RED has taken new steps with the release of the KOMODO 6K Digital Cinema Camera bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs only 0,95 kg and measures approximately 10 x 10 x 10 cm.
The key to achieving this was the use of Canon’s RF lens mount and KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with a dynamic range of 16+ stops and eliminate shutter artifacts.
The Red Komodo captures Redcode RAW images with resolution 6k at 40 fps 17:9 (6144 x 3240), 6k at 50 fps 2.4:1 (6144 x 2592), 5k at 48 fps 17:9 (5120 x 2700), 4k 60 fps 17:9 (4096 x 2160), 2k at 120 fps 17:9 (2048 x 1080). The quality can be set in HQ for VFX, scenes where there is a need for accurate details; MQ for high-end cinema and TV; LQ for TV, online content, interviews.
Revolutionary for RED is the creation of an extremely compact all-in-one design with KOMODO, which means that you can simply insert a CFast 2.0 card into its media slot and you will be able to enjoy data speeds of up to 280MB/ s.
A top 2.9″ 1440 x 1440 touchscreen makes it easy to set up and monitor your footage, or you can use the RED control system to use an iOS or Android device for preview and settings. This is possible via Wi-Fi integrated 2.4/5 GHz.
Cable control is also possible via the USB Type-C port and optional adapters.
REDCODE
The latest evolution of REDCODE is optimized for Komodo to allow users to continue to unlock incredible image capture potential and maintain creative flexibility through a new streamlined user experience.
Image Stabilization
Thanks to a more creative latitude during shooting, the Red Komodo 6K camera makes image stabilization in post production easier and more precise.
| Dimensions | 10,0 x 10,0 x 10,0 cm |
| Weight | 0,95 kg |
| Operating temperature | 0°C – 40°C |
| Storage temperature | -20°C – 50°C |
| Image device | KOMODO™ 19.9 MP Super 35mm Global Shutter CMOS |
| Quantity of sensor pixels | 6144 x 3240 (total) |
| Dimensione sensore | 27,03 x 14,26 mm di diagonale |
| Redcode® Raw Max Frame Rates | 40 FPS a 6K 17: 9 (6144 x 3240) 50 FPS a 6K 2,4: 1 (6144 x 2592) 48 FPS a 5K 17: 9 (5120 x 2700) 60 FPS a 4K 17: 9 (4096 x 2160) 120 FPS a 2K 17: 9 (2048 x 1080) |
| Montaggio obiettivo | – Supporta adattatori per lenti basati su Canon RF per diverse scelte di lenti – Supporta Canon EF con comunicazione elettronica completa tramite adattatori di montaggio RF Canon compatibili – Supporta obiettivi RF a funzionamento meccanico |
| Apple ProRes | 4K (4096 × 2160) a ProRes 422 HQ e PRORES 422 fino a 60 FPS 2K (2048 × 1080) a ProRes 422 HQ e ProRes 422 fino a 120 FPS |
| Audio | Microfoni mono digitali a due canali integrati, non compressi, 24 bit 48 khz doppio canale aggiuntivo tramite jack audio integrato da 3,5 mm, non compresso, 24 bit 48 khz |
| Uscita monitor | MODALITÀ 12G-SDI INTEGRATE CON 6G-SDI, 3G-SDI E 1.5G-SDI 12G-SDI: FINO A 4096 X 2160 4: 2: 2 PER 60P 6G-SDI: FINO A 4096 X 2160 4: 2: 2 PER 30P 3G-SDI: FINO A 2048 X 1080 4: 2: 2 PER 60P 1.5G-SDI: FINO A 2048 X 1080 4: 2: 2 PER 30P, 24P CODICE ORARIO SMPTE, METADATI HANC, AUDIO 24 BIT 48 KHZ |
| Controllo remoto | Wifi Per Il Controllo Della Telecamera Tramite Antenna Intercambiabile Con Connessione Sma Genlock, Timecode-in, Gpio E Ctrl (Rs232) Tramite La Porta Ext A 9 Pin Integrata Controllo Cablato Tramite Adattatore Komodo Link, Utilizzando Usb-c O Gigabit Ethernet (Necessario Adattatore Compatibile Da Usb-c A Ethernet1) Consente Il Controllo Della Fotocamera E Anteprima Mjpeg Live Feed Video |
