Rental Camcorder SONY PXW-FX3 - Milano

SONY PXW-FX3

SONY PXW-FX3

The FX3 Cinema Line camera packs high sensitivity and full-frame cinematic expressions into a compact design. The increased mobility for solo shooting and professional quality make FX3 the ideal creative tool for cinematic quality wherever you are.

For uninterrupted 4K / 60p11 shooting, FX3 uses an innovative heat dissipation system. Its placement, airflow structure and quiet fan optimize cooling even during prolonged shooting.

In addition to the built-in microphone, the full-size XLR connectors on the handle allow you to connect several professional microphones externally through a digital audio interface via Multi-Interface Shoe (MI). You can choose from three recording formats, including 4-channel 24-bit. Digital audio recording is also possible by connecting a digital microphone such as the ECM-B1M.

General

Weight	About 0,64 kg (body only) 0,71 kg (with battery and memory card
Dimensions (W x D x D)	129,7 mm x 77,8 mm x 84,5 mm (only body)
Consumption	[Video]: Approx.7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), [Photo]: Approx.3.4W (with FE 28-70mm F3.5-5.6 OSS lens attached )
Operating temperature	From 0° C to +40° C
Storage temperature	From -20 to +55° C
Battery operating time	Approx. 95 min (actual recording, CIPA standard) 1, Approx. 135 min (continuous recording, CIPA standard), Approx. 580 shots (photo, CIPA standard)
Recording format (Video)	[XAVC HS 4K] XAVC HS 4K 59,94p / 50p 200 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59,94p / 50p 150 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59,94p / 50p / 23,98p 100 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59,94p / 50p 75 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59,94p / 50p 45 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23,98p 100 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23,98p 50Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23,98p 50 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23,98p 30 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 119,88p / 100p 280 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 119,88p / 100p 200 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265 [XAVC S 4K] XAVC S 4K 59,94p / 50p 200 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 59,94p / 50p 150 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 29,97p / 25p 140 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 23,98p 100 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 29,97p / 25p / 23,98p 100 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 29,97p / 25p / 23,98p 60 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 119,88p / 100p 280 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 119,88p / 100p 200 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59,94p / 50p / 29,97p / 25p / 23,98p 50 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S HD 59,94p / 50p / 29,97p / 25p / 23,98p 50 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 59,94p / 50p 25 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC HD 29,97p / 25p 16 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 119,88p / 100p 100 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 119,88p / 100p 60 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264 [XAVC S-I 4K] XAVC S-I 4K 59,94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 29,97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 23,98p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59,94p 222 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 29,97p 111 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 23,98p 89 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264
Recording format (Audio)	LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch
Recording frame rate	[XAVC Intra] XAVC-I QFHD mode: 3840 x 2160 / 59.94p, 50p, 29.97p, 23.98p, 25p XAVC-I HD modes: 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p [XAVC Long] XAVC-L QFHD mode: 3840 x 2160 / 59.94p, 50p, 29.97p, 23.98p, 25p XAVC-L HD 50 mode: 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p XAVC-L HD 35 mode: 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p XAVC-L HD 25 mode: 1920 x 1080 / 59.94i, 50i [MPEG-2 Long GOP] MPEG HD422 mode: 1920 x 1080 / 59.94i, 50i, 29.97p, 23.98p, 25pXAVC HS [XAVC HS 4K] 3.840×2.160/119,88p, 100p, 59,94p, 50p, 23,98p XAVC S [XAVC S 4K] 3840 x 2160/119,88p,100p, 59,94p, 50p, 29,97p, 25p, 23,98p, [XAVC S-I HD] 1920 x 1080/59,94p, 50p, 29,97p, 25p, 23,98p XAVC S-I [XAVC S-I 4K] 3.840×2.160/59,94p, 50p, 29,97p, 25p, 23,98p, [XAVC S-I H
Recording / playback duration	XAVC HS [XAVC HS 4K] 59,94p/50p 200M Se si usa CEA-G160T (160 GB) circa 85 minuti, Se si usa CEA-G80T (80 GB) circa 40 minuti, 59,94p / 50p 150M Se si usa CEA-G160T (160 GB) circa 110 minuti, Se si usa CEA-G80T (80 GB) circa 55 minuti, 59,94p / 50p 100M Se si usa CEA-G160T (160 GB) circa 170 minuti, Se si usa CEA-G80T (80 GB) circa 80 minuti, 59,94p / 50p 75M Se si usa CEA-G160T (160 GB) circa 220 minuti, Se si usa CEA-G80T (80 GB) circa 100 minuti, 59,94p / 50p 45M Se si usa CEA-G160T (160 GB) circa 340 minuti, Se si usa CEA-G80T (80 GB) circa 160 minuti XAVC S [XAVC S 4K] 59,94p/50p 200M Se si usa CEA-G160T (160 GB) circa 85 minuti, Se si usa CEA-G80T (80 GB) circa 40 minuti, 59,94p / 50p 150M Se si usa CEA-G160T (160 GB) circa 110 minuti, Se si usa CEA-G80T (80 GB) circa 55 minuti, [XAVC S HD] 59,94p / 50p 50M Se si usa CEA-G160T (160 GB) circa 310 minuti, Se si usa CEA-G80T (80 GB) circa 150 minuti, 59,94p / 50p 25M Se si usa CEA-G160T (160 GB) circa 550 minuti, Se si usa CEA-G80T (80 GB) circa 390 minuti XAVC S-I [XAVC S-I 4K] XAVC S-I 4K 59.94p / 50p Se si usa CEA-G160T (160 GB) circa 25 minuti, Se si usa CEA-G80T (80 GB) circa 10 minuti, [XAVC S-I HD] 59.94p / 50p Se si usa CEA-G160T (160 GB) circa 75 minuti, Se si usa CEA-G80T (80 GB) circa 35 minuti

