Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

Slider Syrp composed by Magic Carpet Pro, Genie II Linear and Genie II Pan Tilt.

Part of Arri’s True Blue series, the D5 HMI 575W Fresnel Head stays true to its Arri roots with its compact size, while reducing weight and maximizing light output. True Blue heads also feature a new cross-cooling system–lamp housing temp is reduced 25%; lens temp, 17%. A redesigned stirrup and improved tilt lock make using Chimera or similar light modifiers a breeze.

The Jinbei EFD-500 LED light 5500K uses a high efficiency COB technology lamp. In addition to the ability to choose between more than 50 light effects, EFD-500 can be powered by 2 V-Mount batteries. The product includes: EFD-500 light, EF-7″ dish, control panel and bag.

Broncolor Pulso G 3200 J strobe light with a maximum load capacity of 3’200 J

Crane 2 is a SLR and mirrorless stabilizer with 3.2kg camera support, OLED screen and electronic follow focus.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

The Nanlite LED spot light FS-200B bicolor 220W is a two-color AC-powered LED for live streaming, photo and video production.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

ATEM Television Studio HD accommodates 4 SDI inputs and 4 HDMI inputs with frame synchronization, compatible with Broadcast and Broadcast cameras.

This kit consists of the Evoke 1200 and a fresnel. The Evoke 1200 from Nanlux is a revolutionary new 1.2kW LED light that breaks free from the confines of traditional light sources. Powerful, reliable and incredibly flexible, the Evoke outperforms almost all comparable devices on the professional lighting market.

The Arri T1 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular workhorses for over two decades.
When fitted with a 1000-watt bulb (available separately) this fixture will provide a 2.8′ (0.9 m) diameter beam of 409 fc from a distance of 20′ (6.1 m) at full spot. At full flood (same distance), it will provide a 48 fc, 20.4′ (6.2 m) diameter beam

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

URSA Mini Pro 4.6K G2 is the new generation digital camera with completely revised electronic components and a high performance 4.6K HDR sensor for recordings up to 300 fps.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

Godox bi-color LED panel light F600Bi 4×4 is designed to provide flexibility in any environment, offers practicality and portability to film and television professionals.

Dolly CD6 equipped with basic platform, suitable for crane 120.

With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.

The FL-35E Fresnel lens with Nanlux Evoke 2400B LED light is a state-of-the-art NL-mount optic with remote control and zoom from 15° to 46°. It integrates seamlessly with Evoke 2400B, providing an outstanding illumination of 75700lux@3m, 5600K, 15°.

Interchangeable conference microphone with cardioid, hyper-cardioid and omni heads. The high intermediate and advanced frequency makes the sound clear.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

This Nanlite SB-MP150 softbox is compatible with MixPanel 150 RGBWW LED panel. It features a speed ring-free design and the unit mounts to the front of the LED panel via touch fasteners.