| Focal lenght 15 mm |
| Aperture T 2,9 – T 22 |
| Close focus 0,3 m |
| Weight 0,87 kg |
Vedi anche:
Sony Full-frame FE 50mm f/1.2 GM E-mount
The Sony Full-frame FE 50mm f/1.2 GM E-mount is the perfect choice for content creation professionals, thanks to XA elements.
Zeiss OTUS 55mm f/1.4 ZE EF-Mount lens
The Zeiss Lens OTUS 55mm f/1.4 ZE EF-Mount is a standard focal length premium lens optimized for full-format DSLR camera sensors.
Sony Lens FE 50mm F2,8 macro
This versatile 50-mm focal focus lens for full-frame sensors is ideal for everyday use and to capture amazing 1: 1 macro imagery.
ZEISS CP3 18mm/T 2,9 EF/PL/E-mount lens
The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.
Samyang AF 24-70mm F2.8 E-mount lens
The Photographic zoom lens Samyang AF 24-70mm F2.8 with Sony E-mount combines a premium design, solid build quality, fast and precise autofocus and a bright f/2.8 aperture in a stylish, weatherproof body. A zoom lens worthy of taking its place in any photographer’s bag.
Canon Lens CN-E18-80mm T4.4 L IS
The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.
Sony Lens E PZ 18-110 mm F4 G OSS
Sony Lens E PZ 18-110 mm F4 G OSS covers the most used range in Super 35 mm / APS-C video. The optical performance of the G lens ensures 4K and Ultra HD
Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses
Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses includes all canon series lenses, 4K performance.
Canon Lens EF 16-35mm f/2.8L II USM
ZEISS CP2 85mm/T 1,5 Super Speed EF/PL/E-mount lens
Fast cine prime lens designed for filmmaking and video production applications. It shoots remarkably well in low-light.
Zeiss CP.2 15-25-35-50-85-100-135mm
Canon CN-E 85mm T1.3 FP X Sumire Prime PL
Canon CN-E 85mm T1.3 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.
Ironglass TAIR 11-A 135mm F2.8 – PL-mount Vintage Lens
Ironglass TAIR-11A 135mm T2.9 – MKII Rehousing, offers improved sharpness, a shorter minimum focusing distance, and a very long focus throw (around 300°).
ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens
The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.
Canon CN-E 14mm T3.1 FP X Sumire Prime PL
Canon CN-E 14mm T3.1 FP X Sumire Prime PL is an ultra wide-angle prime lens with manual focus that covers full frame and Super 35 sensor formats providing centre-to-edge resolution that supports 4K production.
ZEISS Lens Loxia 2/50 E-mount
The ZEISS Loxia® 2/50 convinces in various application situations. Street photography, landscapes, portraits or spontaneous discoveries: the ZEISS Loxia 2/50 is the ideal companion for photo-cinematographic explorations.
Sony Lens FE 85mm F1.4 GM
The Sony FE 85mm f / 1.4 GM is a telephoto lens for FF and APS-C format. Focusing is by ultrasonic AF motor (Ring-USM), image stabilization is built into the camera.
Laowa Venus 24mm f/14 2X Macro Probe EF-Mount lens
Laowa 24mm f/14 2X Macro Probe lens allows you to focus very closely (2cm @ 2:1), while showing many details and textures.
Sony FE 24-70mm f/2.8 GM II
Sony FE 24-70mm f/2.8 GM II is a revamped standard zoom, ideal for your basic three-lens set, with advanced optics and AF performance in a practical, compact and lightweight format that offers maximum mobility for photo and video.
ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens
The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.
Laowa 12mm F2.8 Zero-D – Canon EF-mount
The photographic lens Laowa 12mm F2.8 Zero-D with Canon EF-mount, a truly wide-angle prime featuring a rectilinear optical design, is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.
ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens
The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.
Sony Lens FE 16-35mm F4 ZA OSS
This zoom lens Zeiss Vario-Tessar lens with E-mount 16-35mm full frame encloses Exceptional performance in a compact and lightweight body.
Ottica Samyang 35mm T1.5 VDSLR
L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).
Ironglass JUPITER-9 85mm F2 – PL-mount Vintage Lens
The Ironglass JUPITER-9 85mm T2.1 – MKII Rehousing is a highly regarded Soviet telephoto lens based on the famous Zeiss Sonnar design and part of the hugely popular trio of lenses (37mm, 58mm, 85mm).
Ironglass HELIOS 44-2 58mm F2 – PL-mount Vintage Lens
The Ironglass HELIOS 44-2 58mm T2.1 – MKII Rehousing is a legendary lens completely redesigned for professional cinema, offering a robust body, PL or EF mount, distance indicators and integrated follow-focus mechanisms.
Canon CN-E 135mm T2.2 FP X Sumire Prime PL
Canon CN-E 135mm T2.2 FP X Sumire Prime PL is a manual focus cinema lens covering full frame and Super 35 formats.
ZEISS Batis 1.8/85 E-mount lens
Short focusing distance up close, high speed, fast autofocus and wide-angle for full frame: the ZEISS Batis 2/25 E-mount optic is the ideal lens for exceptional perspectives in landscape photography, architecture, street scenes and photojournalism.
DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom Lens
A parfocal cinema lens, the DZOFilm Pictor 20-55mm T2.8 Super35 Parfocal Zoom optics features a relatively fast maximum aperture of T2.8 with an aperture range of T2.8 to T22.
ZEISS Lens Loxia 2/35 E-mount
The ZEISS Loxia® 2/35 offers an extended field of view. It is therefore the optimal choice when a subject has to be shown in context or when people want to portray people in a situation, for example for reportage or street photography.













