Led Light 200W comparable to 2000W quartz light. 5500 K Color temperature. Remote control of power and touch panel.

The ARRI L7-C light consumes only 160 W and retains all the features of the series such as the adjustment from 2800 to 10000 K.

The M8 HMI System II with High Speed Ballast from ARRI provides the core components you’ll need for dynamic high speed shooting. The kit includes an M8 lamp head with MAX technology and the EB 575/800W 1,000Hz High Speed Ballast.

The Nanlite PavoTube 30C RGB 160W wireless is a versatile studio led that offers 0 to 100% dimmer, maximum output of 2850 lumens.

The Nanlite Pico Midnight Blue is a compact, colorful pocket-sized LED light, ideal for photographers, videographers, and content creators.

The Nanlite LED spot light FS-200B bicolor 220W is a two-color AC-powered LED for live streaming, photo and video production.

This flexible 756-piece LED light can be curved in any shape to produce 10 ° -360 ° with various lighting angles, which must be integrated using video production in the field, particularly lighting in tight spaces.

SmallRig 3976 RC 450B COB LED light with AstralTech (EU) optical system uses a 55-degree hyperreflector to realize 115,000 Lux (1 m). It features CRI 96+ and TLCI 97+

The 40° snapgrid for Gemini 2×1 Soft LED RGBWW light fits directly into Gemini 2 x 1 products. Dimensions: 64 x 33 x 8 cm.

The Litepanels Gemini 1×1 Hard LED RGBWW has multiple lighting modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode.

The FL-45E Fresnel lens 16-50° motorised for Nanlux Evoke 5000 LED light features a 45cm lens with a 16°-50° zoom range.

With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.

Godox bi-color LED panel light F600Bi 4×4 is designed to provide flexibility in any environment, offers practicality and portability to film and television professionals.

The Arri T2 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular.
When mounted with a 2000 watt bulb, this device will provide a 1.4 m beam of 470 fc diameter from a distance of 6 m to the maximum point. A full range (same distance) of a radius of6.9 m in diameter.

PIPE Lighting Pipe Wide 63 Bi-Colour (800W) light, inflatable, waterproof, powerful, soft light without additional loudspeakers.

Part of Arri’s True Blue series, the D5 HMI 575W Fresnel Head stays true to its Arri roots with its compact size, while reducing weight and maximizing light output. True Blue heads also feature a new cross-cooling system–lamp housing temp is reduced 25%; lens temp, 17%. A redesigned stirrup and improved tilt lock make using Chimera or similar light modifiers a breeze.

The Litepanels Snapbag softbox for Gemini 2×1 Soft LED RGBWW light mounts directly to the reflector without speedring and softens the specular quality of the LEDs

This LED panel light, with LED technology mounted on the surface, includes ultra bright 1152 piece LEDs. The built-in diffuser generates an equally widespread area, which is an ideal light source for studio and field video productions.

Nanlite Forza 60C six-colour RGBLAC LED light – 88W, which uses six-colour technology (RGBLAC: red, green, blue, lime, amber and cyan) to deliver extremely accurate and vivid colour rendering.

A true soft light with outstanding power and performance, Gemini 1×1 features over 16.7 million colors, and 11 cinematic lighting effects instantly available at the touch of a button as well as full-spectrum white light from 2,700K to 10,000K CCT.