The Nanlux spot Evoke 5000B two-colour LED light is a versatile LED lamp designed for professional applications in film and photography.

Each head is a powerful, bright 100 W LED. It can be connected together piece by piece. Suitable for stage, clubs and other entertainment venues.

The Arri T2 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular.
When mounted with a 2000 watt bulb, this device will provide a 1.4 m beam of 470 fc diameter from a distance of 6 m to the maximum point. A full range (same distance) of a radius of6.9 m in diameter.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

Crane film and video productions and filming with digital remote head . With dolly and pneumatic wheels. Crew complete with driver

The Broncolor 1600 w / s MobiLED lamp is extremely compact, weighs very little and has an excellent quality / price ratio.

The 40° snapgrid for Gemini 2×1 Soft LED RGBWW light fits directly into Gemini 2 x 1 products. Dimensions: 64 x 33 x 8 cm.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

The LED panel Nanlite MixPanel 150 RGBWW with dimmer is a fixture capable of switching between a traditional LED panel for hard or soft light, and a tunable RGB panel for colorful, creative effects at the push of a button. It has an expansive CCT range of 2700 to 7500 to integrate into any ambient light situation.

FB-800G is a camera video continuous light, featuring great brightness, high CRI90+ and a stable working system
with a rapid natural heat dissipation.

SmallRig 3976 RC 450B COB LED light with AstralTech (EU) optical system uses a 55-degree hyperreflector to realize 115,000 Lux (1 m). It features CRI 96+ and TLCI 97+

Sony VENICE has a 36 x 24 mm full frame image sensor, capable of acquiring images with a maximum resolution of up to 6048 x 4032.

Arri Fresnel Light 650W

This flexible 756-piece LED light can be curved in any shape to produce 10 ° -360 ° with various lighting angles, which must be integrated using video production in the field, particularly lighting in tight spaces.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

The FL-45E Fresnel lens 16-50° motorised for Nanlux Evoke 5000 LED light features a 45cm lens with a 16°-50° zoom range.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

The ARRI L7-C light consumes only 160 W and retains all the features of the series such as the adjustment from 2800 to 10000 K.

The SkyPanel S30 is the smaller and more portable version; with half the length of the SkyPanel S60, it is perfect for use in external locations (ENG crew). Both models are available in versions with color / temperature and remote phosphor adjustment.

With reduced weight, compact size and maximum light output, this TRUE BLUE Daylight series sets a new standard for professional lighting equipment.

This Nanlite SB-MP150 softbox is compatible with MixPanel 150 RGBWW LED panel. It features a speed ring-free design and the unit mounts to the front of the LED panel via touch fasteners.

The Nanlite LED spot light FS-200B bicolor 220W is a two-color AC-powered LED for live streaming, photo and video production.

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

Nanlite Forza 60C six-colour RGBLAC LED light – 88W, which uses six-colour technology (RGBLAC: red, green, blue, lime, amber and cyan) to deliver extremely accurate and vivid colour rendering.