Rental SONY PXW-FS7 Mark II | Super 35 mm

SONY PXW-FS7 Mark II

SONY PXW-FS7 Mark II

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.
Moving: in hand, shoulder or suspended by a gimbal, the FS7 II offers the spectacular images you expect from Sony.

General

Operating Temperature0°C to 40°C
32°F to 104°F

Weight	About 2 kg (body only) About 4.5kg (with viewfinder, eyepiece, Grip Remote Control, BP-U30 battery, SELP18110G optic and XQD memory card)
Dimensions (W x H x D)	158,9 x 245,2 x 247 mm (body without protrusions)
Power Requirements	16,5 V DC (batteria) 12 V DC (adattatore AC)
Power Consumption	Approx. 19W (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Storage Temperature	-20°C to +60°C -4°F to +140°F
Battery Operating Time	Approx. 1 hrs with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device) Approx. 2 hrs with BP-U60 battery while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device) Approx. 3 hrs with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video)	XAVC-I mode: QFHD 59.94P CBG, bit rate of 600 Mbps, MPEG-4 H.264 / AVC XAVC-I mode: QFHD 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 / AVC XAVC-I mode: QFHD 29.97P CBG, bit rates of 300 Mbps, MPEG-4 H.264 / AVC XAVC-I mode: QFHD 23.98P CBG, bit rate of 240 Mbps, MPEG-4 H.264 / AVC XAVC-I mode: QFHD 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 / AVC XAVC-I mode: HD 59.94P VBR, maximum bit rate 222 Mbps, MPEG-4 H.264 / AVC XAVC-I Mode: HD 50P VBR, Maximum Bit Rate 185 Mbps, MPEG-4 H.264 / AVC XAVC-I Mode: HD 59.94i VBR, Maximum Bit Rate 111 Mbps, MPEG-4 H.264 / AVC XAVC-I Mode: HD 50i VBR, Maximum Bit Rate 112 Mbps, MPEG-4 H.264 / AVC XAVC-I mode: HD 29.97P VBR, maximum bit rate of 111 Mbps, MPEG-4 XAVC-L QFHD Mode 59.94P / 50P: VBR, Maximum Bit Rate 150 Mbps, MPEG-4 H.264 / AVC XAVC-L QFHD Mode 29.97P / 23.98P / 25P: VBR, Maximum Bit Rate 100 Mbps, MPEG-4 H.264 / AVC XAVC-L HD 50 Mode: VBR, Maximum Bit Rate 50 Mbps, MPEG-4 H.264 / AVC XAVC-L HD 35 Mode: VBR, Maximum Bit Rate 35Mbps, MPEG-4 H.264 / AVC XAVC-L HD 25 Mode: VBR, Maximum Bit Rate 25Mbps, MPEG-4 H.264 / AVC MPEG HD422 mode: CBR, maximum bit rate: 50 Mbps, MPEG-2 422P @ HL
Recording Format (Audio)	LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback ONLY 2channels)
Recording Frame Rate	Mod. XAVC-I: DCI4K 59.94P CBG, bit rate 600 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: DCI4K 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: DCI4K 29.97P CBG, bit rate 300 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: DCI4K 23.98P CBG, bit rate 240 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: DCI4K 24.00P CBG, bit rate 240 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: DCI4K 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: QFHD 59.94P CBG, bit rate 600 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: QFHD 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: QFHD 29.97P CBG, bit rate 300 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: QFHD 23.98P CBG, bit rate 240 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: QFHD 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 / AVC XAVC-I mode: HD 59.94P VBR, bit rate max. 222 Mbps, MPEG-4 H.264 / AVC XAVC-I mode: HD 50P VBR, bit rate max. Of 185 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: HD 59.94i VBR, bit rate max. Of 111 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: HD 50i VBR, bit rate max. Of 112 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: HD 29.97P VBR, bit rate max. Of 111 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: HD 23.98P VBR, bit rate max. Of 89 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-I: HD 25P VBR, bit rate max. Of 112 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-L QFHD 59.94P / 50P: VBR, bit rate max. Of 150 Mbps, MPEG-4 H.264 / AVC XAVC-L mode QFHD 29.97P / 23.98P / 25P: VBR, bit rate max. Of 100 Mbps, MPEG-4 H.264 / AVC XAVC-L mode HD 50: VBR, bit rate max. Of 50 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-L HD 35: VBR, bit rate max. Of 35 Mbps, MPEG-4 H.264 / AVC Mod. XAVC-L HD 25: VBR, bit rate max. Of 25 Mbps, MPEG-4 H.264 / AVC MPEG HD422 mode: CBR, maximum bit rate: 50 Mbps, MPEG-2 422P @ HL
Recording/Playback Time	XAVC-I mode QFHD 59.94P If you are using QD-G128A (128 GB): about 22 minutes XAVC-I mode QFHD 50P If you are using QD-G128A (128 GB): about 26 minutes XAVC-I mode QFHD 29.97P If you are using QD-G128A (128 GB): about 44 minutes XAVC-I Mode QFHD 23.98P If you are using QD-G128A (128 GB): about 55 minutes XAVC-I mode QFHD 25p If you are using QD-G128A (128 GB): about 52 minutes XAVC-I HD 59.94P Mode If you are using QD-G128A (128 GB): about 59 minutes XAVC-I HD 50P mode If you are using QD-G128A (128 GB): about 71 minutes XAVC-I HD 59.94i Mode If you are using QD-G128A (128 GB): about 118 minutes XAVC-I HD 50i Mode If you are using QD-G128A (128 GB): about 141 minutes XAVC-I HD 29.97P Mode If you are using QD-G128A (128 GB): about 118 minutes XAVC-I HD 23.98P mode If you use QD-G128A (128 GB): about 147 minutes XAVC-I HD 25P mode If you are using QD-G128A (128 GB): about 141 minutes XAVC-I Mode QFHD 59.94P / 50P If you are using QD-G128A (128 GB): about 87 minutes XAVC-L QFHD mode 29.97P / 23.98P / 25P: When using QD-G128A (128 GB): Approx. 131 minutes XAVC-L mode 50 If you are using QD-G128A (128 GB): about 262 minutes XAVC-L Mode 35 If you are using QD-G128A (128 GB): about 374 minutes XAVC-L Mode 25 When using QD-G128A (128 GB): Approx. 524 minutes MPEG HD422 mode If you are using QD-G128A (128 GB): about 262 minutes

