logo MediaMaking
logo MediaMaking
SONY PXW-FS7 Mark II
SONY PXW-FS7 Mark II
The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.
Moving: in hand, shoulder or suspended by a gimbal, the FS7 II offers the spectacular images you expect from Sony.
General

Operating Temperature0°C to 40°C
32°F to 104°F

Weight About 2 kg (body only)
About 4.5kg (with viewfinder, eyepiece, Grip Remote Control, BP-U30 battery, SELP18110G optic and XQD memory card)
Dimensions (W x H x D) 158,9 x 245,2 x 247 mm (body without protrusions)
Power Requirements 16,5 V DC (batteria)
12 V DC (adattatore AC)
Power Consumption Approx. 19W (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time Approx. 1 hrs with BP-U30 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 2 hrs with BP-U60 battery while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 3 hrs with BP-U90 battery (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video) XAVC-I mode: QFHD 59.94P CBG, bit rate of 600 Mbps, MPEG-4 H.264 / AVC
XAVC-I mode: QFHD 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 / AVC
XAVC-I mode: QFHD 29.97P CBG, bit rates of 300 Mbps, MPEG-4 H.264 / AVC
XAVC-I mode: QFHD 23.98P CBG, bit rate of 240 Mbps, MPEG-4 H.264 / AVC
XAVC-I mode: QFHD 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 / AVC
XAVC-I mode: HD 59.94P VBR, maximum bit rate 222 Mbps, MPEG-4 H.264 / AVC
XAVC-I Mode: HD 50P VBR, Maximum Bit Rate 185 Mbps, MPEG-4 H.264 / AVC
XAVC-I Mode: HD 59.94i VBR, Maximum Bit Rate 111 Mbps, MPEG-4 H.264 / AVC
XAVC-I Mode: HD 50i VBR, Maximum Bit Rate 112 Mbps, MPEG-4 H.264 / AVC
XAVC-I mode: HD 29.97P VBR, maximum bit rate of 111 Mbps, MPEG-4
XAVC-L QFHD Mode 59.94P / 50P: VBR, Maximum Bit Rate 150 Mbps, MPEG-4 H.264 / AVC
XAVC-L QFHD Mode 29.97P / 23.98P / 25P: VBR, Maximum Bit Rate 100 Mbps, MPEG-4 H.264 / AVC
XAVC-L HD 50 Mode: VBR, Maximum Bit Rate 50 Mbps, MPEG-4 H.264 / AVC
XAVC-L HD 35 Mode: VBR, Maximum Bit Rate 35Mbps, MPEG-4 H.264 / AVC
XAVC-L HD 25 Mode: VBR, Maximum Bit Rate 25Mbps, MPEG-4 H.264 / AVC
MPEG HD422 mode: CBR, maximum bit rate: 50 Mbps, MPEG-2 422P @ HL
Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback ONLY 2channels)
Recording Frame Rate Mod. XAVC-I: DCI4K 59.94P CBG, bit rate 600 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: DCI4K 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: DCI4K 29.97P CBG, bit rate 300 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: DCI4K 23.98P CBG, bit rate 240 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: DCI4K 24.00P CBG, bit rate 240 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: DCI4K 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: QFHD 59.94P CBG, bit rate 600 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: QFHD 50P CBG, bit rate 500 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: QFHD 29.97P CBG, bit rate 300 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: QFHD 23.98P CBG, bit rate 240 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: QFHD 25P CBG, bit rate 250 Mbps, MPEG-4 H.264 / AVC
XAVC-I mode: HD 59.94P VBR, bit rate max. 222 Mbps, MPEG-4 H.264 / AVC
XAVC-I mode: HD 50P VBR, bit rate max. Of 185 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: HD 59.94i VBR, bit rate max. Of 111 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: HD 50i VBR, bit rate max. Of 112 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: HD 29.97P VBR, bit rate max. Of 111 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: HD 23.98P VBR, bit rate max. Of 89 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-I: HD 25P VBR, bit rate max. Of 112 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-L QFHD 59.94P / 50P: VBR, bit rate max. Of 150 Mbps, MPEG-4 H.264 / AVC
XAVC-L mode QFHD 29.97P / 23.98P / 25P: VBR, bit rate max. Of 100 Mbps, MPEG-4 H.264 / AVC
XAVC-L mode HD 50: VBR, bit rate max. Of 50 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-L HD 35: VBR, bit rate max. Of 35 Mbps, MPEG-4 H.264 / AVC
Mod. XAVC-L HD 25: VBR, bit rate max. Of 25 Mbps, MPEG-4 H.264 / AVC
MPEG HD422 mode: CBR, maximum bit rate: 50 Mbps, MPEG-2 422P @ HL
Recording/Playback Time XAVC-I mode QFHD 59.94P If you are using QD-G128A (128 GB): about 22 minutes
XAVC-I mode QFHD 50P If you are using QD-G128A (128 GB): about 26 minutes
XAVC-I mode QFHD 29.97P If you are using QD-G128A (128 GB): about 44 minutes
XAVC-I Mode QFHD 23.98P If you are using QD-G128A (128 GB): about 55 minutes
XAVC-I mode QFHD 25p If you are using QD-G128A (128 GB): about 52 minutes
XAVC-I HD 59.94P Mode If you are using QD-G128A (128 GB): about 59 minutes
XAVC-I HD 50P mode If you are using QD-G128A (128 GB): about 71 minutes
XAVC-I HD 59.94i Mode If you are using QD-G128A (128 GB): about 118 minutes
XAVC-I HD 50i Mode If you are using QD-G128A (128 GB): about 141 minutes
XAVC-I HD 29.97P Mode If you are using QD-G128A (128 GB): about 118 minutes
XAVC-I HD 23.98P mode If you use QD-G128A (128 GB): about 147 minutes
XAVC-I HD 25P mode If you are using QD-G128A (128 GB): about 141 minutes
XAVC-I Mode QFHD 59.94P / 50P If you are using QD-G128A (128 GB): about 87 minutes
XAVC-L QFHD mode 29.97P / 23.98P / 25P: When using QD-G128A (128 GB): Approx. 131 minutes
XAVC-L mode 50 If you are using QD-G128A (128 GB): about 262 minutes
XAVC-L Mode 35 If you are using QD-G128A (128 GB): about 374 minutes
XAVC-L Mode 25 When using QD-G128A (128 GB): Approx. 524 minutes
MPEG HD422 mode If you are using QD-G128A (128 GB): about 262 minutes
Camera Section
Imaging Device (Type) Super35 type Single-chip Exmor CMOS
Effective Picture Elements 17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
Built-in Optical Filters ND Filters
OFF: TRANSPARENT
1 1/4 ND
2 1/16 ND
3: 1/64 ND
ND linear variable (from 1/4 ND to 1/128 ND)
Sensitivity (2000 lx, 89.9% reflectance) Video Gamma: T14 (3840 x 2160/23.98P mode 3200K)
ISO Sensitivity ISO 2000(S-Log3 Gamma D55 Light source)
Minimum Illumination 0.7 lx (+18dB,23.98P,Shutter OFF,ND Clear, F1.4)
S/N Ratio 57 dB (Y) (typical)
Shutter Speed 1/3 sec to 1/9,000 sec
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC
White Balance Preset, Memory A, Memory B(1500K-50000K)/ATW
Slow & Quick Motion Function XAVC-I Mode 3840 x 2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-I Mode 1920 x 1080: 1 to 180 frames (59.94P, 29.97P, 23.98P) from 1 to 150 frames (50P, 25P)
XAVC-L Mode 3840 x 2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-L Mode 1920 x 1080: 1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
Monitoring Built-in LCD Monitor with 8.8cm (3.5 type) Approx. 1.56M dots
Built-in Microphone Omni-directional monoral electret condenser microphone.
Input/Output

