Nanlite Projector PJ-BM-19 with Bowens Mount is compatible with Forza series luminaires with standard Bowens Mount.

Blackmagic URSA Mini PRO 4.6K EF possesses a 4.6K Super 35 sensor with 15 dynamic range stop, perfect for feature films and versatile to allow it to be used in Video mode

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

Arri 1200W HMI PAR + ballast The Arri 1200 Watt HMI PAR stays true to its Arri roots with its compact size, while reducing weight and maximizing light output. It also feature a new cross-cooling system. Specifications Weight 10 kg Dimensions 64.4 x 37.4 x 32.5 cm...

Nanlux Evoke 150C Fullcolor LED Light The Nanlux Evoke 150C is a compact and powerful Fullcolor COB LED light, designed for film, television and photography productions. With a power of 150W and advanced RGBLAC technology, it offers...

Insta360 Pro II Insta360 Pro II VR with Insta360's FarSight bundle captures spherical video and spherical 3D video in configurations up to 8K 3D. This successor to Insta360 Pro can record immersive 8K video when streaming...

FB-800G is a camera video continuous light, featuring great brightness, high CRI90+ and a stable working system
with a rapid natural heat dissipation.

SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects. It can be widely used in outdoor video production, especially for lighting in confined spaces.

This LED panel light, with LED technology mounted on the surface, includes ultra bright 1152 piece LEDs. The built-in diffuser generates an equally widespread area, which is an ideal light source for studio and field video productions.

Fresnel lens Nanlite FL-20G The fresnel lens Nanlite FL-20G for Forza 300 / Forza 500 LED light is a glass fresnel lens with an adjustable length cover that focuses the emitted light. It allows adjustment of the light beam from spot...

ATEM Mini boasts 4 HDMI inputs and an intuitive and easy-to-use design, designed for the live streaming of multi-camera productions on platforms such as YouTube, Facebook Live and even Skype.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

Blackmagic pocket cinema camera 4K Blackmagic's Black Cinema Pocket Cinema 4K camcorder features a 4/3 "sensor for capturing up to 4096 x 2160 DCI 4K speeds of up to 60 fps at a time of codecs, including CinemaDNG Raw / Raw 3: 1 / Raw...

This kit consists of the Evoke 1200 and a fresnel. The Evoke 1200 from Nanlux is a revolutionary new 1.2kW LED light that breaks free from the confines of traditional light sources. Powerful, reliable and incredibly flexible, the Evoke outperforms almost all comparable devices on the professional lighting market.

The Arri T1 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular workhorses for over two decades.
When fitted with a 1000-watt bulb (available separately) this fixture will provide a 2.8′ (0.9 m) diameter beam of 409 fc from a distance of 20′ (6.1 m) at full spot. At full flood (same distance), it will provide a 48 fc, 20.4′ (6.2 m) diameter beam

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

The Jinbei EFD-500 LED light 5500K uses a high efficiency COB technology lamp. In addition to the ability to choose between more than 50 light effects, EFD-500 can be powered by 2 V-Mount batteries. The product includes: EFD-500 light, EF-7″ dish, control panel and bag.

PavoBulb Nanlite with accessories The PavoBulb Nanlite LED bulb - 4-piece kit with accessories has achieved cinema-level colour reproduction through the application of state-of-the-art RGBWW colour mixing technology. It also features a wide CCT...

LED light Nanlux spot Evoke 900C ST-KIT LED light Nanlux spot Evoke 900C ST-KIT consists of Nanlux spot Evoke 900C two-color LED light, a remote control, and a trolley for transport. The Evoke 900C is equipped with an RGBLAC color mixing system and provides abundant...

Godox bi-color LED panel light F400Bi 2.1×4 is designed to offer flexibility in any environment, offers practicality and portability to film and television professionals.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

LED Nanlite PavoSlim 120B bicolor - 150W The LED panel Nanlite PavoSlim 120B bicolor - 150W is a portable fixture that fits easily into tight spaces and is quick to assemble and disassemble. It has a sturdy metal construction that disperses heat without the use of...

Godox bi-color LED panel light F600Bi 4×4 is designed to provide flexibility in any environment, offers practicality and portability to film and television professionals.

The Litepanels Snapbag softbox for Gemini 2×1 Soft LED RGBWW light mounts directly to the reflector without speedring and softens the specular quality of the LEDs

Nanlite PJ-BM-36 Projector with Bowens mount and 36° lens concentrates the light more and lets it pass through for more ideal effects.

This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.