The Arri T2 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular.
When mounted with a 2000 watt bulb, this device will provide a 1.4 m beam of 470 fc diameter from a distance of 6 m to the maximum point. A full range (same distance) of a radius of6.9 m in diameter.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

Laowa 24mm f/14 2X Macro Probe lens allows you to focus very closely (2cm @ 2:1), while showing many details and textures.

This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The Jinbei EFD-500 LED light 5500K uses a high efficiency COB technology lamp. In addition to the ability to choose between more than 50 light effects, EFD-500 can be powered by 2 V-Mount batteries. The product includes: EFD-500 light, EF-7″ dish, control panel and bag.

The LED panel Nanlite MixPanel 150 RGBWW with dimmer is a fixture capable of switching between a traditional LED panel for hard or soft light, and a tunable RGB panel for colorful, creative effects at the push of a button. It has an expansive CCT range of 2700 to 7500 to integrate into any ambient light situation.

URSA Mini Pro 4.6K G2 is the new generation digital camera with completely revised electronic components and a high performance 4.6K HDR sensor for recordings up to 300 fps.

Led Light 200W comparable to 2000W quartz light. 5500 K Color temperature. Remote control of power and touch panel.

SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

Dolly CD6 equipped with basic platform, suitable for crane 120.

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

FB-800G is a camera video continuous light, featuring great brightness, high CRI90+ and a stable working system
with a rapid natural heat dissipation.

The GoPro HERO9 Black delivers stunning 5K video and 20MP photos, with HyperSmooth 3.0 stabilization and a waterproof design.

he Nanlite Forza 720B Two-Tone and Dimmable LED Light – 800 W provides a balanced light output 2700 – 6500 K while maintaining a high CRI / TLCI average of 96/97.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

The M40 can be fitted with a 2,500 or 4,000W single-ended HMI lamp, making it a very versatile lighting fixture.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

ATEM Television Studio HD accommodates 4 SDI inputs and 4 HDMI inputs with frame synchronization, compatible with Broadcast and Broadcast cameras.