| Focal length 25 mm |
| Focal aperture range T 2,1 – T 22 |
| Minimum focusing distance 0,26 m |
| Weight 0,82 kg |
| Focal length 25 mm |
| Focal aperture range T 2,1 – T 22 |
| Minimum focusing distance 0,26 m |
| Weight 0,82 kg |
Laowa 24mm f/14 2X Macro Probe lens allows you to focus very closely (2cm @ 2:1), while showing many details and textures.
The ZEISS CP3 15mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.
Canon CN-E 35mm T1.5 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.
Lens ZEISS CP2 135mm/T 2,1 metric is a cine prime lens designed for filmmaking and video production applications. Great for portrait shoots.
The Teleprompter TVPrompt CONF17 Stagepro Single Presidential is a professional system designed to effectively support public speaking in contexts such as conferences, congresses and political meetings.
Ironglass TAIR-11A 135mm T2.9 – MKII Rehousing, offers improved sharpness, a shorter minimum focusing distance, and a very long focus throw (around 300°).
The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs.
With a size of 90 x 90 cm and weight of 1.9 kg, this Profoto Rfi softbox provides maximum control in shaping the light.
Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.
The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).
The Sony Alpha A7R IV continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance, and versatility.
The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.
A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.
L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).
ZEISS CP2 35mm/T 1,5 Super Speed EF/PL/E-mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.
The fixed focal length lens compact Canon CN-E 50mm T1.3 LF series is lightweight (1.3 kg) and is designed for EF grafts. It offers a spectacular quality of 4K images, full coverage of the full frame photo
Canon CN-E 85mm T1.3 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.
Zeiss Lens OTUS 28mm f/1.4 ZE EF-Mount is designed for Canon EF full-frame reflex DSLR cameras and can also be used with APS-C models in which it will provide a focal length equivalent to 44.8 mm.
The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.
Samyang’s ultra wide-angle 14mm f/2.8 IF ED UMC lens for Canon EF Mount offers a view angle of approximately 115º with outstanding results when used with a full frame digital or 35mm film camera.
A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.
The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.
L’Ottica ZEISS CP3 18mm/T 2,9 EF/PL/E-mount è dotata di rivestimenti avanzati per lenti, cerchi per lenti verniciati e speciali trappole di luce all’interno della canna per eliminare abbagliamento e bagliori. Il risultato è un contrasto più elevato, neri più ricchi e colori più saturi.












