Front-loading elevator made with sliding profiles in aluminum section and equipped with trolley with forks.

The Ronin 2 is a three-axis stabilized gimbal with a load capacity of 13.6 kg, ideal for making videos more fluid and stable in any situation.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The V-Mount battery adapter for SkyPanel allows you to connect two V-Mount style batteries to the SkyPanel. With a cable, the battery adapter makes SkyPanel truly mobile. Both batteries are necessary to supply the correct voltage to the lamp unit.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The GoPro HERO9 Black delivers stunning 5K video and 20MP photos, with HyperSmooth 3.0 stabilization and a waterproof design.

Dolly CD6 equipped with basic platform, suitable for crane 120.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

Sony VENICE has a 36 x 24 mm full frame image sensor, capable of acquiring images with a maximum resolution of up to 6048 x 4032.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

ATEM 1 M / E Advanced Panel is an elegant professional control panel for ATEM switchers. Its modern design includes the latest technology to manage the transmission with fast and efficient workflows.

The Sigma 18-35mm T2 High-Speed Zoom EF-Mount optics provides an image circle covering Super 35mm sized sensors.

The Red Komodo 6K camera is the latest release from RED, compact and versatile guarantees perfect shooting and up to 6K resolution.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

With its large, bright 19 “LCD screen with high visibility even in bright light, with HDR capability, the ability to display LUT, the Sumo is a fantastic tool for monitoring, both in production and post-production.

The new Sony PXW-FS7 II, thanks to the many enhancements, from the brand new optic attachment to the ultra-high-end automatic variable electronic ND system, with greater ergonomics, extends considerably the possibilities of use.

L’ottica Samyang 35mm T1.5 VDSLR con attacco EF-Mount è un obiettivo grandangolare, ideato per camere con sensore a formato pieno Full-frame (FX).

Slider Syrp composed by Magic Carpet Pro, Genie II Linear and Genie II Pan Tilt.

Crane 2 is a SLR and mirrorless stabilizer with 3.2kg camera support, OLED screen and electronic follow focus.

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.