With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

The ARRI L7-C light consumes only 160 W and retains all the features of the series such as the adjustment from 2800 to 10000 K.

The Litepanels Gemini 1×1 Hard LED RGBWW has multiple lighting modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode.

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

Led Light 200W comparable to 2000W quartz light. 5500 K Color temperature. Remote control of power and touch panel.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

URSA Mini Pro 4.6K G2 is the new generation digital camera with completely revised electronic components and a high performance 4.6K HDR sensor for recordings up to 300 fps.

This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

The M8 HMI System II with High Speed Ballast from ARRI provides the core components you’ll need for dynamic high speed shooting. The kit includes an M8 lamp head with MAX technology and the EB 575/800W 1,000Hz High Speed Ballast.

Nanlite Projector PJ-BM-19 with Bowens Mount is compatible with Forza series luminaires with standard Bowens Mount.

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

This LED tube Nanlite PavoTube II 15X RGB Pixel 60cm, available in a 4-pcs kit, is a unique light source with a huge host of features. The kit contains four PavoTube RGBWW, each measuring 60 cm in length.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The Amaran F22c flexible LED light features RGBWW LEDs for complete color control as well as CCT tunable from 2,500K to 7,500K.

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

LED light 3200K – 5600K.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The M40 can be fitted with a 2,500 or 4,000W single-ended HMI lamp, making it a very versatile lighting fixture.

With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.