With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

This LED panel light, with LED technology mounted on the surface, includes ultra bright 1152 piece LEDs. The built-in diffuser generates an equally widespread area, which is an ideal light source for studio and field video productions.

Blackmagic URSA Mini PRO 4.6K EF possesses a 4.6K Super 35 sensor with 15 dynamic range stop, perfect for feature films and versatile to allow it to be used in Video mode

This black True Blue D25 2500W HMI Fresnel from ARRI is another example of their completely redesigned True Blue series. The 10″ Fresnel with a beam angle variable from 6-59° is protected with stainless steel mesh. Pressure die-cast and extruded aluminum alloy components make the D25 lighter without sacrificing strength while improving corrosion resistance.

This LED tube Nanlite PavoTube II 15X RGB Pixel 60cm, available in a 4-pcs kit, is a unique light source with a huge host of features. The kit contains four PavoTube RGBWW, each measuring 60 cm in length.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The Litepanels Gemini 1×1 Hard LED RGBWW has multiple lighting modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode.

This kit includes the Astera AX1 Pixel Tube charging case and 8 Pixel tubes. The case of charging is to simultaneously charge 8 Astera tubes.

The 40° snapgrid for Gemini 2×1 Soft LED RGBWW light fits directly into Gemini 2 x 1 products. Dimensions: 64 x 33 x 8 cm.

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects. It can be widely used in outdoor video production, especially for lighting in confined spaces.

The Jinbei EFD-500 LED light 5500K uses a high efficiency COB technology lamp. In addition to the ability to choose between more than 50 light effects, EFD-500 can be powered by 2 V-Mount batteries. The product includes: EFD-500 light, EF-7″ dish, control panel and bag.

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

ETC Source Four Series 2 Lustr LED Light with Shutter Barrel from ETC is an LED fixture that uses the seven-color x7 system with 60 Luxeon Rebel LEDs to create quality light in a range of colors.

FB-800G is a camera video continuous light, featuring great brightness, high CRI90+ and a stable working system
with a rapid natural heat dissipation.

The Arri T2 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular.
When mounted with a 2000 watt bulb, this device will provide a 1.4 m beam of 470 fc diameter from a distance of 6 m to the maximum point. A full range (same distance) of a radius of6.9 m in diameter.

Dolly CD6 equipped with basic platform, suitable for crane 120.

The FL-45E Fresnel lens 16-50° motorised for Nanlux Evoke 5000 LED light features a 45cm lens with a 16°-50° zoom range.

Godox bi-color LED panel light F400Bi 2.1×4 is designed to offer flexibility in any environment, offers practicality and portability to film and television professionals.

Nanlite PJ-BM-36 Projector with Bowens mount and 36° lens concentrates the light more and lets it pass through for more ideal effects.

The Ronin 2 is a three-axis stabilized gimbal with a load capacity of 13.6 kg, ideal for making videos more fluid and stable in any situation.