-E 135mm T2.2 FP X Sumire Prime PL is a manual focus cinema lens covering full frame and Super 35 formats.

The Zeiss Lens OTUS 55mm f/1.4 ZE EF-Mount is a standard focal length premium lens optimized for full-format DSLR camera sensors.

Zeiss Lens OTUS 28mm f/1.4 ZE EF-Mount is designed for Canon EF full-frame reflex DSLR cameras and can also be used with APS-C models in which it will provide a focal length equivalent to 44.8 mm.

Canon CN-E 50mm T1.3 FP X Sumire Prime PL is a manual focus lens that covers full frame and Super 35 sensor formats, offering centre-to-edge resolution that supports 4K production.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

Sony FE 16-35mm F2.8 GM II is equipped with the linear XD motor, this lens offers excellent autofocus performance, ensuring precise, fast and silent focusing for photographers and filmmakers.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

Sony FE 70-200mm f/2.8 GM OSS II lens centers exceptional resolution and fabulous bokeh in the world’s lightest wide-aperture G Master telephoto zoom lens.

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Despite its compactness, ZEISS Loxia 2.4/85 E-mount lens telephoto lens ensures excellent images – in the full field of images of a full frame sensor.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

Sony Lens E 16-70mm F4 ZA OSS combines the renowned Zeiss optics with an opening performance Maximum F4 Constant to ensure exceptional performance on the whole zoom range.

Samyang’s ultra wide-angle 14mm f/2.8 IF ED UMC lens for Canon EF Mount offers a view angle of approximately 115º with outstanding results when used with a full frame digital or 35mm film camera.

The ZEISS CP3 50mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The ZEISS Batis 2/25 E-mount lens is the ideal lens for exceptional perspectives in landscape photography, architecture, street scenes and photojournalism.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.