Laowa 24mm T14 2x PeriProbe inherits the functionality of the 24 mm Probe T14 2x lens, but a new periscope tube is also included.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

Short focusing distance up close, high speed, fast autofocus and wide-angle for full frame: the ZEISS Batis 2/25 E-mount optic is the ideal lens for exceptional perspectives in landscape photography, architecture, street scenes and photojournalism.

Perfect in low light thanks to an optimal control over depth of field, wide angle CN-E35mm T1.5 LF offers incredible picture quality in 4K with full coverage

TheSony Lens FE 35 mm F1,4 ZA facilitates handheld shooting indoors in low light, as well as night scenes.

Kit ZEISS Loxia Lens 21/35/50/85 mm avalaible for rent.

ZEISS CP2 25mm/T 2,1 EF/PL/E-mount Lens supports full frame format cameras, with coverage for up to 36 x 24mm.

The photographic lens Laowa 12mm F2.8 Zero-D with Sony E-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The Canon 15-35MM F2.8L IS USM RF-Mount photo lens captures all the details, even in low light, thanks to this bright ultra-wide angle 15-35mm F2.8L zoom.

The ZEISS Loxia® 2/35 offers an extended field of view. It is therefore the optimal choice when a subject has to be shown in context or when people want to portray people in a situation, for example for reportage or street photography.

Canon CN-E 35mm T1.5 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

ZEISS Otus 85mm f/1.4 Apo Planar T* ZE EF-Mount lens is designed for Canon EF-mount full-frame-format DSLRs and 35mm film cameras. It is also compatible with APS-C format DSLRs, where it will provide a 35mm-equivalent focal length of 136mm.

Despite its compactness, ZEISS’s Loxia 2.8 / 21 super wide-angle lens offers outstanding image quality across the full frame field of a full frame sensor.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

The photographic lens Canon 24-70mm F2,8 IS USM whith RF-mount is designed for use with full-frame Canon RF-mount mirrorless cameras.

Extending the range of compatible lenses, this Canon Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter is a unique

Sony Lens E PZ 18-110 mm F4 G OSS covers the most used range in Super 35 mm / APS-C video. The optical performance of the G lens ensures 4K and Ultra HD

Sony Lens FE 24-70 mm F2,8 GM: uncompromising design and technology in a lens that can fully exploit the potential of camera bodies with current and future high resolution.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.