Housing 5.7K sensor capable of rendering smooth 4K images, Panasonic’s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is perfect for documentary, cinema, and live event production.

ATEM Television Studio Pro HD combines a professional physical control panel and a powerful 8-input live output switcher. Equipped with 4 HDMI inputs and 4 SDI inputs, it connects to 8 distinct sources, including SDI broadcast rooms, high-definition HDMI chambers, computers, and game consoles.

The Ronin 2 is a three-axis stabilized gimbal with a load capacity of 13.6 kg, ideal for making videos more fluid and stable in any situation.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

PXW-FS7 XDCAM camera has an ergonomic grip design for easy handling and operability, making it ideal for one-man operation in situations where the extraordinary flexibility of its α Mount lens system and compatible interchangeable lenses can be used to maximum advantage.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

The GoPro HERO9 Black delivers stunning 5K video and 20MP photos, with HyperSmooth 3.0 stabilization and a waterproof design.

The SkyPanel S30 is the smaller and more portable version; with half the length of the SkyPanel S60, it is perfect for use in external locations (ENG crew). Both models are available in versions with color / temperature and remote phosphor adjustment.

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

ATEM Television Studio HD accommodates 4 SDI inputs and 4 HDMI inputs with frame synchronization, compatible with Broadcast and Broadcast cameras.

Crane 2 is a SLR and mirrorless stabilizer with 3.2kg camera support, OLED screen and electronic follow focus.

Sony VENICE has a 36 x 24 mm full frame image sensor, capable of acquiring images with a maximum resolution of up to 6048 x 4032.

The RODE NT1-A microphone, with an equivalent noise level of only 5dBA is universally recognized (along with the NT1) as one of the world’s quietest studio microphones.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

Optimized video, optimized sensitivity, optimized speed, the Sony Alpha a7S III 4K compact camera raises the bar of what a full frame mirrorless camera is capable of.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

The ARRI Skypanel S120 is twice as long as S60, while still maintaining about the same weight. Its wider opening makes the quality of diffused light even better.

Mirrorless DSLM Lumix G (Digital Single Lens Mirrorless, Digital Mirrored Single Lens) with High Quality Image, 4K / 60p Video Recording Features and 6K PHOTO Mode

The high standard Sirui 35mm f/1.8 Anamorphic 1.33x lens can function as a 26.3mm lens by widening the field of view by up to 33%.

E-image’s pedestals are ideal solution for both outside broadcasting and studio shooting. Air pump system makes the pedestals move up and down smoothly.

Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity.