Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

he Nanlite Forza 720B Two-Tone and Dimmable LED Light – 800 W provides a balanced light output 2700 – 6500 K while maintaining a high CRI / TLCI average of 96/97.

This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

Blackmagic URSA Mini PRO 4.6K EF possesses a 4.6K Super 35 sensor with 15 dynamic range stop, perfect for feature films and versatile to allow it to be used in Video mode

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

ARRI Skypanel S60-C is a model with a slight aperture of 645 x 300 mm and meets the vast majority of applications.

LED bicolor light 3200K – 5600K.

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.

Each head is a powerful, bright 100 W LED. It can be connected together piece by piece. Suitable for stage, clubs and other entertainment venues.

This black True Blue D25 2500W HMI Fresnel from ARRI is another example of their completely redesigned True Blue series. The 10″ Fresnel with a beam angle variable from 6-59° is protected with stainless steel mesh. Pressure die-cast and extruded aluminum alloy components make the D25 lighter without sacrificing strength while improving corrosion resistance.

LED bicolor light 3200K – 5600K.

SmallRig 3976 RC 450B COB LED light with AstralTech (EU) optical system uses a 55-degree hyperreflector to realize 115,000 Lux (1 m). It features CRI 96+ and TLCI 97+

The M8 HMI System II with High Speed Ballast from ARRI provides the core components you’ll need for dynamic high speed shooting. The kit includes an M8 lamp head with MAX technology and the EB 575/800W 1,000Hz High Speed Ballast.

The SkyPanel S30 is the smaller and more portable version; with half the length of the SkyPanel S60, it is perfect for use in external locations (ENG crew). Both models are available in versions with color / temperature and remote phosphor adjustment.

Arri Fresnel Light 650W

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

The Litepanels Snapbag softbox for Gemini 2×1 Soft LED RGBWW light mounts directly to the reflector without speedring and softens the specular quality of the LEDs

This kit consists of the Evoke 1200 and a fresnel. The Evoke 1200 from Nanlux is a revolutionary new 1.2kW LED light that breaks free from the confines of traditional light sources. Powerful, reliable and incredibly flexible, the Evoke outperforms almost all comparable devices on the professional lighting market.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

LED bicolor light 3200K – 5600K.

The Red Komodo 6K camera is the latest release from RED, compact and versatile guarantees perfect shooting and up to 6K resolution.

Crane 2 is a SLR and mirrorless stabilizer with 3.2kg camera support, OLED screen and electronic follow focus.

SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects.