Cine

Laowa 12mm Zero D E-mount lens
The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

ZEISS CP2 100mm/T 2,1 metric EF/PL/E-mount lens
The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

Canon CN-E 14mm T3.1 FP X Sumire Prime PL
Canon CN-E 14mm T3.1 FP X Sumire Prime PL is an ultra wide-angle prime lens with manual focus that covers full frame and Super 35 sensor formats providing centre-to-edge resolution that supports 4K production.

ZEISS CP3 25mm/T 2.1 EF/PL/E-mount lens
The ZEISS CP3 25mm/T 2.1 EF/PL/E-mount Lens, with advanced coatings, provides a higher contrast, richer blacks and more saturated colors.

Canon Lens CN-E85mm T1.3 L F
Canon Lens CN-E85mm T1.3 L F is robust, compact and weighing just 1.1 kg, offers incredible 4K images, a perspective and a natural angle. Ideal for turning in low brightness conditions or to obtain a shallow depth of field

DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom Lens
A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Ironglass TAIR 11-A 135mm F2.8 – PL-mount Vintage Lens
Ironglass TAIR-11A 135mm T2.9 – MKII Rehousing, offers improved sharpness, a shorter minimum focusing distance, and a very long focus throw (around 300°).

Canon CN-E 50mm T1.3 FP X Sumire Prime PL
Canon CN-E 50mm T1.3 FP X Sumire Prime PL is a manual focus lens that covers full frame and Super 35 sensor formats, offering centre-to-edge resolution that supports 4K production.

Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses
Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses includes all canon series lenses, 4K performance.

ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens
The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.









