The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

This versatile 50-mm focal focus lens for full-frame sensors is ideal for everyday use and to capture amazing 1: 1 macro imagery.

The Sony Full-frame FE 50mm f/1.2 GM E-mount is the perfect choice for content creation professionals, thanks to XA elements.

The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

Perfect in low light thanks to an optimal control over depth of field, wide angle CN-E35mm T1.5 LF offers incredible picture quality in 4K with full coverage

The ZEISS CP3 15mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Laowa 24mm T14 2x PeriProbe inherits the functionality of the 24 mm Probe T14 2x lens, but a new periscope tube is also included.

Canon Lens 24-70mm IS F/4 is an optical stabilized with macro mode for a maximum magnification factor of 0.7x.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

The ZEISS Loxia® 2/50 convinces in various application situations. Street photography, landscapes, portraits or spontaneous discoveries: the ZEISS Loxia 2/50 is the ideal companion for photo-cinematographic explorations.

This versatile 50-mm focal focus lens for full-frame sensors is ideal for everyday use and to capture amazing 1: 1 macro imagery.

The Sony Lens FE 50mm F1.8 is a must for anyone with a full frame camera, and this goal is an excellent choice.

Samyang’s ultra wide-angle 14mm f/2.8 IF ED UMC lens for Canon EF Mount offers a view angle of approximately 115º with outstanding results when used with a full frame digital or 35mm film camera.

The ZEISS Batis 2.8 / 18 E-mount optic is a full-frame lens ideal for capturing landscapes, skies and architectures.

Lens ZEISS CP2 135mm/T 2,1 metric is a cine prime lens designed for filmmaking and video production applications. Great for portrait shoots.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

The Ironglass JUPITER-9 85mm T2.1 – MKII Rehousing is a highly regarded Soviet telephoto lens based on the famous Zeiss Sonnar design and part of the hugely popular trio of lenses (37mm, 58mm, 85mm).

Zeiss Lens OTUS 28mm f/1.4 ZE EF-Mount is designed for Canon EF full-frame reflex DSLR cameras and can also be used with APS-C models in which it will provide a focal length equivalent to 44.8 mm.

The photographic lens Laowa 12mm F2.8 Zero-D with Sony E-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

The Sony FE 24-105mm f/4.0 G OSS is a photographic lens with an F4 aperture across the entire zoom range, thus ensuring quality images in every situation.

Canon Lens CN-E135mm T2.2 L F, is lightweight and compact. It offers spectacular image quality 4K, full coverage of the full frame photo.

The ZEISS Batis 2.8/135 E-mount lens features: wide focal length, fast autofocus, optical image stabilization.

Regardless of the settings chosen, the Sony FE 16-35mm F2.8 GM Optics always delivers perfect resolution from corner to corner, with a stunning background bokeh when required.

A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.

The ZEISS Loxia® 2/35 offers an extended field of view. It is therefore the optimal choice when a subject has to be shown in context or when people want to portray people in a situation, for example for reportage or street photography.