Sony Lens E PZ 18-110 mm F4 G OSS covers the most used range in Super 35 mm / APS-C video. The optical performance of the G lens ensures 4K and Ultra HD

Sony Lens E 28-135mm f/4 G OSS: Powerful optical zoom created to meet professional needs and obtain high-quality images in film production, including 4K.

Despite its compactness, ZEISS Loxia 2.4/85 E-mount lens telephoto lens ensures excellent images – in the full field of images of a full frame sensor.

The Sony Lens FE 50mm F1.8 is a must for anyone with a full frame camera, and this goal is an excellent choice.

This versatile 50-mm focal focus lens for full-frame sensors is ideal for everyday use and to capture amazing 1: 1 macro imagery.

The ZEISS Batis 2.8/135 E-mount lens features: wide focal length, fast autofocus, optical image stabilization.

Sony FE 12-24mm F2.8 GM Lens offers ultra wide angle of view, 0.28m minimum focusing distance.

The Photographic zoom lens Samyang AF 24-70mm F2.8 with Sony E-mount combines a premium design, solid build quality, fast and precise autofocus and a bright f/2.8 aperture in a stylish, weatherproof body. A zoom lens worthy of taking its place in any photographer’s bag.

The ZEISS Batis 2/25 E-mount lens is the ideal lens for exceptional perspectives in landscape photography, architecture, street scenes and photojournalism.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

The ZEISS Batis 2.8 / 18 E-mount optic is a full-frame lens ideal for capturing landscapes, skies and architectures.

The Sony Full-frame FE 50mm f/1.2 GM E-mount is the perfect choice for content creation professionals, thanks to XA elements.

Kit ZEISS Batis Lenses 18/25/85/135 mm E-mount avalaible for rent.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Short focusing distance up close, high speed, fast autofocus and wide-angle for full frame: the ZEISS Batis 2/25 E-mount optic is the ideal lens for exceptional perspectives in landscape photography, architecture, street scenes and photojournalism.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

Sony FE 24-70mm f/2.8 GM II is a revamped standard zoom, ideal for your basic three-lens set, with advanced optics and AF performance in a practical, compact and lightweight format that offers maximum mobility for photo and video.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

ZEISS CP2 35mm/T 1,5 Super Speed EF/PL/E-mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

The ZEISS CP3 50mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Lens ZEISS CP2 135mm/T 2,1 metric is a cine prime lens designed for filmmaking and video production applications. Great for portrait shoots.

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

Despite its compactness, ZEISS’s Loxia 2.8 / 21 super wide-angle lens offers outstanding image quality across the full frame field of a full frame sensor.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

Sony Lens FE 70-200 mm F2,8 GM OSS offers unparalleled rendering, lightning strike and performance stabilizing the extraordinary image.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The ZEISS CP3 15mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Kit ZEISS Loxia Lens 21/35/50/85 mm avalaible for rent.