DC InputDC Jack

SDI Output BNC(x2), switchable with 3G-SDI/HD-SDI
SMTPE292M/424M/425M
HDMI Output Type A (x1)
Speaker Output Mono
Headphone Output Stereo mini jack (x1) -16dBu 16Ω
Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable Mic Reference: -40, -50, -60dBu
Remote Stereo mini-minijack (Φ2.5 mm)
USB USB device, mini-B (x1)

Request information or quotation:

* requested

rent and collect

Panasonic Lumix DC-GH5S

GH5S is the perfect LUMIX for videomakers, thanks to the super 4K for video and high-sensitivity 10.2 MP MOS video that can produce sensational movies in a simple way every time you are caught by the inspiration.

Front-loading elevator ULK 800XL

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

Canon EOS C100 Mark II

The Canon EOS C100 Mark II Cinema EOS Camera with Dual Pixel CMOS AF is designed for event videographers, documentarians, and independent filmmakers.

Blackmagic Pocket Cinema Camera 6K Pro

Blackmagic Pocket Cinema Camera 6K Pro features a 5″ tilting touchscreen, a Pro EVF option, built-in clear/2/4/6-stop ND filters and more.

IP remote controller for JVC PTZ

This IP remote controller for JVC PTZ cameras with touchscreen connects to your network and provides complete IP control of cameras.