Camera section

Sensor	35mm (35.6 x 23.8mm) full-frame Exmor® CMOS sensor
Actual elements of the image	Approx.10.2 megapixels (effective) for video, Approx.12.1 megapixels (effective) for photos, Approx.12.9 megapixels (total)
Shutter speed	Video: 1 / 8,000 to 1/4 (in 1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), Photo: 1 / 8,000 to 30 seconds, prolonged laying
White balance	Auto / Day / Shade / Cloudy / Bulb Light / Fluorescent Lamp Light / Flash / Underwater / Color Temperature (2,500 to 9,900K) & Color Filter / Custom
“Slow Motion” and “Quick Motion” function	AVC HS XAVC HS 4K: [Modalità NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [modalità PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps XAVC S XAVC S 4K: [Modalità NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [modalità PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [Modalità NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [modalità PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps2 XAVC S-I XAVC S-I 4K: [Modalità NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [modalità PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [Modalità NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [modalità PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps2

Input/Output

HDMI Output	HDMI input (type A), YCbCr 4: 2: 2 10 bit / RGB 8 bit
Speaker output	Integrated, monaural
Headphones output	Mini jack stereo (x1)
USB	USB Type-C (x1, SuperSpeed USB 5 Gbps (USB 3.2) compatible), Multi / Micro USB (x1)

Vedi anche:

SONY PXW-FX9

The Sony PXW-FX9 is equipped with a full frame 6K Exmor R CMOS sensor (35.7 x 18.8 mm) and double base ISO between ISO800 and ISO4000.

SONY PXW-FS7 Mark II

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

SONY PXW-Z100

PXW-Z100, Sony’s XDCAM professional 4K laptop is equipped with an Exmor R CMOS sensor 1/2, 33 “with 16 million pixels

Sony Alpha A7R IV, full-frame 62,5 Megapixel

The Sony Alpha A7R IV continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance, and versatility.

Blackmagic pocket cinema camera 6K

Blackmagic pocket cinema camera 6K With a Super 35 6144 x 3456 sensor and an EF lens mount, Pocket Cinema Camera 6K uses the largest EF photographic lenses to produce cinematic images with a shallow depth of field. General Weight 900...

SONY alpha 7R mark II

Thanks to the first CMOS image sensor 35 mm full frame backlit 42.4 megapixel in the world, with α7R II Sony image resolution, sensitivity (up to ISO 102,400) and responsiveness reach new heights.

SONY PMW-EX3

In addition to new design, the camcorder offers a range of solutions: interchangeable lenses, genlock, timecode and remote control capability.

SONY alpha 9 mark II

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

SONY PMW-350K

The new PMW-350 is a shoulder-camera with the optical system equipped with 3 CMOS Exmor Full HD 2/3″.

Panasonic Lumix DC-GH5S

GH5S is the perfect LUMIX for videomakers, thanks to the super 4K for video and high-sensitivity 10.2 MP MOS video that can produce sensational movies in a simple way every time you are caught by the inspiration.

Blackmagic URSA Broadcast

URSA Broadcast is ideal both for outdoor shooting in reportage style and for broadcasts from the studio. Broadcast professionals can use their existing optics and batteries, and leave behind the formats and proprietary cards of traditional cameras.

SONY PXW-FS7

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

SONY PMW-200

The camera SONY PMW-200 is equipped with 3 CMOS Exmor 1/2 “and recording Full HD 422 50Mbps

Canon EOS 1DX MKII

The core of the EOS-1D X Mark II is a CMOS sensor developed by Canon that represents the future generation of professional image quality in the EOS range.

Red Komodo 6K Camera

The Red Komodo 6K camera is the latest release from RED, compact and versatile guarantees perfect shooting and up to 6K resolution.

SONY PXW-FX3

SONY alpha 7S III

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

SONY Venice CineAlta 6K

Sony VENICE has a 36 x 24 mm full frame image sensor, capable of acquiring images with a maximum resolution of up to 6048 x 4032.

SONY DVCAM PD-170

SONY DVCAM PD-170 The DSR-PD170P combines the latest technology: DVCAM record and playback, state-of-the-art 1/3-inch CCDs, PC-based editing, professional sound and built-in special effects. General Lens 12:1 Variable Speed (1.2-22 sec) zoom lens (48x Digital zoom) f...

Request information or quotation:

Vedi anche: