This black True Blue D25 2500W HMI Fresnel from ARRI is another example of their completely redesigned True Blue series. The 10″ Fresnel with a beam angle variable from 6-59° is protected with stainless steel mesh. Pressure die-cast and extruded aluminum alloy components make the D25 lighter without sacrificing strength while improving corrosion resistance.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

ARRI Skypanel S60-C is a model with a slight aperture of 645 x 300 mm and meets the vast majority of applications.

The Arri T1 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular workhorses for over two decades.
When fitted with a 1000-watt bulb (available separately) this fixture will provide a 2.8′ (0.9 m) diameter beam of 409 fc from a distance of 20′ (6.1 m) at full spot. At full flood (same distance), it will provide a 48 fc, 20.4′ (6.2 m) diameter beam

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

Mirrorless DSLM Lumix G (Digital Single Lens Mirrorless, Digital Mirrored Single Lens) with High Quality Image, 4K / 60p Video Recording Features and 6K PHOTO Mode

The SkyPanel S30 is the smaller and more portable version; with half the length of the SkyPanel S60, it is perfect for use in external locations (ENG crew). Both models are available in versions with color / temperature and remote phosphor adjustment.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

Arri Fresnel Light 650W

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

Nanlite Forza 60C six-colour RGBLAC LED light – 88W, which uses six-colour technology (RGBLAC: red, green, blue, lime, amber and cyan) to deliver extremely accurate and vivid colour rendering.

The Litepanels Snapbag softbox for Gemini 2×1 Soft LED RGBWW light mounts directly to the reflector without speedring and softens the specular quality of the LEDs

The M8 HMI System II with High Speed Ballast from ARRI provides the core components you’ll need for dynamic high speed shooting. The kit includes an M8 lamp head with MAX technology and the EB 575/800W 1,000Hz High Speed Ballast.

Each head is a powerful, bright 100 W LED. It can be connected together piece by piece. Suitable for stage, clubs and other entertainment venues.

Godox bi-color LED panel light F600Bi 4×4 is designed to provide flexibility in any environment, offers practicality and portability to film and television professionals.

The Jinbei EFD-500 LED light 5500K uses a high efficiency COB technology lamp. In addition to the ability to choose between more than 50 light effects, EFD-500 can be powered by 2 V-Mount batteries. The product includes: EFD-500 light, EF-7″ dish, control panel and bag.

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

The FL-45E Fresnel lens 16-50° motorised for Nanlux Evoke 5000 LED light features a 45cm lens with a 16°-50° zoom range.

With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.

The Nanlux spot Evoke 5000B two-colour LED light is a versatile LED lamp designed for professional applications in film and photography.