Ottica Samyang 35mm T1.5 VDSLR

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

Laowa 12mm Zero D E-mount lens

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

GoPro HERO7 Black

GoPro HERO7 Black The GoPro HERO7 Black camera is designed to capture amazing movies. HERO7 Black's HyperSmooth stabilization allows for smooth shooting as if you were using a gimbal, but without the weight of a gimbal. Camera updates include direct streaming on...

SONY alpha a7 III

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

Drone DJI Air 3 Fly More Combo con DJI RC 2

DJI Air 3 Fly More Combo drone whit DJI RC 2

Drone DJI Air 3 Fly More Combo with DJI RC 2 features a dual camera, one wide-angle and one medium telephoto, allowing you to capture images and video in 4K

Insta360 Pro II

Insta360 Pro II Insta360 Pro II VR with Insta360's FarSight bundle captures spherical video and spherical 3D video in configurations up to 8K 3D. This successor to Insta360 Pro can record immersive 8K video when streaming...

SONY HVR-Z7E

HVR-Z7E has an interchangeable lens system, native progressive recording, and recording unit with solid-state memory.

Blackmagic Web Presenter

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

CAER5_Canon_Videocamera-digitale-mirrorless-Canon-EOS-R5-solo-corpo

Canon EOS R5

Canon EOS R5 mirrorless digital camera features a newly developed 45MP CMOS sensor, 8K raw video recording and 12 fps continuous shooting.

Drone DJI Phantom 4 Pro V2.0

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.

Blackmagic PYXIS 12K

Blackmagic PYXIS 12K L-mount

The Blackmagic PYXIS 12K with L-mount is a full-frame digital camcorder that delivers high-end cinematic performance.

SONY PXW-Z90

The PXW-Z90 offers 4K high quality broadcast features with advanced features such as high speed autofocus, instant HDR workflow, super slow motion up to 960 fps, and 2.4GHz or 5 GHz streaming with QoS.

Drone DJI Mavic

DJI MAVIC PRO equipped and folding drone that has the characteristics of Phantom 4. Obstacle avoidance, follow me, follow terrain, sports mode, 4K video, stabilized gimbal, active track, gesture recognition, live on facebook or youtube.

JVC GY-HC500E

The 4K camera JVC GY-HC500E for ENG and video productions is a 4K UHD camcorder capable of shooting both NTSC and PAL.

Blackmagic PYXIS 6K attacco L

Blackmagic PYXIS 6K L-mount

Blackmagic PYXIS 6K L-mount is a full-frame digital camcorder that delivers outstanding image quality with sharp details and vibrant colors, making it ideal for filming movies, documentaries and high-end productions thanks in part to its anamorphic and Super 35 formats.

Advanced Panel ATEM 1 M/E for switcher Blackmagic ATEM

ATEM 1 M / E Advanced Panel is an elegant professional control panel for ATEM switchers. Its modern design includes the latest technology to manage the transmission with fast and efficient workflows.

Crane 2

Crane 2 is a SLR and mirrorless stabilizer with 3.2kg camera support, OLED screen and electronic follow focus.

Canon EOS 7D

Canon EOS 7D With a host of brand new features designed to enhance every facet of the photographic process, from still images to video, the new EOS 7D represents a whole new class of camera. General Weight (body only) Approx. 820g (body only) Power supply Rechargeable...

SONY PMW-EX3

In addition to new design, the camcorder offers a range of solutions: interchangeable lenses, genlock, timecode and remote control capability.

Insta360 X5

Insta360 X5

The Insta360 X5 is a next-generation 360° camera with dual 1/1.28″ sensors, capable of recording in 8K at 30fps with extraordinary detail.

Blackmagic URSA Mini 4.6K EF

The compact URSA Mini camera with EF lens mount, 4.6K Super 35 sensor and an incredible 15 stops of dynamic range, is lightweight and perfectly balanced for handheld use and comfortable enough for all day shooting.

Arri Alexa Mini

ALEXA Mini can record images in 4K UHD in ProRes, facilitating real-time output of 4K UHD and files in high resolution.

Blackmagic pocket cinema camera 6K

Blackmagic pocket cinema camera 6K With a Super 35 6144 x 3456 sensor and an EF lens mount, Pocket Cinema Camera 6K uses the largest EF photographic lenses to produce cinematic images with a shallow depth of field. General Weight 900...
Videocamera Blackmagic Studio Camera 4K Pro G2 con 12G-SDI

Blackmagic Studio Camera 4K Pro G2 with12G-SDI

Blackmagic Studio Camera 4K Pro G2 with professional 12G-SDI and 10G Ethernet connectivity is designed for setups where the camera and powerful SDI switchers are far apart.

Zeiss CP.3 15-18-25-28-35-50-85mm lenses

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.