logo MediaMaking
logo MediaMaking
SONY PXW-FX3
SONY PXW-FX3
The FX3 Cinema Line camera packs high sensitivity and full-frame cinematic expressions into a compact design. The increased mobility for solo shooting and professional quality make FX3 the ideal creative tool for cinematic quality wherever you are.

For uninterrupted 4K / 60p11 shooting, FX3 uses an innovative heat dissipation system. Its placement, airflow structure and quiet fan optimize cooling even during prolonged shooting.

In addition to the built-in microphone, the full-size XLR connectors on the handle allow you to connect several professional microphones externally through a digital audio interface via Multi-Interface Shoe (MI). You can choose from three recording formats, including 4-channel 24-bit. Digital audio recording is also possible by connecting a digital microphone such as the ECM-B1M.

General
Weight About 0,64 kg (body only)
0,71 kg (with battery and memory card
Dimensions (W x D x D) 129,7 mm x 77,8 mm x 84,5 mm (only body)
Consumption [Video]: Approx.7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), [Photo]: Approx.3.4W (with FE 28-70mm F3.5-5.6 OSS lens attached )
Operating temperature From 0° C to +40° C
Storage temperature From -20 to +55° C
Battery operating time Approx. 95 min (actual recording, CIPA standard) 1, Approx. 135 min (continuous recording, CIPA standard), Approx. 580 shots (photo, CIPA standard)
Recording format (Video) [XAVC HS 4K] XAVC HS 4K 59,94p / 50p 200 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59,94p / 50p 150 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59,94p / 50p / 23,98p 100 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59,94p / 50p 75 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59,94p / 50p 45 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23,98p 100 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23,98p 50Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23,98p 50 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23,98p 30 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 119,88p / 100p 280 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 119,88p / 100p 200 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265

[XAVC S 4K] XAVC S 4K 59,94p / 50p 200 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 59,94p / 50p 150 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 29,97p / 25p 140 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 23,98p 100 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 29,97p / 25p / 23,98p 100 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 29,97p / 25p / 23,98p 60 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 119,88p / 100p 280 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 119,88p / 100p 200 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59,94p / 50p / 29,97p / 25p / 23,98p 50 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S HD 59,94p / 50p / 29,97p / 25p / 23,98p 50 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 59,94p / 50p 25 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC HD 29,97p / 25p 16 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 119,88p / 100p 100 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 119,88p / 100p 60 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264

[XAVC S-I 4K] XAVC S-I 4K 59,94p 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 29,97p 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 23,98p 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59,94p 222 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 29,97p 111 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 23,98p 89 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264

