The GoPro HERO9 Black delivers stunning 5K video and 20MP photos, with HyperSmooth 3.0 stabilization and a waterproof design.

The ULK elevators are covered with stainless steel (650 x 60 x 60 mm / 2 ‘1.59 “x 2.36” x 2.36 “) and have a loading height of 28 cm (11.02”)) from the floor that makes the load effortless.

Jinbei’s new EF-200BI LED light uses a COB (Chip On Board) technology high luminous efficiency lamp and the color temperature can be varied from 2700K to 6500K.

Canon C200 camera for video shooting in 4K, boasts a Super 35 mm CMOS sensor capable of recording high definition UHD / 50P MP4 movies, two internal SD cards, and Full HD up to 120P.

Led Light 200W comparable to 2000W quartz light. 5500 K Color temperature. Remote control of power and touch panel.

The Nanlux spot Evoke 5000B two-colour LED light is a versatile LED lamp designed for professional applications in film and photography.

The Sirui 35mm f/1.8 Anamorphic 1.33x lens produces an image circle large enough to cover APS-C sensors. Since the field of view is anamorphous, it is wider than any normal 50mm lens.

The Arri T1 Location Fresnel is one of a series that represents an unprecedented evolution of Studio and Location devices that have been popular workhorses for over two decades.
When fitted with a 1000-watt bulb (available separately) this fixture will provide a 2.8′ (0.9 m) diameter beam of 409 fc from a distance of 20′ (6.1 m) at full spot. At full flood (same distance), it will provide a 48 fc, 20.4′ (6.2 m) diameter beam

Insta360 Pro captures 360-degree video and 360-degree spheres, in addition to 8k and 3D, it’s possible to stream while recording using less bandwidth thanks to H.265 compression. It incorporates 6 cameras with 200 ° lens and offers the ability to set shutter speed, as well as having complete control.

URSA Mini Pro 4.6K G2 is the new generation digital camera with completely revised electronic components and a high performance 4.6K HDR sensor for recordings up to 300 fps.

The FL-45E Fresnel lens 16-50° motorised for Nanlux Evoke 5000 LED light features a 45cm lens with a 16°-50° zoom range.

This black True Blue D25 2500W HMI Fresnel from ARRI is another example of their completely redesigned True Blue series. The 10″ Fresnel with a beam angle variable from 6-59° is protected with stainless steel mesh. Pressure die-cast and extruded aluminum alloy components make the D25 lighter without sacrificing strength while improving corrosion resistance.

This flexible 756-piece LED light can be curved in any shape to produce 10 ° -360 ° with various lighting angles, which must be integrated using video production in the field, particularly lighting in tight spaces.

SWIT S-2712 compact pocket RGB LED light with light effects produces creative RGB colors by HSI adjustment and 20x demo effects. It can be widely used in outdoor video production, especially for lighting in confined spaces.

Blackmagic Web Presenter makes SDI or HDMI video sources look like a USB webcam, for high-quality streaming on the web via Skype or on the YouTube Live, Facebook Live, Twitch.tv, Periscope and more platforms.

This Nanlite SB-MP150 softbox is compatible with MixPanel 150 RGBWW LED panel. It features a speed ring-free design and the unit mounts to the front of the LED panel via touch fasteners.

ATEM 1 M / E Advanced Panel is an elegant professional control panel for ATEM switchers. Its modern design includes the latest technology to manage the transmission with fast and efficient workflows.

Nanlux DYNO 650C soft RGBW LED has a wide color temperature range of 2700 to 20,000 K and CRI of 98.

The flexible Shinobi SDI is on-camera monitor with both 3G-SDI and HDMI inputs, supporting up to DCI 2K via SDI or up to DCI 4K via its HDMI input.

With 1″ CMOS sensor, for 4K / 60fps shooting and 20MP photos, the Phantom 4 Pro V2.0 gives filmmakers absolute creative freedom.