A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Sony Lens E PZ 18-110 mm F4 G OSS covers the most used range in Super 35 mm / APS-C video. The optical performance of the G lens ensures 4K and Ultra HD

The Sony FE 85mm f / 1.4 GM is a telephoto lens for FF and APS-C format. Focusing is by ultrasonic AF motor (Ring-USM), image stabilization is built into the camera.

ZEISS CP2 25mm/T 2,1 EF/PL/E-mount Lens supports full frame format cameras, with coverage for up to 36 x 24mm.

The photographic lens Laowa 12mm F2.8 Zero-D with Sony E-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

Sony FE 24-70mm f/2.8 GM II is a revamped standard zoom, ideal for your basic three-lens set, with advanced optics and AF performance in a practical, compact and lightweight format that offers maximum mobility for photo and video.

Canon Lens 24-70mm IS F/4 is an optical stabilized with macro mode for a maximum magnification factor of 0.7x.

Canon Lens EF 24-105mm f/4L IS USM EF 24-105mm f/4L IS USM incorporates Canon’s highest quality standards of precision optics. E ‘characterized by an image stabilizer (IS) Canon 3 stop. Ideal for handheld work, IS allows you to select shutter speeds up to...

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.