Recording format (Audio) LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch
Recording frame rate [XAVC Intra]
XAVC-I QFHD mode: 3840 x 2160 / 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD modes: 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
[XAVC Long]
XAVC-L QFHD mode: 3840 x 2160 / 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L HD 50 mode: 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L HD 35 mode: 1920 x 1080 / 59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L HD 25 mode: 1920 x 1080 / 59.94i, 50i
[MPEG-2 Long GOP]
MPEG HD422 mode: 1920 x 1080 / 59.94i, 50i, 29.97p, 23.98p, 25pXAVC HS
[XAVC HS 4K] 3.840×2.160/119,88p, 100p, 59,94p, 50p, 23,98p
XAVC S
[XAVC S 4K] 3840 x 2160/119,88p,100p, 59,94p, 50p, 29,97p, 25p, 23,98p, [XAVC S-I HD] 1920 x 1080/59,94p, 50p, 29,97p, 25p, 23,98p
XAVC S-I
[XAVC S-I 4K] 3.840×2.160/59,94p, 50p, 29,97p, 25p, 23,98p, [XAVC S-I H
Recording / playback duration XAVC HS
[XAVC HS 4K] 59,94p/50p 200M Se si usa CEA-G160T (160 GB) circa 85 minuti, Se si usa CEA-G80T (80 GB) circa 40 minuti, 59,94p / 50p 150M Se si usa CEA-G160T (160 GB) circa 110 minuti, Se si usa CEA-G80T (80 GB) circa 55 minuti, 59,94p / 50p 100M Se si usa CEA-G160T (160 GB) circa 170 minuti, Se si usa CEA-G80T (80 GB) circa 80 minuti, 59,94p / 50p 75M Se si usa CEA-G160T (160 GB) circa 220 minuti, Se si usa CEA-G80T (80 GB) circa 100 minuti, 59,94p / 50p 45M Se si usa CEA-G160T (160 GB) circa 340 minuti, Se si usa CEA-G80T (80 GB) circa 160 minuti
XAVC S
[XAVC S 4K] 59,94p/50p 200M Se si usa CEA-G160T (160 GB) circa 85 minuti, Se si usa CEA-G80T (80 GB) circa 40 minuti, 59,94p / 50p 150M Se si usa CEA-G160T (160 GB) circa 110 minuti, Se si usa CEA-G80T (80 GB) circa 55 minuti, [XAVC S HD] 59,94p / 50p 50M Se si usa CEA-G160T (160 GB) circa 310 minuti, Se si usa CEA-G80T (80 GB) circa 150 minuti, 59,94p / 50p 25M Se si usa CEA-G160T (160 GB) circa 550 minuti, Se si usa CEA-G80T (80 GB) circa 390 minuti
XAVC S-I
[XAVC S-I 4K] XAVC S-I 4K 59.94p / 50p Se si usa CEA-G160T (160 GB) circa 25 minuti, Se si usa CEA-G80T (80 GB) circa 10 minuti, [XAVC S-I HD] 59.94p / 50p Se si usa CEA-G160T (160 GB) circa 75 minuti, Se si usa CEA-G80T (80 GB) circa 35 minuti
Camera section
Sensor 35mm (35.6 x 23.8mm) full-frame Exmor® CMOS sensor
Actual elements of the image Approx.10.2 megapixels (effective) for video, Approx.12.1 megapixels (effective) for photos, Approx.12.9 megapixels (total)
Shutter speed Video: 1 / 8,000 to 1/4 (in 1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), Photo: 1 / 8,000 to 30 seconds, prolonged laying
White balance Auto / Day / Shade / Cloudy / Bulb Light / Fluorescent Lamp Light / Flash / Underwater / Color Temperature (2,500 to 9,900K) & Color Filter / Custom
“Slow Motion” and “Quick Motion” function AVC HS
XAVC HS 4K: [ModalitĂ  NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [modalitĂ  PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
XAVC S
XAVC S 4K: [ModalitĂ  NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [modalitĂ  PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [ModalitĂ  NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [modalitĂ  PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps2
XAVC S-I
XAVC S-I 4K: [ModalitĂ  NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [modalitĂ  PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [ModalitĂ  NTSC] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [modalitĂ  PAL] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps2
Input/Output
HDMI Output HDMI input (type A), YCbCr 4: 2: 2 10 bit / RGB 8 bit
Speaker output Integrated, monaural
Headphones output Mini jack stereo (x1)
USB USB Type-C (x1, SuperSpeed USB 5 Gbps (USB 3.2) compatible), Multi / Micro USB (x1)

Request information or quotation:

* requested

rent and collect
Sony Alpha 9 III

Sony Alpha 9 III

Sony Alpha 9 III Mirrorless camera with full-frame interchangeable lenses, 24.6 MP Exmor RS CMOS full-frame sensor

SONY PXW-FS7

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

SONY alpha 9 mark II

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

SONY PXW-Z150

Ready to resume any kind of scenario, the Sony PXW-Z150 professional portable camcorder offers stunning 4K image quality, Instant HDR workflow, Full HD HFR 120 fps slow motion and advanced integrated network settings for live streaming and wireless workflow.

ILCE-7RM4_Sony_fotocamera-Sony-A7R-IV

Sony Alpha A7R IV, full-frame 62,5 Megapixel

The Sony Alpha A7R IV continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance, and versatility.

sony venice

SONY Venice CineAlta 6K

Sony VENICE has a 36 x 24 mm full frame image sensor, capable of acquiring images with a maximum resolution of up to 6048 x 4032.

SONY PMW-200

The camera SONY PMW-200 is equipped with 3 CMOS Exmor 1/2 “and recording Full HD 422 50Mbps

Blackmagic URSA Mini Pro 4.6K G2

URSA Mini Pro 4.6K G2 is the new generation digital camera with completely revised electronic components and a high performance 4.6K HDR sensor for recordings up to 300 fps.

