The FL-35E Fresnel lens with Nanlux Evoke 2400B LED light is a state-of-the-art NL-mount optic with remote control and zoom from 15° to 46°. It integrates seamlessly with Evoke 2400B, providing an outstanding illumination of 75700lux@3m, 5600K, 15°.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

SmallRig 3976 RC 450B COB LED light with AstralTech (EU) optical system uses a 55-degree hyperreflector to realize 115,000 Lux (1 m). It features CRI 96+ and TLCI 97+

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

The Litepanels Gemini 1×1 Hard LED RGBWW has multiple lighting modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode.

ETC Source Four Series 2 Lustr LED Light with Shutter Barrel from ETC is an LED fixture that uses the seven-color x7 system with 60 Luxeon Rebel LEDs to create quality light in a range of colors.

Led Light 200W comparable to 2000W quartz light. 5500 K Color temperature. Remote control of power and touch panel.

This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

This Nanlite SB-MP150 softbox is compatible with MixPanel 150 RGBWW LED panel. It features a speed ring-free design and the unit mounts to the front of the LED panel via touch fasteners.

The Nanlux spot Evoke 5000B two-colour LED light is a versatile LED lamp designed for professional applications in film and photography.

Godox bi-color LED panel light F400Bi 2.1×4 is designed to offer flexibility in any environment, offers practicality and portability to film and television professionals.

LED light 3200K – 5600K.

Godox bi-color LED panel light F600Bi 4×4 is designed to provide flexibility in any environment, offers practicality and portability to film and television professionals.

SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects. It can be widely used in outdoor video production, especially for lighting in confined spaces.

The FL-45E Fresnel lens 16-50° motorised for Nanlux Evoke 5000 LED light features a 45cm lens with a 16°-50° zoom range.

FB-800G is a camera video continuous light, featuring great brightness, high CRI90+ and a stable working system
with a rapid natural heat dissipation.

A true soft light with outstanding power and performance, Gemini 1×1 features over 16.7 million colors, and 11 cinematic lighting effects instantly available at the touch of a button as well as full-spectrum white light from 2,700K to 10,000K CCT.

The Jinbei EFD-500 LED light 5500K uses a high efficiency COB technology lamp. In addition to the ability to choose between more than 50 light effects, EFD-500 can be powered by 2 V-Mount batteries. The product includes: EFD-500 light, EF-7″ dish, control panel and bag.

ARRI Skypanel S60-C is a model with a slight aperture of 645 x 300 mm and meets the vast majority of applications.

The Nanlite LED spot light FS-200B bicolor 220W is a two-color AC-powered LED for live streaming, photo and video production.

Litepanels Gemini 2×1 Soft RGBWW features 3 lighting modes. CCT color temperature control has 6 factory presets in increments from 2700 to 6000K.

The 40° snapgrid for Gemini 2×1 Soft LED RGBWW light fits directly into Gemini 2 x 1 products. Dimensions: 64 x 33 x 8 cm.

This LED tube Nanlite PavoTube II 15X RGB Pixel 60cm, available in a 4-pcs kit, is a unique light source with a huge host of features. The kit contains four PavoTube RGBWW, each measuring 60 cm in length.

Nanlite PJ-BM-36 Projector with Bowens mount and 36° lens concentrates the light more and lets it pass through for more ideal effects.

This flexible 756-piece LED light can be curved in any shape to produce 10 ° -360 ° with various lighting angles, which must be integrated using video production in the field, particularly lighting in tight spaces.