A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

The EF 24-105mm f / 4L IS II USM lens is a standard zoom lens that delivers high-quality performance for photos and video.

A parfocal cinema lens, the DZOFilm Pictor 50-125mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

Canon CN-E 85mm T1.3 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.

Sony Lens FE 70-200 mm F2,8 GM OSS offers unparalleled rendering, lightning strike and performance stabilizing the extraordinary image.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Sony Lens FE 70-300mm F4.5-5.6 G OSS is the first zoom 70-300 mm full frame-mount and offers excellent resolution in every image point. It also ensures early incredible and detailed plans with a minimum focus of 0.9 meters fire.

Canon Lens EF 85mm f/1.8 USM: Telephoto lens with short focal length, featuring a large maximum aperture and fast auto-focus high.

The Fujinon MK18-55mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Canon CN-E 20mm T1.5 FP X Sumire Prime PL is designed to offer a delicate, subtle rendering of a subject, offering fast apertures and precise manual control.

Canon CN-E 14mm T3.1 FP X Sumire Prime PL is an ultra wide-angle prime lens with manual focus that covers full frame and Super 35 sensor formats providing centre-to-edge resolution that supports 4K production.

Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses includes all canon series lenses, 4K performance.

The photographic lens Laowa 12mm F2.8 Zero-D with Sony E-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The ZEISS Loxia® 2/50 convinces in various application situations. Street photography, landscapes, portraits or spontaneous discoveries: the ZEISS Loxia 2/50 is the ideal companion for photo-cinematographic explorations.

The ZEISS Batis 2.8 / 18 E-mount optic is a full-frame lens ideal for capturing landscapes, skies and architectures.

The ZEISS Batis 2.8/135 E-mount lens features: wide focal length, fast autofocus, optical image stabilization.

Despite its compactness, ZEISS’s Loxia 2.8 / 21 super wide-angle lens offers outstanding image quality across the full frame field of a full frame sensor.

Sony FE 24-70mm f/2.8 GM II is a revamped standard zoom, ideal for your basic three-lens set, with advanced optics and AF performance in a practical, compact and lightweight format that offers maximum mobility for photo and video.

Canon Extender EF 2X III increases the focal length of a lens by a factor of 2x while still delivering superb image quality.

This zoom lens Zeiss Vario-Tessar lens with E-mount 16-35mm full frame encloses Exceptional performance in a compact and lightweight body.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

ZEISS CP2 35mm/T 1,5 Super Speed EF/PL/E-mount is a fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

This versatile 50-mm focal focus lens for full-frame sensors is ideal for everyday use and to capture amazing 1: 1 macro imagery.