Camera Section

Imaging Device (Type)	Super35 type Single-chip Exmor CMOS
Effective Picture Elements	17:9 4096 (H) x 2160 (V) 16:9 3840 (H) x 2160 (V)
Built-in Optical Filters	ND Filters OFF: TRANSPARENT 1 1/4 ND 2 1/16 ND 3: 1/64 ND ND linear variable (from 1/4 ND to 1/128 ND)
Sensitivity (2000 lx, 89.9% reflectance)	Video Gamma: T14 (3840 x 2160/23.98P mode 3200K)
ISO Sensitivity	ISO 2000(S-Log3 Gamma D55 Light source)
Minimum Illumination	0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4)
S/N Ratio	57 dB (Y) (typical)
Shutter Speed	1/3 sec to 1/9,000 sec
Gain	-3, 0, 3, 6, 9, 12, 18 dB, AGC
White Balance	Preset, Memory A, Memory B(1500K-50000K)/ATW
Slow & Quick Motion Function	XAVC-I Mode 3840 x 2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-I Mode 1920 x 1080: 1 to 180 frames (59.94P, 29.97P, 23.98P) from 1 to 150 frames (50P, 25P) XAVC-L Mode 3840 x 2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P) XAVC-L Mode 1920 x 1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
Monitoring	Built-in LCD Monitor with 8.8cm (3.5 type) Approx. 1.56M dots
Built-in Microphone	Omni-directional monoral electret condenser microphone.

Input/Output

DC InputDC Jack

SDI Output	BNC(x2), switchable with 3G-SDI/HD-SDI SMTPE292M/424M/425M
HDMI Output	Type A (x1)
Speaker Output	Mono
Headphone Output	Stereo mini jack (x1) -16dBu 16Ω
Audio Input	XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable Mic Reference: -40, -50, -60dBu
Remote	Stereo mini-minijack (Φ2.5 mm)
USB	USB device, mini-B (x1)

Vedi anche:

SONY PXW-Z100

PXW-Z100, Sony’s XDCAM professional 4K laptop is equipped with an Exmor R CMOS sensor 1/2, 33 “with 16 million pixels

Panasonic PTZ AW-UE150

Equipped with a 1 “MOS sensor, the Panasonic PTZ AW-UE150 camera supports high quality 4K 50p video, features a 75.1 degree viewing angle and 20x optical zoom, and supports multiple outputs including 12G-SDI , HDMI, optical fiber and IP.

