The Fujinon MK50-135mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The ZEISS Batis 2.8 / 18 E-mount optic is a full-frame lens ideal for capturing landscapes, skies and architectures.

The photographic lens Laowa 12mm F2.8 Zero-D with Sony E-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.

Kit ZEISS Loxia Lens 21/35/50/85 mm avalaible for rent.

Kit ZEISS Batis Lenses 18/25/85/135 mm E-mount avalaible for rent.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

The ZEISS Loxia® 2/50 convinces in various application situations. Street photography, landscapes, portraits or spontaneous discoveries: the ZEISS Loxia 2/50 is the ideal companion for photo-cinematographic explorations.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

Despite its compactness, ZEISS’s Loxia 2.8 / 21 super wide-angle lens offers outstanding image quality across the full frame field of a full frame sensor.

The Zeiss 15 – 30mm Lens in Sony E mount with focus markings in feet is a short wide-angle zoom lens for production shooting on formats from Micro Four Thirds to Full-Frame sensors.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

ZEISS CP2 15mm/T 2,9 EF/PL/E-mount lens is a cine prime lens designed for filmmaking and video production applications.

Despite its compactness, ZEISS Loxia 2.4/85 E-mount lens telephoto lens ensures excellent images – in the full field of images of a full frame sensor.

Sony Lens FE 70-300mm F4.5-5.6 G OSS is the first zoom 70-300 mm full frame-mount and offers excellent resolution in every image point. It also ensures early incredible and detailed plans with a minimum focus of 0.9 meters fire.

The Zeiss 28-80mm Lens with E Mount is a telephoto zoom lens that is optimized for motion picture production.

This versatile 50-mm focal focus lens for full-frame sensors is ideal for everyday use and to capture amazing 1: 1 macro imagery.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.

Sony Lens E 16-70mm F4 ZA OSS combines the renowned Zeiss optics with an opening performance Maximum F4 Constant to ensure exceptional performance on the whole zoom range.

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The new ZEISS Lightweight Zoom LWZ.3 21-100 mm/T2.9-3.9 T* zoom lens (ZEISS LWZ.3) offers you superior image performance in any imaginable shooting situation.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

Sony Lens FE 70-200 mm F2,8 GM OSS offers unparalleled rendering, lightning strike and performance stabilizing the extraordinary image.

Lens ZEISS CP2 135mm/T 2,1 metric is a cine prime lens designed for filmmaking and video production applications. Great for portrait shoots.

The ZEISS CP3 15mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The Sony Lens FE 50mm F1.8 is a must for anyone with a full frame camera, and this goal is an excellent choice.

The ZEISS CP2 100mm/T 2,1 metric is part of the second generation of CP cinema lenses that were the first to offer full-frame 35mm coverage of large sensor DSLRs (such as the Canon 5D Mark II).

Il primo teleobiettivo macro medio con attacco E e stabilizzazione dell’immagine integrata offre tutta la qualità di un obiettivo G: risoluzione sorprendente con ingrandimento massimo di 1:1 e splendido effetto bokeh, anche negli scatti a mano libera.