Sony FX30 Cinema Line gateway

Sony FX30 Cinema Line gateway

The Sony FX30 Cinema Line compact gateway camcorder captures stunning images with 6K oversampling and a cinematic look.

Blackmagic pocket cinema camera 4K

Blackmagic pocket cinema camera 4K Blackmagic's Black Cinema Pocket Cinema 4K camcorder features a 4/3 "sensor for capturing up to 4096 x 2160 DCI 4K speeds of up to 60 fps at a time of codecs, including CinemaDNG Raw / Raw 3: 1 / Raw...

SONY PXW-FX3

The FX3 Cinema Line camera packs high sensitivity and full-frame cinematic expressions into a compact design. The increased mobility for solo shooting and professional quality make FX3 the ideal creative tool for cinematic quality wherever you are.

ILCE-7RM5

Sony Alpha A7R V 62.5 Megapixel

The Sony Alpha A7R V 62.5 Megapixel camera is the newest generation of the α7R series and continues to be geared toward high image resolutions, ensuring the highest resolution at low-sensitivity settings.

SONY alpha 7S mark II

With full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel.

Canon EOS 5D Mark IV

Canon EOS 5D Mark IV is a 30.4 megapixel FF (1.0x) sensor camera. The sensitivity range, including extension, is 50 to 102400 ISO and can shoot at 7 FPS x 21 RAW, 820 JPEG.

SONY PXW-Z90

The PXW-Z90 offers 4K high quality broadcast features with advanced features such as high speed autofocus, instant HDR workflow, super slow motion up to 960 fps, and 2.4GHz or 5 GHz streaming with QoS.

SONY alpha 7R mark II

Thanks to the first CMOS image sensor 35 mm full frame backlit 42.4 megapixel in the world, with α7R II Sony image resolution, sensitivity (up to ISO 102,400) and responsiveness reach new heights.

Blackmagic URSA Broadcast

URSA Broadcast is ideal both for outdoor shooting in reportage style and for broadcasts from the studio. Broadcast professionals can use their existing optics and batteries, and leave behind the formats and proprietary cards of traditional cameras.

SONY DVCAM PD-170

SONY DVCAM PD-170 The DSR-PD170P combines the latest technology: DVCAM record and playback, state-of-the-art 1/3-inch CCDs, PC-based editing, professional sound and built-in special effects. General Lens 12:1 Variable Speed (1.2-22 sec) zoom lens (48x Digital zoom) f...

SONY PMW-350K

The new PMW-350 is a shoulder-camera with the optical system equipped with 3 CMOS Exmor Full HD 2/3″.

SONY PXW-Z100

PXW-Z100, Sony’s XDCAM professional 4K laptop is equipped with an Exmor R CMOS sensor 1/2, 33 “with 16 million pixels

SONY PMW-EX1R

The EX1R is the ideal solution for anyone looking for an exceptional quality in high definition and a truly cutting-edge workflows.

Panasonic Lumix DC-GH5S

GH5S is the perfect LUMIX for videomakers, thanks to the super 4K for video and high-sensitivity 10.2 MP MOS video that can produce sensational movies in a simple way every time you are caught by the inspiration.

SONY alpha a7 III

The SONY alpha 9 mark II goes beyond the limits of traditional SLRs based on mechanical systems. The first model to employ a high-speed layered design, it is equipped with a 24.2 megapixel full-frame image sensor that temporarily stores large volumes of data in the internal memory, reaching a reading speed of about 20 times faster.

Red Komodo 6K Camera

The Red Komodo 6K camera is the latest release from RED, compact and versatile guarantees perfect shooting and up to 6K resolution.

SONY PXW-FS7 Mark II

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

SONY HVR-Z7E

HVR-Z7E has an interchangeable lens system, native progressive recording, and recording unit with solid-state memory.

SONY PXW-FX9

The Sony PXW-FX9 is equipped with a full frame 6K Exmor R CMOS sensor (35.7 x 18.8 mm) and double base ISO between ISO800 and ISO4000.

Canon EOS 1DX MKII

The core of the EOS-1D X Mark II is a CMOS sensor developed by Canon that represents the future generation of professional image quality in the EOS range.

SONY PMW-EX3

In addition to new design, the camcorder offers a range of solutions: interchangeable lenses, genlock, timecode and remote control capability.

SONY alpha 7S III

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.