Insta360 X4

Insta360 X4 has a 5nm AI chip powering 8K, 5.7K 60fps and 4K 100fps slow motion resolutions and a battery life of 135 minutes.

Sony FX6 Cinema Line full-frame

The Sony FX6 Cinema Line full-frame camera captures images in near total darkness with an extended ISO range up to 409600.

Blackmagic Web Presenter

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

Ronin 2

The Ronin 2 is a three-axis stabilized gimbal with a load capacity of 13.6 kg, ideal for making videos more fluid and stable in any situation.

Canon EOS C70

Canon EOS C70 Camera Rental: Features 4K 120p Slow Motion mode, HDR and Dual Pixel CMOS AF technologies and a compact body.

Blackmagic Zoom Demand

The Blackmagic Zoom Demand is a zoom control on micro 4/3 lenses for Blackmagic Studio Cameras. It features rec start/stop button.

Canon EOS R1

Canon EOS R1, full-frame mirrorless, new processor: the innovative DIGIC Accelerator, the existing DIGIC X and a new CMOS sensor.

SONY PXW-FS7

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

Dolly CD6

Dolly CD6 equipped with basic platform, suitable for crane 120.

DJI Osmo Action 3 Standard Combo

DJI Osmo Action 3 Standard Combo features a quick-release design for easy horizontal and vertical mounting and colour touchscreens on the front and back.

SONY HVR-Z7E

HVR-Z7E has an interchangeable lens system, native progressive recording, and recording unit with solid-state memory.

Canon EOS R5

Canon EOS R5 mirrorless digital camera features a newly developed 45MP CMOS sensor, 8K raw video recording and 12 fps continuous shooting.

SONY alpha 7S III

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

DJI Avata Fly Smart Combo Drone

DJI Avata Fly Smart Combo Drone with goggles and a motion controller, flying becomes accessible to everyone.

Blackmagic URSA Broadcast

URSA Broadcast is ideal both for outdoor shooting in reportage style and for broadcasts from the studio. Broadcast professionals can use their existing optics and batteries, and leave behind the formats and proprietary cards of traditional cameras.

Canon EOS R5 C

The Canon EOS R5 C is a camera that combines the best of Cinema EOS with all the benefits of the EOS R series.

PTZ UHD Marshall camera

The PTZ UHD Marshall CV730 NDI camera delivers UHD images up to 3840x2160p at 60fps, features 30x zoom and 12GSDI, HDMI2.0 and NDI outputs.

Arri Alexa Mini

ALEXA Mini can record images in 4K UHD in ProRes, facilitating real-time output of 4K UHD and files in high resolution.

Laowa 12mm Zero D E-mount lens

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

Adapter Plate for ARRI V-Mount Batteries

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

SONY alpha a7 III

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

Laowa Venus 24mm f/14 2X Macro Probe EF-Mount lens

Laowa 24mm f/14 2X Macro Probe lens allows you to focus very closely (2cm @ 2:1), while showing many details and textures.

Panasonic Lumix DC-GH5S

GH5S is the perfect LUMIX for videomakers, thanks to the super 4K for video and high-sensitivity 10.2 MP MOS video that can produce sensational movies in a simple way every time you are caught by the inspiration.

Drone DJI Air 3 Fly More Combo con DJI RC 2

DJI Air 3 Fly More Combo drone whit DJI RC 2

Drone DJI Air 3 Fly More Combo with DJI RC 2 features a dual camera, one wide-angle and one medium telephoto, allowing you to capture images and video in 4K

Drone DJI Phantom 4 Pro V2.0

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

Canon EOS C80 Cinema Camera

Canon EOS C80 Cinema Camera, back-illuminated stacked CMOS sensor (BSI), ISO (800/3200/12800), 16 stops dynamic range.

Insta 360 Pro

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

Mixer ATEM Television Studio Pro HD

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

Request information or quotation:

Vedi anche: