The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.

The photographic lens Laowa 12mm F2.8 Zero-D with Canon RF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

The photographic lens Canon 24-70mm F2,8 IS USM whith RF-mount is designed for use with full-frame Canon RF-mount mirrorless cameras.

Canon Lens CN-E85mm T1.3 L F is robust, compact and weighing just 1.1 kg, offers incredible 4K images, a perspective and a natural angle. Ideal for turning in low brightness conditions or to obtain a shallow depth of field

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

The CN-E14mm T3.1 L F lens is lightweight, has fixed focal length, it’s compact and designed for EF.

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

The Canon 100mm F2.8L Macro IS USM RF-Mount lens features 1.4x magnification and variable spherical aberration control.

The ZEISS Loxia® 2/35 offers an extended field of view. It is therefore the optimal choice when a subject has to be shown in context or when people want to portray people in a situation, for example for reportage or street photography.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Dolly CD6 equipped with basic platform, suitable for crane 120.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

Canon Lens 24-70mm IS F/4 is an optical stabilized with macro mode for a maximum magnification factor of 0.7x.

Il primo teleobiettivo macro medio con attacco E e stabilizzazione dell’immagine integrata offre tutta la qualità di un obiettivo G: risoluzione sorprendente con ingrandimento massimo di 1:1 e splendido effetto bokeh, anche negli scatti a mano libera.

The Zeiss Lens OTUS 55mm f/1.4 ZE EF-Mount is a standard focal length premium lens optimized for full-format DSLR camera sensors.

Despite its compactness, ZEISS Loxia 2.4/85 E-mount lens telephoto lens ensures excellent images – in the full field of images of a full frame sensor.

The 50mm wide aperture lens is a must for anyone with a full frame camera, and this goal is an excellent choice.

ZEISS CP2 15mm/T 2,9 EF/PL/E-mount lens is a cine prime lens designed for filmmaking and video production applications.