Canon Lens CN-E85mm T1.3 L F is robust, compact and weighing just 1.1 kg, offers incredible 4K images, a perspective and a natural angle. Ideal for turning in low brightness conditions or to obtain a shallow depth of field

Canon CN-E 35mm T1.5 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.

The ZEISS CP3 85mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Canon CN-E 135mm T2.2 FP X Sumire Prime PL is a manual focus cinema lens covering full frame and Super 35 formats.

The wide angle lens with fixed focal length E24mm CN-1.5 LF T offers incredible images 4k for a broader perspective.

Canon CN-E 14mm T3.1 FP X Sumire Prime PL is an ultra wide-angle prime lens with manual focus that covers full frame and Super 35 sensor formats providing centre-to-edge resolution that supports 4K production.

The Fujinon MK18-55mm T2.9 Lens in E-Mount is a lightweight cine-style zoom lens for E-mount cameras with a Super 35mm-sized sensor.

The Ironglass JUPITER-9 85mm T2.1 – MKII Rehousing is a highly regarded Soviet telephoto lens based on the famous Zeiss Sonnar design and part of the hugely popular trio of lenses (37mm, 58mm, 85mm).

The ZEISS CP3 35mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The LAOWA 12mm f/2.8 ZERO-D adopts a floating optical design that ensures exceptional sharpness both at infinity.

Canon CN-E 20mm T1.5 FP X Sumire Prime PL is designed to offer a delicate, subtle rendering of a subject, offering fast apertures and precise manual control.

The Ironglass HELIOS 44-2 58mm T2.1 – MKII Rehousing is a legendary lens completely redesigned for professional cinema, offering a robust body, PL or EF mount, distance indicators and integrated follow-focus mechanisms.

Canon CN-E 85mm T1.3 FP X Sumire Prime PL is a manual focus lens covering full frame and Super 35 sensor formats.

ZEISS CP2 15mm/T 2,9 EF/PL/E-mount lens is a cine prime lens designed for filmmaking and video production applications.

The ZEISS CP3 50mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

Ironglass TAIR-11A 135mm T2.9 – MKII Rehousing, offers improved sharpness, a shorter minimum focusing distance, and a very long focus throw (around 300°).

Canon CN-E 24mm T1.5 FP X Sumire Prime PL is a manual focus lens that covers full frame and Super 35 sensor formats, offering centre-to-edge resolution that supports 4K production.

Canon Lens CN-E135mm T2.2 L F, is lightweight and compact. It offers spectacular image quality 4K, full coverage of the full frame photo.

Ironglass MIR-1V 37mm T2.9 – MKII Rehousing is a very popular wide-angle/medium lens, based on the famous Zeiss Flektogon, known for its spectacular flares.

The newest Compact Prime Zeiss CP.3 15-18-25-28-35-50-85mm lenses are full frame lenses with a fixed focal length.

The ZEISS CP3 25mm/T 2.1 EF/PL/E-mount Lens, with advanced coatings, provides a higher contrast, richer blacks and more saturated colors.

Kit Cine Sumire Prime 14-20-24-35-50-85-135 mm PL lenses includes all canon series lenses, 4K performance.

Laowa 24mm f/14 2X Macro Probe lens allows you to focus very closely (2cm @ 2:1), while showing many details and textures.

The Canon Lens CN-E18-80mm T4.4 L IS offering high-end cinema servo features such as super smooth zoom and focus.

The ZEISS CP3 18mm / T 2,9 EF / PL / E-mount optic is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.

The ZEISS CP3 28mm/T 2,1 EF/PL/E-mount lens is equipped with advanced lens coatings, painted lens rims and special light traps inside the barrel to eliminate glare and glare. The result is a higher contrast, richer blacks and more saturated colors.